Was it a tragedy?

"Nobody ever got up at six o'clock in the morning to commit suicide," I declared crustily. "It's unheard of! This is a farce."

As a matter of fact it was neither farce nor tragedy.

Coming up to the cottage we had a view of Mrs. Fyne inside still sitting in the strong light at the round table with folded arms. It looked as though she had not moved her very head by as much as an inch since we went away. She was amazing in a sort of unsubtle way; crudely amazing—I thought. Why crudely? I don't know. Perhaps because I saw her then in a crude light. I mean this materially—in the light of an unshaded lamp. Our mental conclusions depend so much on momentary physical sensations—don't they? If the lamp had been shaded I should perhaps have gone home after expressing politely my concern at the Fynes' unpleasant predicament.

Losing a girl–friend in that manner is unpleasant. It is also mysterious. So mysterious that a certain mystery attaches to the people to whom such a thing does happen. Moreover I had never really understood the Fynes; he with his solemnity which extended to the very eating of bread and butter; she with that air of detachment and resolution in breasting the common–place current of their unexciting life, in which the cutting of bread and butter appeared to me, by a long way, the most dangerous episode. Sometimes I amused myself by supposing that to their minds this world of ours must be wearing a perfectly overwhelming aspect, and that their heads contained respectively awfully serious and extremely desperate thoughts—and trying to imagine what an exciting time they must be having of it in the inscrutable depths of their being. This last was difficult to a volatile person (I am sure that to the Fynes I was a volatile person) and the amusement in itself was not very great; but still—in the country—away from all mental stimulants!…My efforts had invested them with a sort of amusing profundity.

But when Fyne and I got back into the room, then in the searching, domestic, glare of the lamp, inimical to the play of fancy, I saw these two stripped of every vesture it had amused me to put on them for fun. Queer enough they were. Is there a human being that isn't that—more or less secretly? But whatever their secret, it was manifest to me that it was neither subtle nor profound. They were a good, stupid, earnest couple and very much bothered. They were that—with the usual unshaded crudity of average people. There was nothing in them that the lamplight might not touch without the slightest risk of indiscretion.

Directly we had entered the room Fyne announced the result by saying "Nothing" in the same tone as at the gate on his return from the railway station. And as then Mrs. Fyne uttered an incisive "It's what I've said," which might have been the veriest echo of her words in the garden. We three looked at each other as if on the brink of a disclosure. I don't know whether she was vexed at my presence. It could hardly be called intrusion—could it? Little Fyne began it. It had to go on. We stood before her, plastered with the same mud (Fyne was a sight!), scratched by the same brambles, conscious of the same experience. Yes. Before her. And she looked at us with folded arms, with an extraordinary fulness of assumed responsibility. I addressed her.

"You don't believe in an accident, Mrs. Fyne, do you?"

She shook her head in curt negation while, caked in mud and inexpressibly serious–faced, Fyne seemed to be backing her up with all the weight of his solemn presence. Nothing more absurd could be conceived. It was delicious.