Its top was used as a standing desk. The drawers opened towards the fourth wall. Sheaves of letters in metal clips hung at the end. Between it and the armchair, more shelves were contrived of rush-baskets placed beneath and upon a small wooden table. Books-of-reference, lexicons, and a box of blank paper, congregated here convenient to the writer’s hand. The little table drawer contained note-paper, envelopes, sealing-wax, and stamps. The whole was arranged so that, when once ensconced in the armchair before the fire with his writing-board on his knees, the digladiator could reach all his weapons by a simple extension of his arms. The attic was eleven feet square, low-pitched, and with half the ceiling slanting to the fourth foot from the floor on the fourth wall. Here was a camp-bed, a small mirror, and a towel-rail, three pairs of two- six- and ten-pound dumb-bells, a pair of boots on trees, a bottle of eucalyptus and a spray-producer.

His eyes, as they wandered round the room, met these things. He took a towel, and went downstairs to the bath-room to wash his hands. On returning he enticed Flavio with a bit of string. The cat was unwilling to play: gazed at him with innocent imperscrutable round eyes: elaborately yawned and requested permission to retire. The odour of the kitchen-dinner was perceptible. The door was opened; and shut.

He put the butt of his cigarette in an earthenware jar on his left for future use. The maid appeared with his lunch, a basinful of bread and milk. Following some subconscious train of thought, he stretched himself, took the little mirror from the wall and went to the window.

“It’s one of your bad days, my friend,” he commented, regarding his own image. “You look all your age, and twelve years more. Draw down those feathered brows, man. Never mind the upright furrow which makes you look stern. Draw them down; and open your eyes; and look alert. Do something to counteract the tender thin line of that mouth. You mustn’t let yourself relax like this. It brings out your wrinkles, and shews the sparseness of your hair. If you had an inch more thigh, and say a couple of inches more shin, you might look people down a little more: but with that meek subservient aspect—how Luckock used to chaff about it!—no wonder everyone takes advantage of you. What’s the good of having your fastidious mind clearly written on that fastidious mouth if you don’t insist on behaving fastidiously. Cultivate the art of looking as though you were about to say No. You always can say Yes after No. But, if you begin with Yes, as you always do, you prevent yourself from ever saying No. That’s why everyone can swindle you. You’re far too anxious to give way.