Of course she jumped down, in spite of her age, her figure, and her tight boots--having, now that her daughter was married, lapsed with a luxurious abandonment, grand enough in its way, into the fleshy grotesque; she jumped down, but not before Jacob had seen her.

"Damn these women--damn these women!" he thought. And he went to fetch his book which he had left lying on the ground in the Parthenon.

"How they spoil things," he murmured, leaning against one of the pillars, pressing his book tight between his arm and his side. (As for the weather, no doubt the storm would break soon; Athens was under cloud.)

"It is those damned women," said Jacob, without any trace of bitterness, but rather with sadness and disappointment that what might have been should never be.

(This violent disillusionment is generally to be expected in young men in the prime of life, sound of wind and limb, who will soon become fathers of families and directors of banks.)

Then, making sure that the Frenchwomen had gone, and looking cautiously round him, Jacob strolled over to the Erechtheum and looked rather furtively at the goddess on the left-hand side holding the roof on her head. She reminded him of Sandra Wentworth Williams. He looked at her, then looked away. He looked at her, then looked away. He was extraordinarily moved, and with the battered Greek nose in his head, with Sandra in his head, with all sorts of things in his head, off he started to walk right up to the top of Mount Hymettus, alone, in the heat.

That very afternoon Bonamy went expressly to talk about Jacob to tea with Clara Durrant in the square behind Sloane Street where, on hot spring days, there are striped blinds over the front windows, single horses pawing the macadam outside the doors, and elderly gentlemen in yellow waistcoats ringing bells and stepping in very politely when the maid demurely replies that Mrs. Durrant is at home.

Bonamy sat with Clara in the sunny front room with the barrel organ piping sweetly outside; the water-cart going slowly along spraying the pavement; the carriages jingling, and all the silver and chintz, brown and blue rugs and vases filled with green boughs, striped with trembling yellow bars.

The insipidity of what was said needs no illustration--Bonamy kept on gently returning quiet answers and accumulating amazement at an existence squeezed and emasculated within a white satin shoe (Mrs. Durrant meanwhile enunciating strident politics with Sir Somebody in the back room) until the virginity of Clara's soul appeared to him candid; the depths unknown; and he would have brought out Jacob's name had he not begun to feel positively certain that Clara loved him--and could do nothing whatever.

"Nothing whatever!" he exclaimed, as the door shut, and, for a man of his temperament, got a very queer feeling, as he walked through the park, of carriages irresistibly driven; of flower beds uncompromisingly geometrical; of force rushing round geometrical patterns in the most senseless way in the world. "Was Clara," he thought, pausing to watch the boys bathing in the Serpentine, "the silent woman?--would Jacob marry her?"

But in Athens in the sunshine, in Athens, where it is almost impossible to get afternoon tea, and elderly gentlemen who talk politics talk them all the other way round, in Athens sat Sandra Wentworth Williams, veiled, in white, her legs stretched in front of her, one elbow on the arm of the bamboo chair, blue clouds wavering and drifting from her cigarette.

The orange trees which flourish in the Square of the Constitution, the band, the dragging of feet, the sky, the houses, lemon and rose coloured--all this became so significant to Mrs. Wentworth Williams after her second cup of coffee that she began dramatizing the story of the noble and impulsive Englishwoman who had offered a seat in her carriage to the old American lady at Mycenae (Mrs. Duggan)--not altogether a false story, though it said nothing of Evan, standing first on one foot, then on the other, waiting for the women to stop chattering.

"I am putting the life of Father Damien into verse," Mrs. Duggan had said, for she had lost everything--everything in the world, husband and child and everything, but faith remained.

Sandra, floating from the particular to the universal, lay back in a trance.

The flight of time which hurries us so tragically along; the eternal drudge and drone, now bursting into fiery flame like those brief balls of yellow among green leaves (she was looking at orange trees); kisses on lips that are to die; the world turning, turning in mazes of heat and sound--though to be sure there is the quiet evening with its lovely pallor, "For I am sensitive to every side of it," Sandra thought, "and Mrs. Duggan will write to me for ever, and I shall answer her letters." Now the royal band marching by with the national flag stirred wider rings of emotion, and life became something that the courageous mount and ride out to sea on--the hair blown back (so she envisaged it, and the breeze stirred slightly among the orange trees) and she herself was emerging from silver spray--when she saw Jacob. He was standing in the Square with a book under his arm looking vacantly about him. That he was heavily built and might become stout in time was a fact.

But she suspected him of being a mere bumpkin.

"There is that young man," she said, peevishly, throwing away her cigarette, "that Mr. Flanders."

"Where?" said Evan. "I don't see him."

"Oh, walking away--behind the trees now. No, you can't see him. But we are sure to run into him," which, of course, they did.

But how far was he a mere bumpkin? How far was Jacob Flanders at the age of twenty-six a stupid fellow? It is no use trying to sum people up. One must follow hints, not exactly what is said, nor yet entirely what is done. Some, it is true, take ineffaceable impressions of character at once. Others dally, loiter, and get blown this way and that. Kind old ladies assure us that cats are often the best judges of character. A cat will always go to a good man, they say; but then, Mrs. Whitehorn, Jacob's landlady, loathed cats.

There is also the highly respectable opinion that character-mongering is much overdone nowadays. After all, what does it matter--that Fanny Elmer was all sentiment and sensation, and Mrs. Durrant hard as iron? that Clara, owing (so the character-mongers said) largely to her mother's influence, never yet had the chance to do anything off her own bat, and only to very observant eyes displayed deeps of feeling which were positively alarming; and would certainly throw herself away upon some one unworthy of her one of these days unless, so the character-mongers said, she had a spark of her mother's spirit in her--was somehow heroic. But what a term to apply to Clara Durrant! Simple to a degree, others thought her. And that is the very reason, so they said, why she attracts Dick Bonamy--the young man with the Wellington nose.