Complete Stories and Poems of Edgar Allen Poe

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eISBN: 978-0-307-96248-5

Library of Congress Catalog Card Number 66-24310

v3.1

Contents

Cover

Title Page

Copyright

1. Tales of Mystery and Horror

The Murders in the Rue Morgue

The Mystery of Marie Rogêt

The Black Cat

The Gold-Bug

Ligeia

A Descent into the Maelström

The Tell-Tale Heart

The Purloined Letter

The Assignation

MS. Found in a Bottle

William Wilson

Berenice

The Fall of the House of Usher

The Cask of Amontillado

The Pit and the Pendulum

A Tale of the Ragged Mountains

The Man of the Crowd

Morella

“Thou Art the Man”

The Oblong Box

The Conversation of Eiros and Charmion

Metzengerstein

The Masque of the Red Death

The Premature Burial

The Imp of the Perverse

The Facts in the Case of M. Valdemar

Hop-Frog

2. Humor and Satire

The System of Doctor Tarr and Professor Fether

The Literary Life of Thingum Bob, Esq.

How to Write a Blackwood Article

A Predicament

Mystification

Loss of Breath

The Man that Was Used Up

Diddling

The Angel of the Odd

Mellonta Tauta

The Thousand-and-Second Tale of Scheherazade

X-ing a Paragrab

The Business Man

A Tale of Jerusalem

The Sphinx

Why the Little Frenchman Wears His Hand in a Sling

Bon-Bon

The Duc De L’Omelette

Three Sundays in a Week

The Devil in the Belfry

Lionizing

Some Words with a Mummy

The Spectacles

Four Beasts in One

Never Bet the Devil Your Head

3. Flights and Fantasies

The Balloon-Hoax

Mesmeric Revelation

Eleonora

The Unparalleled Adventure of One Hans Pfaall

King Pest

The Island of the Fay

The Oval Portrait

The Domain of Arnheim

Landor’s Cottage

The Power of Words

The Colloquy of Monos and Una

Shadow—a Parable

Silence—a Fable

Von Kempelen and His Discovery

4. The Narrative of A. Gordon Pym of Nantucket

5. The Poems

Annabel Lee

To My Mother

Hymn

A Valentine

Fairy-land

To Helen

Israfel

The City in the Sea

The Sleeper

Lenore

The Valley of Unrest

The Coliseum

Sonnet to Zante

Bridal Ballad to —– —–

Sonnet—Silence

Dream-land

Eulalie—a Song

To F—–

To F—–S S. O—–D

The Raven

To M. L. S—–

Ulalume

To —– —–

To Helen

An Enigma

For Annie

The Bells

Eldorado

A Dream within a Dream

Stanzas

A Dream

“The Happiest Day, the Happiest Hour”

The Lake: To —–

Sonnet—to Science

Al Aaraaf

Romance

To —–

To the River —–

To —–

Tamerlane

To —– —–

Dreams

Spirits of the Dead

Evening Star

Elizabeth

Serenade

Imitation

Hymn to Aristogeiton and Harmodius

Scenes from “Politian”

A Pæan

To Isadore

Alone

To One in Paradise

The Haunted Palace

The Conqueror Worm

Edgar Allan Poe—A Biographical Note

1
Tales of
Mystery and Horror

THE MURDERS IN THE RUE MORGUE

What song the Syrens sang, or what name Achilles assumed when he hid himself among women, although puzzling questions are not beyond all conjecture.

—SIR THOMAS BROWNE, “Urn-Burial.”

The mental features discoursed of as the analytical, are, in themselves, but little susceptible of analysis. We appreciate them only in their effects. We know of them, among other things, that they are always to their possessor, when inordinately possessed, a source of the liveliest enjoyment. As the strong man exults in his physical ability, delighting in such exercises as call his muscles into action, so glories the analyst in that moral activity which disentangles. He derives pleasure from even the most trivial occupations bringing his talents into play. He is fond of enigmas, of conundrums, of hieroglyphics; exhibiting in his solutions of each a degree of acumen which appears to the ordinary apprehension preternatural. His results, brought about by the very soul and essence of method, have, in truth, the whole air of intuition. The faculty of re-solution is possibly much invigorated by mathematical study, and especially by that highest branch of it which, unjustly, and merely on account of its retrograde operations, has been called, as if par excellence, analysis. Yet to calculate is not in itself to analyze. A chess-player, for example, does the one without effort at the other. It follows that the game of chess, in its effects upon mental character, is greatly misunderstood. I am not now writing a treatise, but simply prefacing a somewhat peculiar narrative by observations very much at random; I will, therefore, take occasion to assert that the higher powers of the reflective intellect are more decidedly and more usefully tasked by the unostentatious game of draughts than by all the elaborate frivolity of chess. In this latter, where the pieces have different and bizarre motions, with various and variable values, what is only complex is mistaken (a not unusual error) for what is profound. The attention is here called powerfully into play. If it flag for an instant, an oversight is committed, resulting in injury or defeat. The possible moves being not only manifold but involute, the chances of such oversights are multiplied; and in nine cases out of ten it is the more concentrative rather than the more acute player who conquers. In draughts, on the contrary, where the moves are unique and have but little variation, the probabilities of inadvertence are diminished, and the mere attention being left comparatively unemployed, what advantages are obtained by either party are obtained by superior acumen. To be less abstract—Let us suppose a game of draughts where the pieces are reduced to four kings, and where, of course, no oversight is to be expected. It is obvious that here the victory can be decided (the players being at all equal) only by some recherché movement, the result of some strong exertion of the intellect.