It was
the town of a magic dream. I stood on the quay till the shining had
gone from the sky and the waterpools, and the winter night came down
dark upon Banwick.
I found an old snug inn just by the harbour, where I had been
standing. The walls of the rooms met each other at odd and unexpected
angles; there were strange projections and juttings of masonry, as if
one room were trying to force its way into another; there were
indications as of unthinkable staircases in the corners of the
ceilings. But there was a bar where Tom Smart would have loved to
sit, with a roaring fire and snug, old elbow chairs about it and
pleasant indications that if "something warm" were wanted after
supper it could be generously supplied.
I sat in this pleasant place for an hour or two and talked to the
pleasant people of the town who came in and out. They told me of the
old adventures and industries of the town. It had once been, they
said, a great whaling port, and then there had been a lot of
shipbuilding, and later Banwick had been famous for its
amber-cutting. "And now there's nowt," said one of the men in the
bar; "but we get on none so badly."
I went out for a stroll before my supper. Banwick was now black,
in thick darkness. For good reasons not a single lamp was lighted in
the streets, hardly a gleam showed from behind the closely curtained
windows. It was as if one walked a town of the Middle Ages, and with
the ancient overhanging shapes of the houses dimly visible I was
reminded of those strange, cavernous pictures of mediæval Paris
and Tours that Doré drew.
Hardly anyone was abroad in the streets; but all the courts and
alleys seemed alive with children. I could just see little white
forms fluttering to and fro as they ran in and out. And I never heard
such happy children's voices. Some were singing, some were laughing;
and peering into one black cavern, I made out a ring of children
dancing round and round and chanting in clear voices a wonderful
melody; some old tune of local tradition, as I supposed, for its
modulations were such as I had never heard before.
I went back to my tavern and spoke to the landlord about the
number of children who were playing about the dark streets and
courts, and how delightfully happy they all seemed to be.
He looked at me steadily for a moment, and then said:
"Well, you see, sir, the children have got a bit out of hand of
late; their fathers are out at the front, and their mothers can't
keep them in order. So they're running a bit wild."
There was something odd about his manner. I could not make out
exactly what the oddity was, or what it meant. I could see that my
remark had somehow made him uncomfortable; but I was at a loss to
know what I had done. I had my supper, and then sat down for a couple
of hours to settle "the Germans" of Malton Head.
I finished my account of the German myth, and instead of going to
bed, I determined that I would have one more look at Banwick in its
wonderful darkness. So I went out and crossed the bridge, and began
to climb up the street on the other side, where there was that
strange huddle of red roofs mounting one above the other that I had
seen in the afterglow. And to my amazement I found that these
extraordinary Banwick children were still about and abroad, still
revelling and carolling, dancing and singing, standing, as I
supposed, on the top of the flights of steps that climbed from the
courts up the hillside, and so having the appearance of floating in
mid-air. And their happy laughter rang out like bells on the
night.
It was a quarter past eleven when I had left my inn, and I was
just thinking that the Banwick mothers had indeed allowed indulgence
to go too far, when the children began again to sing that old melody
that I had heard in the evening. And now the sweet, clear voices
swelled out into the night, and, I thought, must be numbered by
hundreds. I was standing in a dark alley-way, and I saw with
amazement that the children were passing me in a long procession that
wound up the hill towards the abbey. Whether a faint moon now rose,
or whether clouds passed from before the stars, I do not know; but
the air lightened, and I could see the children plainly as they went
by singing, with the rapture and exultation of them that sing in the
woods in springtime.
They were all in white, but some of them had strange marks upon
them which, I supposed, were of significance in this fragment of some
traditional mystery-play that I was beholding. Many of them had
wreaths of dripping seaweed about their brows; one showed a painted
scar on her throat; a tiny boy held open his white robe, and pointed
to a dreadful wound above his heart, from which the blood seemed to
flow; another child held out his hands wide apart and the palms
looked torn and bleeding, as if they had been pierced. One of the
children held up a little baby in her arms, and even the infant
showed the appearance of a wound on its face.
The procession passed me by, and I heard it still singing as if in
the sky as it went on its steep way up the hill to the ancient
church. I went back to my inn, and as I crossed the bridge it
suddenly struck me that this was the eve of the Holy Innocents'. No
doubt I had seen a confused relic of some mediæval observance,
and when I got back to the inn I asked the landlord about it.
Then I understood the meaning of the strange expression I had seen
on the man's face. He was sick and shuddering with terror; he drew
away from me as though I were a messenger from the dead.
Some weeks after this I was reading in a book called The
Ancient Rites of Banwick. It was written in the reign of Queen
Elizabeth by some anonymous person who had seen the glory of the old
abbey, and then the desolation that had come to it. I found this
passage:
"And on Childermas Day, at midnight, there was done there a
marvellous solemn service.
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