In the Gem Jack Blake is supposed to write the answers to correspondents, and in the Magnet a couple of pages is always given up to the school magazine (the Greyfriars Herald, edited by Harry Wharton), and there is another page in which one or other character is written up each week. The stories run in cycles, two or three characters being kept in the foreground for several weeks at a time. First there will be a series of rollicking adventure stories, featuring the Famous Five and Billy Bunter; then a run of stories turning on mistaken identity, with Wibley (the make-up wizard) in the star part; then a run of more serious stories in which Vernon-Smith is trembling on the verge of expulsion. And here one comes upon the real secret of the Gem and Magnet and the probable reason why they continue to be read in spite of their obvious out-of-dateness.
It is that the characters are so carefully graded as to give almost every type of reader a character he can identify himself with. Most boys' papers aim at doing this, hence the boy-assistant (Sexton Blake's Tinker, Nelson Lee's Nipper, etc.) who usually accompanies the explorer, detective or what-not on his adventures. But in these cases there is only one boy, and usually it is much the same type of boy. In the Gem and Magnet there is a model for very nearly everybody. There is the normal, athletic, high-spirited boy (Tom Merry, Jack Blake, Frank Nugent), a slightly rowdier version of this type (Bob Cherry), a more aristocratic version (Talbot, Manners), a quieter, more serious version (Harry Wharton), and a stolid, "bulldog" version ( Johnny Bull). Then there is the reckless, dare-devil type of boy (Vernon-Smith), the definitely "clever," studious boy (Mark Linley, Dick Penfold), and the eccentric boy who is not good at games but possesses some special talent (Skinner, Wibley). And there is the scholarship-boy (Tom Redwing), an important figure in this class of story because he makes it possible for boys from very poor homes to project themselves into the public-school atmosphere. In addition there are Australian, Irish, Welsh, Manx, Yorkshire and Lancashire boys to play upon local patriotism. But the subtlety of characterisation goes deeper than this. If one studies the correspondence columns one sees that there is probably no character in the Gem and Magnet whom some or other reader does not identify with, except the out-and-out comics, Coker, Billy Bunter, Fisher T. Fish (the money-grubbing American boy) and, of course, the masters. Bunter, though in his origin he probably owed something to the fat boy in Pickwick, is a real creation. His tight trousers against which boots and canes are constantly thudding, his astuteness in search of food, his postal order which never turns up, have made him famous wherever the Union Jack waves. But he is not a subject for daydreams. On the other hand, another seeming figure of fun, Gussy (the Honourable Arthur A. D'Arcy, "the swell of St. Jim's"), is evidently much admired. Like everything else in the Gem and Magnet, Gussy is at least thirty years out of date. He is the "knut" of the early twentieth century or even the "masher" of the 'nineties ("Bai Jove, deah boy!" and "Weally, I shall be obliged to give you a feahful thwashin'!"), the monocled idiot who made good on the fields of Mons and Le Cateau.7 And his evident popularity goes to show how deep the snob-appeal of this type is. English people are extremely fond of the titled ass (cf. Lord Peter Wimsey) who always turns up trumps in the moment of emergency. Here is a letter from one of Gussy's girl admirers:
I think you're too hard on Gussy. I wonder he's still in existence, the way you treat him. He's my hero. Did you know I write lyrics? How's this—to the tune of "Goody Goody"?
Gonna get my gas-mask, join the A. R. P.
'Cos I'm wise to all those bombs you drop on me.
Gonna dig myself a trench
Inside the garden fence;
Gonna seal my windows up with tin
So that the tear gas can't get in;
Gonna park my cannon right outside the kerb
With a note to Adolf Hitler: "Don't disturb!"
And if I never fall in Nazi hands
That's soon enough for me
Gonna get my gas-mask, join the A.
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