It rumbles to your door, and if you open it a basin of blood is thrown in your face. It is an omen of death to the houses where it pauses. Such a coach not very long ago went through Sligo in the gray of the morning, as was told me by a sailor who believed he saw it. In one village I know its rumbling is said to be heard many times in the year.
7. The Leanhaun Shee (Ir. Leanhaun sidhe, i.e. fairy mistress).—This spirit seeks the love of men. If they refuse, she is their slave; if they consent, they are hers, and can only escape by finding one to take their place. Her lovers waste away, for she lives on their life. Most of the Gaelic poets, down to quite recent times, have had a Leanhaun Shee, for she gives inspiration to her slaves and is indeed the Gaelic muse—this malignant fairy. Her lovers, the Gaelic poets, died young. She grew restless, and carried them away to other worlds, for death does not destroy her power.
8. The Far Gorta (man of hunger).—This is an emaciated fairy that goes through the land in famine time, begging and bringing good luck to the giver.
9. The Banshee (Ir. Bean-sidhe, i.e. fairy woman).—This fairy, like the Far Gorta, differs from the general run of solitary fairies by its generally good disposition. She is perhaps not really one of them at all, but a sociable fairy grown solitary through much sorrow. The name corresponds to the less common Far Shee (Ir. Fear Sidhe), a man fairy. She wails, as most people know, over the death of a member of some old Irish family. Sometimes she is an enemy of the house and screams with triumph, but more often a friend. When more than one Banshee comes to cry, the man or woman who is dying must have been very holy or very brave. Occasionally she is most undoubtedly one of the sociable fairies. Cleena, once an Irish princess and then a Munster goddess, and now a Sheoque, is thus mentioned by the greatest of Irish antiquarians.
O'Donovan, writing in 1849 to a friend, who quotes his words in the Dublin University Magazine, says: 'When my grandfather died in Leinster in 1798, Cleena came all the way from Ton Cleena to lament him; but she has not been heard ever since lamenting any of our race, though I believe she still weeps in the mountains of Drumaleaque in her own country, where so many of the race of Eoghan More are dying of starvation.' The Banshee on the other hand who cries with triumph is often believed to be no fairy but a ghost of one wronged by an ancestor of the dying. Some say wrongly that she never goes beyond the seas, but dwells always in her own country. Upon the other hand, a distinguished writer on anthropology assures me that he has heard her on 1st December 1867, in Pital, near Libertad, Central America, as he rode through a deep forest. She was dressed in pale yellow, and raised a cry like the cry of a bat. She came to announce the death of his father. This is her cry, written down by him with the help of a Frenchman and a violin.
music
He saw and heard her again on 5th February 1871, at 16 Devonshire Street, Queen's Square, London. She came this time to announce the death of his eldest child; and in 1884 he again saw and heard her at 28 East Street, Queen's Square, the death of his mother being the cause.
The Banshee is called badh or bowa in East Munster, and is named Bachuntha by Banim in one of his novels.
Other Fairies and Spirits.—Besides the foregoing, we have other solitary fairies, of which too little definite is known to give them each a separate mention. They are the House Spirits, of whom 'Teigue of the Lee' is probably an instance; the Water Sherie, a kind of will-o'-the-wisp; the Sowlth, a formless luminous creature; the Pastha (Piast-bestia), the lake dragon, a guardian of hidden treasure; and the Bo men fairies, who live in the marshes of County Down and destroy the unwary. They may be driven away by a blow from a particular kind of sea-weed. I suspect them of being Scotch fairies imported by Scotch settlers.
1 comment