It was crowded, and
as you waited at the crossing you spoke to Jack Mellot, and while talking
pulled off your hat and tumbled your hair about, in your usual fashion, when
very earnest. We were blockaded by cars and coaches for a moment, so Miss Eure
had a fine opportunity to feast her eyes upon you, ‘though you are not pretty,
by the way.’ She asked your name, and when I told her she gushed out into a
charming little stream of interest in your daubs, and her delight at seeing
their creator; all of which was not agreeable to me, for I considered myself
much the finer work of art of the two. Just then you caught up a shabby child
with a big basket, took them across, under our horses’ noses, with never a word
for me, though I called to you, and, diving into the crowd, disappeared. ‘I
like that,’ said Miss Eure; and as we drove on she asked questions, which I answered
in a truly Christian manner, doing you no harm, old lad; for I told all you had
fought through, with the courage of a stout-hearted man, all you had borne with
the patience of a woman, and what a grand future lay open to you, if you chose
to accept and use it, making quite a fascinating little romance of it, I assure
you. There the matter dropped. I forgot it till this minute, but it accounts
for the ease with which you gained your first suit, and is prophetic of like
success in a second and more serious one. She is young, well-born, lovely to those who love her, and has a fortune and position
which will lift you at once to the topmost round of the long ladder you’ve been
climbing all these years. I wish you joy, Max.”
“Thank
you. I’ve no time for lovemaking, and want no fortune but that which I earn for
myself. I am alreadv married to a fairer wife than Miss Eure, so you may win
and wear the lofty lady yourself.”
Louis
gave a comical groan.
“I’ve
tried that, and failed; for she is too cold to be warmed by any flame of mine,
though she is wonderfully attractive when she likes, and I hover about her even
now like an infatuated moth, who beats his head
against the glass and never reaches the light within. No; you must thankfully
accept the good the gods bestow. Let Art be your Leah, but Agatha your Rachel. And so, good-night!” “Stay and tell me one thing — is she an
orphan?”
“Yes;
the last of a fine old race, with few relatives and few friends, for death has
deprived her of the first, and her own choice of the last. The ladv you saw
with her plays propriety in her establishment; the lad is Mrs. Snow’s son, and
fills the role of cavaJiere- servente; for Miss Eure is a Diana toward
men in general, and leads a quietly luxurious life among her books, pencils and
music, reading and studying all manner of things few women of two-and- twenty
care to know. But she has the wit to see that a woman’s mission is to be
charming, and when she has sufficient motive for the exertion she fulfils that
mission most successfully, as I know to my sorrow. Now let me off, and be for
ever grateful for the good turn I have done you to-night, both in urging you to
go to the theatre and helping vou to your wish when you got there.”
We
parted merrily, but his words lingered in my memory, and half unconsciously
exerted a new influence over me, for they flattered the three ruling passions
that make or mar the fortunes of us all — pride, ambition and self-love. I
wanted power, fame and ease, and all seemed waiting for me, not in the dim
future but the actual present, if my friend’s belief was to be relied upon; and
remembering all I had seen and heard that night, I felt that it was not utterly
without foundation. I pleased myself for an idle hour in dreaming dreams of
what might be; finding that amusement began to grow dangerously attractive, I
demolished my castles in the air with the last whiff of my meerschaum, and fell
asleep, echoing my own words:
“Art
is my wife, I will have no other!”
Punctual
to the moment I went to my appointment, and while waiting an answer to my ring
took an exterior survey of Miss Eure’s house. One of an imposing granite block,
it stood in a West End square, with every sign of unostentatious opulence about
it. I was very susceptible to all influences, either painful or pleasant, and
as I stood there the bland atmosphere that surrounded me seemed most
attractive; for my solitary life had been plain and poor, with little time for
ease, and few ornaments to give it grace. Now I seemed to have won the right to
enjoy both if 1 would; I no longer felt out of place there, and with this
feeling came the wish to try the sunny side of life, and see if its genial
gifts would prove more inspiring than the sterner masters I had been serving so
long.
The
door opened in the middle of my reverie, and I was led through an anteroom,
lined with warmhued pictures, to a large apartment, which had been converted
into an impromptu studio by some one who understood all the requisites for such
a place. The picture, my easel and other necessaries had preceded me, and I
thought to have spent a good hour in arranging matters. All was done, however,
with a skill that surprised me; the shaded windows, the carefully-arranged
brushes, the proper colors already on the palette, the easel and picture placed
as they should be, and a deep curtain hung behind a small dais, where I fancied
my model was to sit. The room was empty as I entered, and with the brief
message, “Miss Eure will be down directly,” the man noiselessly departed.
I
stood and looked about me with great satisfaction, thinking, “I cannot fail to
work well surrounded by such agreeable sights and sounds.” The house was very
still, for the turmoil of the city was subdued to a murmur, like the far-off
music of the sea; a soft gloom filled the room, divided by one strong ray that
fell athwart my picture, gifting it with warmth and light. Through a half-open
door I saw the green vista of a conservatory, full of fine blendings of color,
and wafts of many odors blown to me by the west wind rustling through orange
trees and slender palms; while the only sound that broke the silence was the
voice of a flame-colored foreign bird, singing a plaintive little strain like a
sorrowful lament. I liked this scene, and, standing in the doorway, was content
to look, listen and enjoy, forgetful of time, till a slight stir made me turn
and for a moment look straight before me w ith a startled aspect. It seemed as
if my picture had left its frame; for, standing on the narrow dais, clearly
defined against the dark background, stood the living likeness of the figure I
had painted, the same white folds falling from neck to ankle, the same shadowy
hair, and slender hands locked together, as if wrung in slow despair; and fixed
full upon my own the weird, unseeing eyes, w hich made the face a pale mask,
through which the haunted spirit spoke eloquently, with its sleepless anguish
and remorse.
“Good morning, Miss Eure; how shall I thank you?” I began,
but stopped abruptly, for without speaking she waved me towards the easel w ith
a gesture which seemed to say, “Prove your gratitude by industry.”
“Very
good,” thought I, “if she likes the theatrical style she shall have it. It is
evident she has studied her part and will play it well, 1 will do the
same, and as Louis recommends, take the good the gods send me w hile I may.”
Without
more ado I took my place and tell to work; but, though never more eager to get
on, with each moment that I passed I found my interest in the picture grow less
and less intent, and with every glance at my model found that it w as more and
more difficult to look away. Beautiful she was not, but the wild and woful
figure seemed to attract me as no Hebe, Venus or sw eet-laced Psyche had ever
done.
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