Alcott, Louisa May - SSC 20

             

 

A Double Life

 

 

Alcott Louisa May

 


 

  
             

 
A DOUBLE LIFE

 

 
The Selected Letters of
 Louisa May Alcott

 

 

 

With an Introduction by
 Madeleine B. Stern

 

 

Joel Myerson and Daniel Shealy, Editors;
 Madeleine B. Stern, Associate Editor

 

 

 

NEWLY DISCOVERED THRI LLERS

 

 

WITH AN INTRODUCTION BY
 MADELEINE B. STERN

 

Madeleine B. Stern, Editor

 

Joel Myerson and Daniel Shealy, Associate Editors

 

  
             

 LITTLE, BROWN AND COMPANY • BOSTONTORONTO

 

 
            TEXT COMPILATION COPYRIGHT © 1988 BY MADELEINE B. STERN, JOEL MYERSON, AND DANIEL SHEALY

 

            INTRODUCTION COPYRIGHT © 1988 BY MADELEINE B.
 STERN

 

 

            ALL RIGHTS RESERVED. NO PART OF THIS BOOK MAY BE REPRODUCED IN ANY FORM OR BY ANY ELECTRONIC OR MECHANICAL MEANS, INCLUDING INFORMATION STORAGE AND RETRIEVAL SYSTEMS, WITHOUT PERMISSION IN WRITING FROM THE PUBLISHER, EXCEPT BY A REVIEWER, WHO MAY QUOTE BRIEF PASSAGES IN A REVIEW.

 

            FIRST EDITION

 


 

            All illustrations are reprinted by permission of the American Antiquarian Society, Worcester, Massachusetts, except for the illustration appearing on p. 191, which is reproduced courtesy of the Brown University Library, Providence, Rhode Island.

            Library of Congress Cataloging-in-Publication Data

 

            Alcott, Louisa May, 1832-1888.

            A double life.

 

            1. Detective and mystery stories, American. 1. Stern, Madeleine B. 1912-     II. Myerson, Joel.

 

            III. Shelly, Daniel. IV. Title.

            PS1016.S73          1988          813'. 4               87-37827

            ISBN 0-316-03101-1

            10 987654321

 

            DESIGNED BY JEANNE ABBOUD

 

            Published simultaneously in Canada
 by Little, Brown & Company (
Canada) Limited

 


Contents

 

Acknowledgements

Introduction

A Note on the Texts

A Pair of Eyes; or Modern Magic

PART I

PART II

The Fate of the Forrests

PART I

PART II

PART III

A Double Tragedy. An Acors Story

CHAPTER I

CHAPTER II

CHAPTER III

Ariel. A Legend of the Lighthouse

PART I

PART II

PART III

Taming a Tartar

CHAPTER I

CHAPTER II

CHAPTER III

CHAPTER IV

CHAPTER V

CHAPTER VI

CHAPTER VII

 


          Acknowledgements

 

            ALL THREE editors are grateful to the staffs of the American Antiquarian Society, Brown University Library, the New York Public Library, and the University of South Carolina Library for making available the original printings of the texts in A Double Life, and to the Houghton Library, Harvard University, and the University of Virginia Library for permission to publish material from their collections. VVe also wish to thank Armida Gilbert for her help in preparing the texts used in our edition. Joel Myerson acknowledges the support of Carol McGinnis Kay, Dean of the College of Humanities and Social Sciences of the University of South Carolina. Daniel Shealy is grateful to G. W. Koon, Chairman of the Department of English, and Robert A. Waller, Dean of the College of Liberal Arts, of Clemson University. Madeleine B. Stern acknowledges the unceasing support of her partner, Dr. Leona Rostenberg, \m ho originally discovered many of Alcott’s pseudonymous works.

 

 

 
            Introduction

 

             

 


             BY MADELEINE B. STERN

 

            NEVER AGAIN will you have quite the same image of this particular ‘little woman.’”1

 

[1.] In a Publishers Weekly re\ie\\ oi Behind a Mask: The Uiikiiowii Thrillers of Louisa May Alcott, ed. Madeleine B. Stern (New York: William Morrow, 1975). Other quoted review's are from Los Angeles limes and Neu' York Times.

 

            This remark, made in 1975 when the first volume of Louisa Alcott’s sensational thrillers was published, was prophetic. The picture of the exemplary spinster of Concord, Massachusetts, who had created the perennial classic Little Women was shattered for all time. With publication of her anonymous and pseudonymous page turners, an amazed public learned that America’s best-loved author of juvenile fiction had led a double literary life and that the creator of the greatest domestic novel of the New England family had also been the familiar of a world of darkness. Readers devoured her stories of madness and mind control, passionate and manipulating heroines, hashish and opium addiction.