Yet somehow, as I moved, the wood, instead of growing denser, seemed to thin out. I crouched low, still growling and endeavouring to bury myself in the thicket. I was filled with a wild sense of exhilaration such as any lover of the wild life would feel at the knowledge that he is being chased, that someone is after him, that someone is perhaps just a few feet behind him, waiting to stick a pitchfork into him as he runs. There is no ecstasy like this.

Then I realized that my pursuers had closed in on me. I was surrounded on all sides.

The woods had somehow grown thin. They were like the mere shrubbery of a park—it might be of Central Park itself. I could hear among the deeper tones of men the shrill voices of boys. “There he is,” one cried, “going through them bushes! Look at him humping himself!” “What is it, what’s the sport?” another called. “Some crazy guy loose in the park in his underclothes and the cops after him.”

Then they closed in on me. I recognized the blue suits of the police force and their short clubs. In a few minutes I was dragged out of the shrubbery and stood in the open park in my pyjamas, wide awake, shivering in the chilly air of early morning.

Fortunately for me, it was decided at the police court that sleepwalking is not an offence against the law. I was dismissed with a caution.

My vacation is still before me, and I still propose to spend it naked. But I shall do so at Atlantic City.

VII—The Cave-Man as He is

I think it likely that few people besides myself have ever actually seen and spoken with a “cave-man.”

Yet everybody nowadays knows all about the cave-man. The fifteen-cent magazines and the new fiction have made him a familiar figure. A few years ago, it is true, nobody had ever heard of him. But lately, for some reason or other, there has been a run on the cave-man. No up-to-date story is complete without one or two references to him. The hero, when the heroine slights him, is said to “feel for a moment the wild, primordial desire of the cave-man, the longing to seize her, to drag her with him, to carry her away, to make her his.” When he takes her in his arms it is recorded that “all the elemental passion of the cave-man surges through him.” When he fights, on her behalf against a dray-man or a gun-man or an ice-man or any other compound that makes up a modern villain, he is said to “feel all the fierce fighting joy of the cave-man.” If they kick him in the ribs, he likes it. If they beat him over the head, he never feels it; because he is, for the moment, a cave-man. And the cave-man is, and is known to be, quite above sensation.

The heroine, too, shares the same point of view. “Take me,” she murmurs as she falls into the hero’s embrace, “be my cave-man.” As she says it there is, so the writer assures us, something of the fierce light of the cave-woman in her eyes, the primordial woman to be wooed and won only by force.

So, like everybody else, I had, till I saw him, a great idea of the cave-man. I had a clear mental picture of him—huge, brawny, muscular, a wolfskin thrown about him and a great war club in his hand. I knew him as without fear with nerves untouched by our effete civilization, fighting, as the beasts fight, to the death, killing without pity and suffering without a moan.

It was a picture that I could not but admire.

I liked, too—I am free to confess it—his peculiar way with women. His system was, as I understood it, to take them by the neck and bring them along with him. That was his fierce, primordial way of “wooing” them. And they liked it. So at least we are informed by a thousand credible authorities. They liked it. And the modern woman, so we are told, would still like it if only one dared to try it on. There’s the trouble; if one only dared!

I see lots of them—I’ll be frank about it—that I should like to grab, to sling over my shoulder and carry away with me; or, what is the same thing, allowing for modern conditions, have an express man carry them.