This latest trip
to New York has shocked and saddened me. To watch the struggle, to feel
the bitterness and intolerance of the various groups—to find one
clique of artists set against another, to know that most of those who
come here will fail and die—is appalling. The City is filled with
strugglers, students of art, ambitious poets, journalists, novelists,
writers of all kinds—I meet them at the clubs—some of them will be
the large figures of 1900, most of them will have fallen under the
wheel—This bitter war of Realists and Romanticists will be the jest of
those who come after us, and they in their turn will be full of battle
ardor with other cries and other banners. How is it possible to make
much account of the cries and banners of to-day when I know they will
be forgotten of all but the students of literary history?”
My contract with McClure's called for an advance of fifty
dollars a week (more money than I had ever hoped to earn) and with this
in prospect I purchased a new set of dinner china and a piano, which
filled my mother's heart with delight. As I thought of her living long
weeks in the old homestead with only my invalid aunt for company my
conscience troubled me, and as it was necessary for me to go to
Washington to complete my history, I attempted to mitigate her
loneliness by buying a talking machine, through which I was able send
her messages and songs. She considered these wax cylinders a poor
substitute for my actual voice, but she got some entertainment from
them by setting the machine going for the amazement of her callers.
November saw me settled in Washington, hard at work on my history,
but all the time my mind was working, almost unconsciously, on my new
fictional problems, “After all, I am a novelist,” I wrote to Fuller,
and I found time even in the midst of my historical study to compose an
occasional short story of Colorado or Mexico.
Magazine editors were entirely hospitable to me now, for my tales of
the Indian and the miner had created a friendlier spirit among their
readers. My later themes were, happily, quite outside the controversial
belt. Concerned less with the hopeless drudgery, and more with the epic
side of western life, I found myself almost popular. My critics, once
off their guard, were able to praise, cautiously it is true, but to
praise. Some of them assured me with paternal gravity that I might, by
following their suggestions become a happy and moderately successful
writer, and this prosperity, you may be sure, was reflected to some
degree in the dining room of the old Homestead.
My father, though glad of the shelter of the Wisconsin hills in
winter, was too vigorous,—far too vigorous—to be confined to the
limits of a four-acre garden patch, and when I urged him to join me in
buying one of the fine level farms in our valley he agreed, but added
“I must sell my Dakota land first.”
With this I was forced to be content. Though sixty years old he
still steered the six-horse header in harvest time, tireless and
unsubdued. Times were improving slowly, very slowly in Dakota but
opportunities for selling his land were still remote. He was not
willing to make the necessary sacrifices. “I will not give it away,” he
grimly declared.
My return to the Homestead during the winter holidays brought many
unforgettable experiences. Memories of those winter mornings come back
to me—sunrises with steel-blue shadows lying along the drifts, whilst
every weed, every shrub, feathered with frost, is lit with subtlest
fire and the hills rise out of the mist, domes of brilliant-blue and
burning silver. Splashes of red-gold fill all the fields, and small
birds, flying amid the rimy foliage, shake sparkles of fire from their
careless wings.
It was the antithesis of Indian summer, and yet it had something of
the same dream-like quality. Its beauty was more poignant. The rounded
tops of the red-oaks seemed to float in the sparkling air in which
millions of sun-lit frost flakes glittered. All forms and lines were
softened by this falling veil, and the world so adorned, so
transfigured, filled the heart with a keen regret, a sense of pity that
such a world should pass.
At such times I was glad of my new home, and my mother found in me
only the confident and hopeful son. My doubts of the future, my
discouragements of the present I carefully concealed.
Although my Ulysses Grant, His Life and Character absorbed
most of my time and the larger part of my energy during two years, I
continued to dream (in my hours of leisure), of the “High Country”
whose splendors of cloud and peak, combined with the broad-cast doings
of the cattleman and miner, had aroused my enthusiasm. The heroic
types, both white and red, which the trail has fashioned to its needs
continued to allure me, and when in June, '97, my brother, on his
vacation, met me again at West Salem, I outlined a tour which should
begin with a study of the Sioux at Standing Rock and end with Seattle
and the Pacific Ocean. “I must know the North-west,” I said to him.
In order to report properly to any army post, I had in my pocket a
letter from General Miles which commended me to all agents and
officers, and with this as passport I was in the middle of getting my
equipment in order when Ernest Thompson Seton and his wife surprised me
by dropping off the train one morning late in the month. They too, were
on their way to the Rockies, and in radiant holiday humor.
My first meeting with Seton had been in New York at a luncheon given
for James Barrie only a few months before, but we had formed one of
those instantaneous friendships which spring from the possession of
many identical interests. His skill as an illustrator and his knowledge
of wild animals had gained my admiration but I now learned that he knew
certain phases of the West better than I, for though of English birth
he had lived in Manitoba for several years. We were of the same age
also, and this was another bond of sympathy.
He asked me to accompany him on his tour of the Yellowstone but as I
had already arranged for a study of the Sioux, and as his own plans
were equally definite, we reluctantly gave up all idea of camping
together, but agreed to meet in New York City in October to compare
notes.
The following week, on the first day of July, my brother and I were
in Bismark, North Dakota, on our way to the Standing Rock Reservation
to witness the “White Men's Big Sunday,” as the red people were
accustomed to call the Fourth of July.
It chanced to be a cool, sweet, jocund morning, and as we drove
away, in an open buggy, over the treeless prairie swells toward the
agency some sixty miles to the south, I experienced a sense of elation,
a joy of life, a thrill of expectancy, which promised well for fiction.
I knew the signs.
There was little settlement of any kind for twenty miles, but after
we crossed the Cannonball River we entered upon the unviolated,
primeval sod of the red hunter. Conical lodges were grouped along the
streams. Horsemen with floating feathers and beaded buck-skin shirts
over-took us riding like scouts, and when on the second morning we
topped the final hill and saw the agency out-spread below us on the
river bank, with hundreds of canvas tepees set in a wide circle behind
it, our satisfaction was complete. Thousands of Sioux, men, women, and
children could be seen moving about the teepees, while platoons of
mounted warriors swept like scouting war parties across the plain. I
congratulated myself on having reached this famous agency while yet its
festival held something tribal and primitive.
After reporting to the Commander at Fort Yates, and calling upon the
Agent in his office, we took lodgings at a little half-breed boarding
house near the store, and ate our dinner at a table where full-bloods,
half-bloods and squaw men were the other guests.
Every waking hour thereafter we spent in observation of the people.
With an interpreter to aid me I conversed with the head men and
inquired into their history.
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