Ascending and descending, in one palace after another, those infinite marble steps, it became a question not solved to this hour, whether it was worse to ascend or descend, – each ordeal in its turn seemed so much more terrible than the other.

At last I resolved to come to an understanding with the driver, and I spent what little breath I had left – it was dry and hot as the simoom – in blowing up that infamous man. “You are a great driver,” I said, “not to know your own city. What are you good for if you can’t take a foreigner to his consul’s?” “Signore,” answered the driver patiently, “you would have to get a book in two volumes by heart, in order to be able to find everybody in Genoa. This city is a labyrinth.”

Truly, it had so proved, and I could scarcely believe in my good luck when I actually found my friend, and set out with him on a ramble through its toils.

A very great number of the streets in Genoa are footways merely, and these are as narrow, as dark, as full of jutting chimney-places, balconies, and opened window-shutters, and as picturesque as the little alleys in Venice. They wander at will around the bases of the gloomy old stone palaces, and seem to have a vagabond fondness for creeping down to the port, and losing themselves there in a certain cavernous arcade which curves round the water with the flection of the shore, and makes itself a twilight at noonday. Under it are clangorous shops of iron-smiths, and sizzling shops of marine cooks, and, looking down its dim perspective, one beholds chiefly sea-legs coming and going, more or less affected by strong waters; and as the faces to which these sea-legs belong draw near, one discerns sailors from all parts of the world, – tawny men from Sicily and Norway, as diverse in their tawniness as olive and train-oil; sharp faces from Nantucket and from the Piraeus, likewise mightily different in their sharpness; blonde Germans and blonde Englishmen; and now and then a colored brother also in the seafaring line, with sea-legs, also, more or less affected by strong waters like the rest.

What curious people are these seafarers! They coast the whole world, and know nothing of it, being more ignorant and helpless than children on shore. I spoke with the Yankee mate of a ship one day at Venice, and asked him how he liked the city.

Well, he had not been ashore yet.

He was told he had better go ashore; that the Piazza San Marco was worth seeing.

Well, he knew it; he had seen pictures of it; but he guessed he wouldn’t go ashore.

Why not, now he was here?

Well, he laid out to go ashore the next time he came to Venice.

And so, bless his honest soul, he lay three weeks at Venice with his ship, after a voyage of two months, and he sailed away without ever setting his foot on that enchanted ground.

I should have liked to stop some of those seafarers and ask them what they thought of Genoa.

It must have been in the little streets – impassable for horses – that the people sat and talked, as Heine fabled, in their doorways, and tou- ched knees with the people sitting and talking on the thresholds of the opposite side. But we saw no gossipers there on our Sunday in Genoa; and I think the domestic race of Heine’s day no longer lives in Genoa, for every body we saw on the streets was gayly dressed in the idea of the last fashions, and was to be met chiefly in the public promenades. The fashions were French; but here still lingers the lovely phantom of the old national costume of Genoa, and snow-white veils fluttered from many a dark head, and caressed many an olive cheek. It is the kindest and charitablest of attirements, this white veil, and, while decking beauty to the most perilous effect, befriends and modifies age and ugliness.

The pleasure with which I look at the splendor of an Italian crowd in winter is always touched with melancholy. I know that, at the time of its noonday promenade, it has nothing but a cup of coffee in its stomach; that it has emerged from a house as cold and dim as a cellar; and that it will presently go home to dine on rice and boiled beef. I know that chilblains secretly gnaw the hands inside of its kid gloves, and I see in the rawness of its faces the anguish of winter-long suffering from cold. But I also look at many in this crowd with the eye of the economist, and wonder how people practicing even so great self-denial as they can contrive to make so much display on their little means, – how those clerks of public offices, who have rarely an income of five hundred dollars a year, can dress with such peerless gorgeousness. I suppose the national instinct teaches them ways and means unknown to us. The passion for dress is universal: the men are as fond of it as the women; and, happily, clothes are comparatively cheap. It is no great harm in itself, this display: it is only a pity that there is often nothing, or worse than nothing, under the shining surface.

We walked with the brilliant Genoese crowd upon the hill where the public promenade overlooks a landscape of city and country, houses and gardens, vines and olives, which it makes the heart ache to behold, it is so faultlessly beautiful. Behind us the fountain was – “Shaking its loosened silver in the sun;”

the birds were singing; and there were innumerable fair girls going by, about whom one might have made romances if one had not known better. Our friend pointed out to us the “pink jail” in which Dickens lived while at Genoa; and showed us on the brow of a distant upland the villa, called Il Paradiso, which Byron had occupied. I dare say this Genoese joke is already in print: That the Devil reentered Paradise when Byron took this villa. Though, in loveliest Italy, one is half-persuaded that the Devil had never left Paradise.

After lingering a little longer on that delicious height, we turned and went down for a stroll through the city.

My note-book says that Genoa is the most magnificent city I ever saw, and I hold by my note-book, though I hardly know how to prove it. Venice is, and remains, the most beautiful city in the world; but her ancient rival impresses you with greater splendor. I suppose that the exclusively Renaissance architecture, which Ruskin declares the architecture of pride, lends itself powerfully to this effect in Genoa. It is here in its best mood, and there is little grotesque Renaissance to be seen, though the palaces are, as usual, loaded with ornament. The Via Nuova is the chief thoroughfare of the city, and the crowd pours through this avenue between long lines of palaces. Height on height rise the stately, sculptured façades, colonnaded, statued, pierced by mighty doorways and lofty windows; and the palaces seem to gain a kind of aristocratic hauteur from the fact that there are for the most part no sidewalks, and that the carriages, rolling insolently through the crowd, threaten constantly to grind the pedestrian up against their carven marbles, and immolate him to their stony pride. There is something gracious and gentle in the grandeur of Venice, and much that the heart loves to cling to; but in Genoa no sense of kindliness is touched by the magnificence of the city.

It was an unspeakable relief, after such a street, to come, on a sudden, upon the Duomo, one of the few Gothic buildings in Genoa, and rest our jaded eyes on that architecture which Heaven seems truly to have put into the thoughts of man together with the Christian faith. O beloved beauty of aspiring arches, of slender and clustered columns, of flowering capitals and window-traceries, of many-carven breadths and heights, wherein all Nature breathes and blossoms again! There is neither Greek perfection, nor winning Byzantine languor, nor insolent Renaissance opulence, which may compare with this loveliness of yours! Alas that the interior of this Gothic temple of Genoa should abound in the abomination of rococo restoration! They say that the dust of St. John the Baptist lies there within a costly shrine; and I wonder that it can sleep in peace amid all that heathenish show of bad taste. But the poor saints have to suffer a great deal in Italy.

Outside, in the piazza before the church, there was an idle, cruel crowd, amusing itself with the efforts of a blind old man to find the entrance. He had a number of books which he desperately laid down while he ran his helpless hands over the clustered columns, and which he then desperately caught up again, in fear of losing them.