U Po Kyin waddled to the table, sat down with a grunt and at once threw himself on the food. Ma Kin, his wife, stood behind him and served him. She was a thin woman of five and forty, with a kindly, pale brown, simian face. U Po Kyin took no notice of her while he was eating. With the bowl close to his nose he stuffed the food into himself with swift greasy fingers, breathing fast. All his meals were swift, passionate and enormous; they were not meals so much as orgies, debauches of curry and rice. When he had finished he sat back, belched several times and told Ma Kin to fetch him a green Burmese cigar. He never smoked English tobacco, which he declared had no taste in it.

Presently, with Ba Taik’s help, U Po Kyin dressed in his office clothes, and stood for a while admiring himself in the long mirror in the living-room. It was a wooden-walled room with two pillars, still recognisable as teak-trunks, supporting the roof-tree, and it was dark and sluttish as all Burmese rooms are, though U Po Kyin had furnished it ‘Ingaleik fashion’ with a veneered sideboard and chairs, some lithographs of the Royal Family, and a fire-extinguisher. The floor was covered with bamboo mats, much splashed by lime and betel juice.

Ma Kin was sitting on a that in the corner, stitching an ingyi. U Po Kyin turned slowly before the mirror, trying to get a glimpse of his back view. He was dressed in a gaungbaung of pale pink silk, an ingyi of starched muslin, and a paso of Mandalay silk, a gorgeous salmon-pink brocaded with yellow. With an effort he turned his head round and looked, pleased, at the paso tight and shining on his enormous buttocks. He was proud of his fatness, because he saw the accumulated flesh as the symbol of his greatness. He who had once been obscure and hungry was now fat, rich and feared. He was swollen with the bodies of his enemies; a thought from which he extracted something very near poetry.

‘My new paso was cheap at twenty-two rupees, hey, Kin Kin?’ he said.

Ma Kin bent her head over her sewing. She was a simple, old-fashioned woman, who had learned even less of European habits than U Po Kyin. She could not sit on a chair without discomfort. Every morning she went to the bazaar with a basket on her head, like a village woman, and in the evenings she could be seen kneeling in the garden, praying to the white spire of the pagoda that crowned the town. She had been the confidante of U Po Kyin’s intrigues for twenty years and more.

‘Ko Po Kyin,’ she said, ‘you have done very much evil in your life.’

U Po Kyin waved his hand. ‘What does it matter? My pagodas will atone for everything. There is plenty of time.’

Ma Kin bent her head over her sewing again, in an obstinate way she had when she disapproved of something that U Po Kyin was doing.

‘But, Ko Po Kyin, where is the need of all this scheming and intriguing? I heard you talking with Ko Ba Sein on the veranda. You are planning some evil against Dr Veraswami. Why do you wish to harm that Indian doctor? He is a good man.’

‘What do you know of these official matters, woman? The doctor stands in my way. In the first place he refuses to take bribes, which makes it difficult for the rest of us. And besides–well, there is something else which you would never have the brains to understand.’

‘Ko Po Kyin, you have grown rich and powerful, and what good has it ever done you? We were happier when we were poor. Ah, I remember so well when you were only a Township Officer, the first time we had a house of our own. How proud we were of our new wicker furniture, and your fountain pen with the gold clip! And when the young English police officer came to our house and sat in the best chair and drank a bottle of beer, how honoured we thought ourselves! Happiness is not in money. What can you want with more money now?’

‘Nonsense, woman, nonsense! Attend to your cooking and sewing and leave official matters to those who understand them.’

‘Well, I do not know. I am your wife and have always obeyed you.