It goes with the open air with a general knowledge of men and with that rapid recognition of the way in which things "fit in" which is necessarily developed by active life.

For instance, when you know the pace at which Harold marched down from the north to Hastings you recognize, if you use that factor of historic judgment of which I spake, that the affair was not barbaric. There must have been fairly good roads, and there must have been a high organization of transport. You have only to consider for a moment what a column looks like, even if it be only a brigade, to see the truth of that. Again, this type of judgment forbids anyone who uses it to ascribe great popular movements (great massacres, great turmoils, and so forth) to craft. It is a very common thing, especially in modern history, to lay such things to the power of one or two wealthy or one or two bloody leaders, but you have only to think for a few moments of what a mob is to see the falsity of that. Craft can harness this sort of explosive force, it can control it, or persuade it, or canalize it to certain issues, but it cannot create it.

Again, this sort of sense easily recognizes in historic types the parallels of modern experience. It avoids the error of thinking history a mistake and making of the men and women who appear there something remote from humanity, extreme, and either stilted or grandiose.

In aid of this last feature in historical judgment there is nothing of such permanent value as a portrait. Obtain your conception (as, indeed, most boys do) of the English early sixteenth century from a text, then go and live with the Holbeins for a week and see what an enormously greater thing you will possess at the end of it. It is indeed one of the misfortunes of European history that from the fifth century to at least the eleventh we are, so far as Western European history is concerned, deprived of portraits. And by an interesting parallel the writers of the dark time seemed to have had neither the desire nor the gift of vivid description. Consider the dreariness of the hagiographers, every one of them boasting the noble rank and the conventional status of his hero, and you may say not one giving the least conception of the man's personality. You have the great Gallo-Roman noble family of Ferreolus running down the centuries from the Decline of the Empire to the climax of Charlemagne. Many of those names stand for some most powerful individuality, yet all we have is a formula, a lineage, with symbols and names in the place of living beings, and even that established only by careful work, picking out and sifting relationships from various lives. The men of that time did not even think to tell us that there was such a thing as a family tradition, nor did it seem important to them to establish its Roman origin and its long succession in power.

Next it must be protested that the smallness and particularity of the questions upon which historical discussion rages are no proof either of its general purposelessness nor of their insignificance. All advance of knowledge proceeds in this fashion. Physical science affords innumerable examples of the way in which progress has depended upon a curiosity directed towards apparently insignificant things, and there is something in the mind which compels it to select a narrow field for the exercise of its acutest powers. Moreover, special points, discussion upon which must evidently be lengthy and may be indefinite, are peculiarly attractive to just that kind of man who by a love of prolonged research enlarges the bounds of knowledge and at the same time strengthens and improves for his fellows by continual exercise all the instruments of their common trade. Take, for instance, this case of the little Dauphin, Louis XVII. It really does not matter to day whether the boy got away or whether he died in prison. It does not prolong the line of the Capetians--the heir to that is present in the Duke of Orleans. It does not even affect our view of any other considerable part of history--save possibly the policy of Louis XVIII--and it is of no direct interest to our pockets or to our affections. Yet the masses of work which have accumulated round that one doubt have solved twenty other doubts. They have illuminated all the close of the Terror; they are beginning to make us understand that most difficult piece of political psychology, the reaction of Thermidor, and with it how Europeans lose their balance and regain it in the course of their quasi-religious wars; for all our wars have something in them of religion.

Three elements appear to enter into the judgment of history. First, there is the testimony of human witnesses; next, there are the non-human boundaries wherein the action took place, boundaries which, by all our experience, impose fixed limits to action; thirdly, there is that indefinable thing, that mystic power, which all nations deriving from the theology of the Western Church have agreed to call, with the schoolman, common sense; a general appreciation which transcends particular appreciations and which can integrate the differentials of evidence. Of this last it is quite impossible to afford a test or to construct a measure; its presence in an argument is none the less as readily felt as fresh air in a room; without it nothing is convincing however laboured, with it, even though it rely upon slight evidence, one has the feeling of walking on a firm road. But it must be "common sense"--it must be of the sort, that is, which is common to man various and general, and it is in this perhaps that history suffers most from the charlatanism and ritual common to all great matters.

Men will have pomp and mystery surrounding important things, and therefore the historians must, consciously or unconsciously, tend to strut, to quote solemn authorities in support, and to make out the vulgar unworthy of their confidence. Hence, by the way, the plague of footnotes.

These had their origin in two sources: the desire to show that one was honest and to prove it by a reference; the desire to elucidate some point which it was not easy to elucidate in the text itself without making the sentence too elaborate and clumsy. Either use may be seen at its best in Gibbon. With the last generation they have served mainly, and sometimes merely, for ritual adornment and terror, not to make clearer or more honest, but to deceive. Thus Taine in his monstrously false history of the Revolution revels in footnotes; you have but to examine a batch of them with care to turn them completely against his own conclusions--they are only put there as a sort of spiked paling to warn off trespassers.