We watched planes practising taking off and landing. Marga, who had never seen a
plane up close, enjoyed it immensely, as though watching some miraculous spectacle.
She ran through the fields after the shadows of
the planes, the wide shadow of a big bird, flying low, several metres above the ground, and let
out a cry of victory whenever she managed to step on the tail of one of these fleeting shadows
with the toe of her shoe.
Then, tired, she fell into my arms, flushed and
breathless, her hair blowing loose in the gentle evening breeze – unable to laugh as much
as she wanted, but happy. Exuberantly, noisily happy.
The evening fell slowly, like a fluttering flag,
and we turned back towards the city, tired after so much fresh air.
‘Come and sleep with me, Marga.’
I said this to her so simply that she knew I was
not joking. She let go of my hand. Not brusquely, but decisively. She is a virtuous girl, after
all – and there’s nothing anybody can do about that.
Her moral resistance is more powerful than the
most miraculous April dusk.
‘Moral resistance’ is overstating
it. Really, it’s something more than a virtue: it’s an inability to cede. Somewhere
in the mind of that sensual, loving girl is a voice that asks, ‘And, after that, what will
become of you?’ That’s called foresight, and is also called mediocrity.
I don’t doubt either her sense of shame or
her passion. But they are both equally modest. She doesn’t have enough of a sense of shame
to resist embraces. Or sufficient passion to surrender to them completely. There is always a
final line of caution, marking where the effusion must cease.
I’ve watched people playing roulette,
contorted with suffering – but those who threw themselves into the game, losing
everything, money, honour and life, didn’t seem as abject as the frightened players who
trembled for every chip, made endless calculations every five minutes and bowed out the moment
they’d lost a ‘reasonable’ amount. I think mediocrity in vice is the most
dishonourable kind of mediocrity.
There is something of this fearful moderation in
Marga’s way of hesitating. And the feeling that, even in our closest moments of
understanding, she has taken, as they say, ‘all the necessary measures’ discourages
me.
I know that from this point on any spontaneous
action is out of the question.
I’d like to be a vulgar king of the slums,
a charming rake, who could seduce his love and be indifferent thereafter. Marga’s excuses
would be of the highest order and yet insufficient. Then the issue would not be me and what I
can give in exchange, but what she can light-heartedly give away, with a total lack of
precaution. In love you’re only worth as much as you can afford to lose.
*
I’m tired of myself, fed up with her.
We’re splitting up. She’s a good girl and will make an excellent wife. She’s
part of a race of wives.
I can’t recall: is there a female beloved,
a lover, in the Bible? Seems there are only mothers, sisters and wives. It’s very nice,
but stifling somehow.
I think from here, from this slow slipping into
too many attachments, comes the Jew’s taste for solitude, a nostalgia for being on your
own, like a stone. I envy the supreme insensibility of objects, their extreme indifference.
PART THREE
1
I walked back to the site from the station,
after accompanying the master, who was taking the train to Braşov.
‘Who’d ever think they’ve been
working here five years,’ he said to me on the way, at the corner by the river Ursu, from
where you still see, among the tops of the oil derricks, some of the tops of the roofs of our
buildings. It was an offhand comment and I didn’t sense he was looking for a sentimental
reply from me. He’s not the kind.
‘Five years, indeed,’ I agreed.
At the station, awaiting the train, we again went
over the work schedule for the coming week. I gave him some documents to sign and tried to
reopen the discussion about the Rice villa, hoping to catch him in a more conciliatory mood in
the moment of departure.
‘We might at least wait a few days, until
old Ralph gets back.’
‘No, not an hour’s delay. Work will
continue as planned. Understood? You’ll answer for any delay and I’ll brook no
excuses. The work will continue, even if it rains. Tell Dronţu that.’
Then, because he’d spoken rather harshly,
he took my arm and suddenly lowered his voice:
‘That’s how we work. If Rice
doesn’t like it, he can demolish it. But all the same, that’s how we
work.’
We separated, agreeing.
The day was still bright and I felt the need to
wander about on my own.
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