They were a little weak, those eyes, and had some difficulty in looking for long at the same object, so that Mr. McCunn did not stare people in the face, and had, in consequence, at one time in his career acquired a perfectly undeserved reputation for cunning. He shaved clean, and looked uncommonly like a wise, plump schoolboy. As he gazed at his simulacrum he stopped whistling "Roy’s Wife" and let his countenance harden into a noble sternness. Then he laughed, and observed in the language of his youth that there was "life in the auld dowg yet." In that moment the soul of Mr. McCunn conceived the Great Plan.

The first sign of it was that he swept all his business garments unceremoniously on to the floor. The next that he rootled at the bottom of a deep drawer and extracted a most disreputable tweed suit. It had once been what I believe is called a Lovat mixture, but was now a nondescript sub–fusc, with bright patches of colour like moss on whinstone. He regarded it lovingly, for it had been for twenty years his holiday wear, emerging annually for a hallowed month to be stained with salt and bleached with sun. He put it on, and stood shrouded in an odour of camphor. A pair of thick nailed boots and a flannel shirt and collar completed the equipment of the sportsman. He had another long look at himself in the glass, and then descended whistling to breakfast. This time the tune was "Macgregors' Gathering," and the sound of it stirred the grimy lips of a man outside who was delivering coals—himself a Macgregor—to follow suit. Mr McCunn was a very fountain of music that morning.

Tibby, the aged maid, had his newspaper and letters waiting by his plate, and a dish of ham and eggs frizzling near the fire. He fell to ravenously but still musingly, and he had reached the stage of scones and jam before he glanced at his correspondence. There was a letter from his wife now holidaying at the Neuk Hydropathic. She reported that her health was improving, and that she had met various people who had known somebody else whom she had once known herself. Mr. McCunn read the dutiful pages and smiled. "Mamma’s enjoying herself fine," he observed to the teapot. He knew that for his wife the earthly paradise was a hydropathic, where she put on her afternoon dress and every jewel she possessed when she rose in the morning, ate large meals of which the novelty atoned for the nastiness, and collected an immense casual acquaintance, with whom she discussed ailments, ministers, sudden deaths, and the intricate genealogies of her class. For his part he rancorously hated hydropathics, having once spent a black week under the roof of one in his wife’s company. He detested the food, the Turkish baths (he had a passionate aversion to baring his body before strangers), the inability to find anything to do and the compulsion to endless small talk. A thought flitted over his mind which he was too loyal to formulate. Once he and his wife had had similar likings, but they had taken different roads since their child died. Janet! He saw again—he was never quite free from the sight—the solemn little white–frocked girl who had died long ago in the Spring.

It may have been the thought of the Neuk Hydropathic, or more likely the thin clean scent of the daffodils with which Tibby had decked the table, but long ere breakfast was finished the Great Plan had ceased to be an airy vision and become a sober well–masoned structure. Mr. McCunn—I may confess it at the start—was an incurable romantic.

He had had a humdrum life since the day when he had first entered his uncle’s shop with the hope of some day succeeding that honest grocer; and his feet had never strayed a yard from his sober rut. But his mind, like the Dying Gladiator’s, had been far away. As a boy he had voyaged among books, and they had given him a world where he could shape his career according to his whimsical fancy. Not that Mr. McCunn was what is known as a great reader. He read slowly and fastidiously, and sought in literature for one thing alone. Sir Walter Scott had been his first guide, but he read the novels not for their insight into human character or for their historical pageantry, but because they gave him material wherewith to construct fantastic journeys. It was the same with Dickens.