See, you can scarcely stand up at this end of the room; and when the morning begins to come I can lie in bed and look right up into the sky through that flat window in the roof. It is like a square patch of light. If the sun is going to shine, little pink clouds float about, and I feel as if I could touch them. And if it rains, the drops patter and patter as if they were saying something nice. Then if there are stars, you can lie and try to count how many go into the patch. It takes such a lot. And just look at that tiny, rusty grate in the corner. If it was polished and there was a fire in it, just think how nice it would be. You see, it's really a beautiful little room."

She was walking round the small place, holding Lottie's hand and making gestures which described all the beauties she was making herself see. She quite made Lottie see them, too. Lottie could always believe in the things Sara made pictures of.

"You see," she said, "there could be a thick, soft blue Indian rug on the floor; and in that corner there could be a soft little sofa, with cushions to curl up on; and just over it could be a shelf full of books so that one could reach them easily; and there could be a fur rug before the fire, and hangings on the wall to cover up the whitewash, and pictures. They would have to be little ones, but they could be beautiful; and there could be a lamp with a deep rose-colored shade; and a table in the middle, with things to have tea with; and a little fat copper kettle singing on the hob; and the bed could be quite different. It could be made soft and covered with a lovely silk coverlet. It could be beautiful. And perhaps we could coax the sparrows until we made such friends with them that they would come and peck at the window and ask to be let in."

"Oh, Sara!" cried Lottie. "I should like to live here!"

When Sara had persuaded her to go downstairs again, and, after setting her on her way, had come back to her attic, she stood in the middle of it and looked about her. The enchantment of her imaginings for Lottie had died away. The bed was hard and covered with its dingy quilt. The whitewashed wall showed its broken patches, the floor was cold and bare, the grate was broken and rusty, and the battered footstool, tilted sideways on its injured leg, the only seat in the room. She sat down on it for a few minutes and let her head drop in her hands. The mere fact that Lottie had come and gone away again made things seem a little worse—just as perhaps prisoners feel a little more desolate after visitors come and go, leaving them behind.

"It's a lonely place," she said. "Sometimes it's the loneliest place in the world."

She was sitting in this way when her attention was attracted by a slight sound near her. She lifted her head to see where it came from, and if she had been a nervous child she would have left her seat on the battered footstool in a great hurry. A large rat was sitting up on his hind quarters and sniffing the air in an interested manner. Some of Lottie's crumbs had dropped upon the floor and their scent had drawn him out of his hole.

He looked so queer and so like a gray-whiskered dwarf or gnome that Sara was rather fascinated. He looked at her with his bright eyes, as if he were asking a question. He was evidently so doubtful that one of the child's queer thoughts came into her mind.

"I dare say it is rather hard to be a rat," she mused. "Nobody likes you. People jump and run away and scream out, 'Oh, a horrid rat!' I shouldn't like people to scream and jump and say, 'Oh, a horrid Sara!' the moment they saw me. And set traps for me, and pretend they were dinner.