It had the sheen of precious metals. She wore it plaited tightly into one single tress hanging girlishly down her back; and its end reached down to her waist. The massiveness of it surprised you. On my word it reminded one of a club. Her face was big, comely, of an unruffled expression. She had a good complexion, and her blue eyes were so pale that she appeared to look at the world with the empty white candour of a statue. You could not call her good-looking. It was something much more impressive. The simplicity of her apparel, the opulence of her form, her imposing stature, and the extraordinary sense of vigorous life that seemed to emanate from her like a perfume exhaled by a flower, made her beautiful with a beauty of a rustic and olympian order. To watch her reaching up to the clothes-line with both arms raised high above her head, caused you to fall a musing in a strain of pagan piety. Excellent Mrs. Hermann's baggy cotton gowns had some sort of rudimentary frills at neck and bottom, but this girl's print frocks hadn't even a wrinkle; nothing but a few straight folds in the skirt falling to her feet, and these, when she stood still, had a severe and statuesque quality. She was inclined naturally to be still whether sitting or standing. However, I don't mean to say she was statuesque. She was too generously alive; but she could have stood for an allegoric statue of the Earth. I don't mean the worn-out earth of our possession, but a young Earth, a virginal planet undisturbed by the vision of a future teeming with the monstrous forms of life, clamorous with the cruel battles of hunger and thought.

The worthy Hermann himself was not very entertaining, though his English was fairly comprehensible. Mrs. Hermann, who always let off one speech at least at me in an hospitable, cordial tone (and in Platt-Deutsch I suppose) I could not understand. As to their niece, however satisfactory to look upon (and she inspired you somehow with a hopeful view as to the prospects of mankind) she was a modest and silent presence, mostly engaged in sewing, only now and then, as I observed, falling over that work into a state of maidenly meditation. Her aunt sat opposite her, sewing also, with her feet propped on a wooden footstool. On the other side of the deck Hermann and I would get a couple of chairs out of the cabin and settle down to a smoking match, accompanied at long intervals by the pacific exchange of a few words. I came nearly every evening. Hermann I would find in his shirt-sleeves. As soon as he returned from the shore on board his ship he commenced operations by taking off his coat; then he put on his head an embroidered round cap with a tassel, and changed his boots for a pair of cloth slippers. Afterwards he smoked at the cabin-door, looking at his children with an air of civic virtue, till they got caught one after another and put to bed in various staterooms. Lastly, we would drink some beer in the cabin, which was furnished with a wooden table on cross legs, and with black straight-backed chairs – more like a farm kitchen than a ship's cuddy. The sea and all nautical affairs seemed very far removed from the hospitality of this exemplary family.

And I liked this because I had a rather worrying time on board my own ship. I had been appointed ex-officio by the British Consul to take charge of her after a man who had died suddenly, leaving for the guidance of his successor some suspiciously unreceipted bills, a few dry-dock estimates hinting at bribery, and a quantity of vouchers for three years' extravagant expenditure; all these mixed up together in a dusty old violin-case lined with ruby velvet. I found besides a large account-book, which, when opened, hopefully turned out to my infinite consternation to be filled with verses – page after page of rhymed doggerel of a jovial and improper character, written in the neatest minute hand I ever did see. In the same fiddle-case a photograph of my predecessor, taken lately in Saigon, represented in front of a garden view, and in company of a female in strange draperies, an elderly, squat, rugged man of stern aspect in a clumsy suit of black broad-cloth, and with the hair brushed forward above the temples in a manner reminding one of a boar's tusks.