Ftatateeta's jaw expresses savage resolution: she does not budge. Cleopatra can hardly restrain herself from following them. Caesar grips her wrist, and looks steadfastly at her. She stands like a martyr.)

CAESAR. The Queen must face Caesar alone. Answer "So be it."

CLEOPATRA (white). So be it.

CAESAR (releasing her). Good.

A tramp and tumult of armed men is heard. Cleopatra's terror increases. The bucina sounds close at hand, followed by a formidable clangor of trumpets. This is too much for Cleopatra: she utters a cry and darts towards the door. Ftatateeta stops her ruthlessly.

FTATATEETA. You are my nursling. You have said "So be it"; and if you die for it, you must make the Queen's word good. (She hands Cleopatra to Caesar, who takes her back, almost beside herself with apprehension, to the throne.)

CAESAR. Now, if you quail—! (He seats himself on the throne.)

She stands on the step, all but unconscious, waiting for death. The Roman soldiers troop in tumultuously through the corridor, headed by their ensign with his eagle, and their bucinator, a burly fellow with his instrument coiled round his body, its brazen bell shaped like the head of a howling wolf. When they reach the transept, they stare in amazement at the throne; dress into ordered rank opposite it; draw their swords and lift them in the air with a shout of HAIL CAESAR. Cleopatra turns and stares wildly at Caesar; grasps the situation; and, with a great sob of relief, falls into his arms.

ACT II

Alexandria. A hall on the first floor of the Palace, ending in a loggia approached by two steps. Through the arches of the loggia the Mediterranean can be seen, bright in the morning sun. The clean lofty walls, painted with a procession of the Egyptian theocracy, presented in profile as flat ornament, and the absence of mirrors, sham perspectives, stuffy upholstery and textiles, make the place handsome, wholesome, simple and cool, or, as a rich English manufacturer would express it, poor, bare, ridiculous and unhomely. For Tottenham Court Road civilization is to this Egyptian civilization as glass bead and tattoo civilization is to Tottenham Court Road.

The young king Ptolemy Dionysus (aged ten) is at the top of the steps, on his way in through the loggia, led by his guardian Pothinus, who has him by the hand. The court is assembled to receive him. It is made up of men and women (some of the women being officials) of various complexions and races, mostly Egyptian; some of them, comparatively fair, from lower Egypt; some, much darker, from upper Egypt; with a few Greeks and Jews. Prominent in a group on Ptolemy's right hand is Theodotus, Ptolemy's tutor. Another group, on Ptolemy's left, is headed by Achillas, the general of Ptolemy's troops. Theodotus is a little old man, whose features are as cramped and wizened as his limbs, except his tall straight forehead, which occupies more space than all the rest of his face. He maintains an air of magpie keenness and profundity, listening to what the others say with the sarcastic vigilance of a philosopher listening to the exercises of his disciples. Achillas is a tall handsome man of thirty–five, with a fine black beard curled like the coat of a poodle.