Leaves of Grass

001

Table of Contents

 

FROM THE PAGES OF LEAVES OF GRASS

Title Page

Copyright Page

WALT WHITMAN

THE WORLD OF WALT WHITMAN AND LEAVES OF GRASS

Introduction

 

Leaves of Grass - Brooklyn, New York : 1855.

INTRODUCTION TO FIRST EDITION

[PREFACE]

[Song of Myself]

[A Song for Occupations]

[To Think of Time]

[The Sleepers]

[I Sing the Body Electric]

[Faces]

[Song of the Answerer]

[Europe, The 72d and 73d Years of These States]

[A Boston Ballad]

[There Was a Child Went Forth]

[Who Learns My Lesson Complete]

[Great Are the Myths]

 

Leaves of Grass

INTRODUCTION - TO “DEATH-BED” EDITION

INSCRIPTIONS

ONE‘S-SELF I SING

AS I PONDER’D IN SILENCE

IN CABIN’D SHIPS AT SEA

TO FOREIGN LANDS

TO A HISTORIAN

TO THEE OLD CAUSE

EIDÓLONS

FOR HIM I SING

WHEN I READ THE BOOK

BEGINNING MY STUDIES

BEGINNERS

TO THE STATES

ON JOURNEYS THROUGH THE STATES

TO A CERTAIN CANTATRICE

ME IMPERTURBE

SAVANTISM

THE SHIP STARTING

I HEAR AMERICA SINGING

WHAT PLACE IS BESIEGED?

STILL THOUGH THE ONE I SING

SHUT NOT YOUR DOORS

POETS TO COME

TO YOU

THOU READER

STARTING FROM PAUMANOK

SONG OF MYSELF

CHILDREN OF ADAM

TO THE GARDEN THE WORLD

FROM PENT-UP ACHING RIVERS

I SING THE BODY ELECTRIC

A WOMAN WAITS FOR ME

SPONTANEOUS ME

ONE HOUR TO MADNESS AND JOY

OUT OF THE ROLLING OCEAN THE CROWD

AGES AND AGES RETURNING AT INTERVALS

WE TWO, HOW LONG WE WERE FOOL’D

O HYMEN! O HYMENEE!

I AM HE THAT ACHES WITH LOVE

NATIVE MOMENTS

ONCE I PASS’D THROUGH A POPULOUS CITY

I HEARD YOU SOLEMN-SWEET PIPES OF THE ORGAN

FACING WEST FROM CALIFORNIA’S SHORES

AS ADAM EARLY IN THE MORNING

CALAMUS

IN PATHS UNTRODDEN

SCENTED HERBAGE OF MY BREAST

WHOEVER YOU ARE HOLDING ME NOW IN HAND

FOR YOU O DEMOCRACY

THESE I SINGING IN SPRING

NOT HEAVING FROM MY RIBB’D BREAST ONLY

OF THE TERRIBLE DOUBT OF APPEARANCES

THE BASE OF ALL METAPHYSICS

RECORDERS AGES HENCE

WHEN I HEARD AT THE CLOSE OF THE DAY

ARE YOU THE NEW PERSON DRAWN TOWARD ME?

ROOTS AND LEAVES THEMSELVES ALONE

NOT HEAT FLAMES UP AND CONSUMES

TRICKLE DROPS

CITY OF ORGIES

BEHOLD THIS SWARTHY FACE

I SAW IN LOUISIANA A LIVE-OAK GROWING

TO A STRANGER

THIS MOMENT YEARNING AND THOUGHTFUL

I HEAR IT WAS CHARGED AGAINST ME

THE PRAIRIE-GRASS DIVIDING

WHEN I PERUSE THE CONQUER’D FAME

WE TWO BOYS TOGETHER CLINGING

A PROMISE TO CALIFORNIA

HERE THE FRAILEST LEAVES OF ME

NO LABOR-SAVING MACHINE

A GLIMPSE

A LEAF FOR HAND IN HAND

EARTH, MY LIKENESS

I DREAM’D IN A DREAM

WHAT THINK YOU I TAKE MY PEN IN HAND?

TO THE EAST AND TO THE WEST

SOMETIMES WITH ONE I LOVE

TO A WESTERN BOY

FAST-ANCHOR’D ETERNAL O LOVE!

AMONG THE MULTITUDE

O YOU WHOM I OFTEN AND SILENTLY COME

THAT SHADOW MY LIKENESS

FULL OF LIFE NOW

SALUT AU MONDE!

SONG OF THE OPEN ROAD

CROSSING BROOKLYN FERRY

SONG OF THE ANSWERER

OUR OLD FEUILLAGE

A SONG OF JOYS

SONG OF THE BROAD-AXE

SONG OF THE EXPOSITION

SONG OF THE REDWOOD-TREE

A SONG FOR OCCUPATIONS

A SONG OF THE ROLLING EARTH

YOUTH, DAY, OLD AGE AND NIGHT

BIRDS OF PASSAGE

SONG OF THE UNIVERSAL

PIONEERS! O PIONEERS!

TO YOU

FRANCE, THE 18TH YEAR OF THESE STATES

MYSELF AND MINE

YEAR OF METEORS (1859-60)

A BROADWAY PAGEANT

SEA-DRIFT

OUT OF THE CRADLE ENDLESSLY ROCKING

AS I EBB’D WITH THE OCEAN OF LIFE

TEARS

TO THE MAN-OF-WAR-BIRD

ABOARD AT A SHIP’S HELM

ON THE BEACH AT NIGHT

THE WORLD BELOW THE BRINE

ON THE BEACH AT NIGHT ALONE

SONG FOR ALL SEAS, ALL SHIPS

PATROLING BARNEGAT

AFTER THE SEA-SHIP

BY THE ROADSIDE

A BOSTON BALLAD (1854)

EUROPE, THE 72D AND 73D YEARS OF THESE STATES

A HAND-MIRROR

GODS

GERMS

THOUGHTS

WHEN I HEARD THE LEARN’D ASTRONOMER

PERFECTIONS

O ME! O LIFE!

TO A PRESIDENT

I SIT AND LOOK OUT

TO RICH GIVERS

THE DALLIANCE OF THE EAGLES

ROAMING IN THOUGHT

A FARM PICTURE

A CHILD’S AMAZE

THE RUNNER

BEAUTIFUL WOMEN

MOTHER AND BABE

THOUGHT

VISOR’D

THOUGHT

GLIDING O‘ER ALL

HAST NEVER COME TO THEE AN HOUR

THOUGHT

TO OLD AGE

LOCATIONS AND TIMES

OFFERINGS

TO THE STATES, TO IDENTIFY THE 16TH, 17TH, OR 18TH PRESIDENTIAD

DRUM-TAPS

FIRST O SONGS FOR A PRELUDE

EIGHTEEN SIXTY-ONE

BEAT! BEAT! DRUMS!

FROM PAUMANOK STARTING I FLY LIKE A BIRD

SONG OF THE BANNER AT DAYBREAK

RISE O DAYS FROM YOUR FATHOMLESS DEEPS

THE CENTENARIAN’S STORY

CAVALRY CROSSING A FORD

BIVOUAC ON A MOUNTAIN SIDE

AN ARMY CORPS ON THE MARCH

BY THE BIVOUAC’S FITFUL FLAME

COME UP FROM THE FIELDS FATHER

VIGIL STRANGE I KEPT ON THE FIELD ONE NIGHT

A MARCH IN THE RANKS HARD-PREST, AND THE ROAD UNKNOWN

A SIGHT IN CAMP IN THE DAYBREAK GRAY AND DIM

AS TOILSOME I WANDER’D VIRGINIA’S WOODS

NOT THE PILOT

YEAR THAT TREMBLED AND REEL’D BENEATH ME

THE WOUND-DRESSER

LONG, TOO LONG AMERICA

GIVE ME THE SPLENDID SILENT SUN

OVER THE CARNAGE ROSE PROPHETIC A VOICE

I SAW OLD GENERAL AT BAY

THE ARTILLERYMAN’S VISION

ETHIOPIA SALUTING THE COLORS

NOT YOUTH PERTAINS TO ME

RACE OF VETERANS

WORLD TAKE GOOD NOTICE

O TAN-FACED PRAIRIE-BOY

LOOK DOWN FAIR MOON

RECONCILIATION

HOW SOLEMN AS ONE BY ONE

AS I LAY WITH MY HEAD IN YOUR LAP CAMERADO

DELICATE CLUSTER

TO A CERTAIN CIVILIAN

LO, VICTRESS ON THE PEAKS

SPIRIT WHOSE WORK IS DONE

ADIEU TO A SOLDIER

TURN O LIBERTAD

TO THE LEAVEN’D SOIL THEY TROD

MEMORIES OF PRESIDENT LINCOLN

WHEN LILACS LAST IN THE DOORYARD BLOOM‘D

O CAPTAIN! MY CAPTAIN!

HUSH’D BE THE CAMPS TO-DAY

THIS DUST WAS ONCE THE MAN

BY BLUE ONTARIO’S SHORE

REVERSALS

AUTUMN RIVULETS

AS CONSEQUENT, ETC.

THE RETURN OF THE HEROES

THERE WAS A CHILD WENT FORTH

OLD IRELAND

THE CITY DEAD-HOUSE

THIS COMPOST

TO A FOIL’D EUROPEAN REVOLUTIONAIRE

UNNAMED LANDS

SONG OF PRUDENCE

THE SINGER IN THE PRISON

WARBLE FOR LILAC-TIME

OUTLINES FOR A TOMB

OUT FROM BEHIND THIS MASK

VOCALISM

TO HIM THAT WAS CRUCIFIED

YOU FELONS ON TRIAL IN COURTS

LAWS FOR CREATIONS

TO A COMMON PROSTITUTE

I WAS LOOKING A LONG WHILE

THOUGHT

MIRACLES

SPARKLES FROM THE WHEEL

TO A PUPIL

UNFOLDED OUT OF THE FOLDS

WHAT AM I AFTER ALL

KOSMOS

OTHERS MAY PRAISE WHAT THEY LIKE

WHO LEARNS MY LESSON COMPLETE?

TESTS

THE TORCH

O STAR OF FRANCE (1870-71)

THE OX-TAMER

AN OLD MAN’S THOUGHT OF SCHOOL

WANDERING AT MORN

ITALIAN MUSIC IN DAKOTA

WITH ALL THY GIFTS

MY PICTURE-GALLERY

THE PRAIRIE STATES

PROUD MUSIC OF THE STORM

PASSAGE TO INDIA

PRAYER OF COLUMBUS

THE SLEEPERS

TRANSPOSITIONS

TO THINK OF TIM

WHISPERS OF HEAVENLY DEATH

DAREST THOU NOW O SOUL

WHISPERS OF HEAVENLY DEATH

CHANTING THE SQUARE DEIFIC

OF HIM I LOVE DAY AND NIGHT

YET, YET, YE DOWNCAST HOURS

AS IF A PHANTOM CARESS’D ME

ASSURANCES

QUICKSAND YEARS

THAT MUSIC ALWAYS ROUND ME

WHAT SHIP PUZZLED AT SEA

A NOISELESS PATIENT SPIDER

O LIVING ALWAYS, ALWAYS DYING

TO ONE SHORTLY TO DIE

NIGHT ON THE PRAIRIES

THOUGHT

THE LAST INVOCATION

AS I WATCH’D THE PLOUGHMAN PLOUGHING

PENSIVE AND FALTERING

THOU MOTHER WITH THY EQUAL BROOD

A PAUMANOK PICTURE

FROM NOON TO STARRY NIGHT

THOU ORB ALOFT FULL-DAZZLING

FACES

THE MYSTIC TRUMPETER

TO A LOCOMOTIVE IN WINTER

O MAGNET-SOUTH

MANNAHATTA

ALL IS TRUTH

A RIDDLE SONG

EXCELSIOR

AH POVERTIES, WINCINGS, AND SULKY RETREATS

THOUGHTS

MEDIUMS

WEAVE IN, MY HARDY LIFE

SPAIN, 1873-74

BY BROAD POTOMAC’S SHORE

FROM FAR DAKOTA’S CAÑONS

OLD WAR-DREAMS

THICK-SPRINKLED BUNTING

WHAT BEST I SEE IN THEE

SPIRIT THAT FORM’D THIS SCENE

AS I WALK THESE BROAD MAJESTIC DAYS

A CLEAR MIDNIGHT

SONGS OF PARTING

AS THE TIME DRAWS NIGH

YEARS OF THE MODERN

ASHES OF SOLDIERS

THOUGHTS

SONG AT SUNSET

AS AT THY PORTALS ALSO DEATH

MY LEGACY

PENSIVE ON HER DEAD GAZING

CAMPS OF GREEN

THE SOBBING OF THE BELLS

AS THEY DRAW TO A CLOSE

JOY, SHIPMATE, JOY!

THE UNTOLD WANT

PORTALS

THESE CAROLS

NOW FINALE TO THE SHORE

SO LONG!

FIRST ANNEX - SANDS AT SEVENTY

MANNAHATTA

PAUMANOK

FROM MONTAUK POINT

TO THOSE WHO’VE FAIL’D

A CAROL CLOSING SIXTY-NINE

THE BRAVEST SOLDIERS

A FONT OF TYPE

AS I SIT WRITING HERE

MY CANARY BIRD

QUERIES TO MY SEVENTIETH YEAR

THE WALLABOUT MARTYRS

THE FIRST DANDELION

AMERICA

MEMORIES

TO-DAY AND THEE

AFTER THE DAZZLE OF DAY

ABRAHAM LINCOLN, BORN FEB. 12, 1809

OUT OF MAY’S SHOWS SELECTED

HALCYON DAYS

FANCIES AT NAVESINK

ELECTION DAY, NOVEMBER, 1884

WITH HUSKY-HAUGHTY LIPS, O SEA!

DEATH OF GENERAL GRANT

RED JACKET (FROM ALOFT)

WASHINGTON’S MONUMENT, FEBRUARY, 1885

OF THAT BLITHE THROAT OF THINE

BROADWAY

TO GET THE FINAL LILT OF SONGS

OLD SALT KOSSABONE

THE DEAD TENOR

CONTINUITIES

YONNONDIO

LIFE

“GOING SOMEWHERE”

SMALL THE THEME OF MY CHANT

TRUE CONQUERORS

THE UNITED STATES TO OLD WORLD CRITICS

THE CALMING THOUGHT OF ALL

THANKS IN OLD AGE

LIFE AND DEATH

THE VOICE OF THE RAIN

SOON SHALL THE WINTER’S FOIL BE HERE

WHILE NOT THE PAST FORGETTING

THE DYING VETERAN

STRONGER LESSONS

A PRAIRIE SUNSET

TWENTY YEARS

ORANGE BUDS BY MAIL FROM FLORIDA

TWILIGHT

YOU LINGERING SPARSE LEAVES OF ME

NOT MEAGRE, LATENT BOUGHS ALONE

THE DEAD EMPEROR

AS THE GREEK’S SIGNAL FLAME

THE DISMANTLED SHIP

NOW PRECEDENT SONGS, FAREWELL

AN EVENING LULL

OLD AGE’S LAMBENT PEAKS

AFTER THE SUPPER AND TALK

SECOND ANNEX - GOOD-BYE MY FANCY

PREFACE NOTE TO 2D ANNEX, CONCLUDING L. OF G.—1891

SAIL OUT FOR GOOD, EIDOLON YACHT!

LINGERING LAST DROPS

GOOD-BYE MY FANCY

ON, ON THE SAME, YE JOCUND TWAIN!

MY 71ST YEAR

APPARITIONS

THE PALLID WREATH

AN ENDED DAY

OLD AGE’S SHIP & CRAFTY DEATH’S

TO THE PENDING YEAR

SHAKSPERE-BACON’S CIPHER

LONG, LONG HENCE

BRAVO, PARIS EXPOSITION!

INTERPOLATION SOUNDS

TO THE SUN-SET BREEZE

OLD CHANTS

A CHRISTMAS GREETING

SOUNDS OF THE WINTER

A TWILIGHT SONG

WHEN THE FULL-GROWN POET CAME

OSCEOLA

A VOICE FROM DEATH

A PERSIAN LESSON

THE COMMONPLACE

“THE ROUNDED CATALOGUE DIVINE COMPLETE”

MIRAGES

L. OF G.’S PURPORT

THE UNEXPRESS’D

GRAND IS THE SEEN

UNSEEN BUDS

GOOD-BYE MY FANCY!

A BACKWARD GLANCE O‘ER TRAVEL’D ROADS

 

ADDITIONAL POEMS

INTRODUCTION TO ADDITIONAL POEMS

POEMS WRITTEN BEFORE 1855

POEMS EXCLUDED FROM THE “DEATH-BED” EDITION (1891-1892)

OLD AGE ECHOES (1897)

POEMS WRITTEN BEFORE 1855

OUR FUTURE LOT

FAME’S VANITY

MY DEPARTURE

YOUNG GRIMES

THE INCA’S DAUGHTER

THE LOVE THAT IS HEREAFTER

WE ALL SHALL REST AT LAST

THE SPANISH LADY

THE END OF ALL

THE COLUMBIAN’S SONG

THE PUNISHMENT OF PRIDE

AMBITION

THE DEATH AND BURIAL OF McDONALD CLARKE

TIME TO COME

A SKETCH

DEATH OF THE NATURE-LOVER

THE PLAY-GROUND

ODE

THE MISSISSIPPI AT MIDNIGHT

SONG FOR CERTAIN CONGRESSMEN

BLOOD-MONEY

THE HOUSE OF FRIENDS

RESURGEMUS

POEMS EXCLUDED FROM THE “DEATH-BED” EDITION (1891-1892)

GREAT ARE THE MYTHS

CHANTS DEMOCRATIC. 6

THINK OF THE SOUL

RESPONDEZ!

ENFANS D‘ADAM. 11

CALAMUS. 16

CALAMUS. 8

CALAMUS. 9

LEAVES OF GRASS. 20

THOUGHTS. 1

THOUGHT

SAYS

APOSTROPH

O SUN OF REAL PEACE

PRIMEVAL MY LOVE FOR THE WOMAN I LOVE

TO YOU

NOW LIFT ME CLOSE

TO THE READER AT PARTING

DEBRIS

LEAFLETS

DESPAIRING CRIES

CALAMUS. 5

THOUGHTS. 2

THOUGHTS. 4

BATHED IN WAR’S PERFUME

SOLID, IRONICAL, ROLLING ORB

NOT MY ENEMIES EVER INVADE ME

THIS DAY, O SOUL

LESSONS

ASHES OF SOLDIERS: EPIGRAPH

THE BEAUTY OF THE SHIP

AFTER AN INTERVAL

TWO RIVULETS

OR FROM THAT SEA OF TIME

FROM MY LAST YEARS

IN FORMER SONGS

AS IN A SWOON

[LAST DROPLETS]

SHIP AHOY!

FOR QUEEN VICTORIA’S BIRTHDAY

L OF G

AFTER THE ARGUMENT

FOR US TWO, READER DEAR

OLD AGE ECHOES

TO SOAR IN FREEDOM AND IN FULLNESS OF POWER

THEN SHALL PERCEIVE

THE FEW DROPS KNOWN

ONE THOUGHT EVER AT THE FORE

WHILE BEHIND ALL FIRM AND ERECT

A KISS TO THE BRIDE

NAY, TELL ME NOT TO-DAY THE PUBLISH’D SHAME

SUPPLEMENT HOURS

OF MANY A SMUTCH’D DEED REMINISCENT

TO BE AT ALL

DEATH’S VALLEY

ON THE SAME PICTURE

A THOUGHT OF COLUMBUS

 

ENDNOTES

PUBLICATION INFORMATION

INSPIRED BY LEAVES OF GRASS

COMMENTS & QUESTIONS

FOR FURTHER READING

INDEX OF TITLES AND FIRST LINES

FROM THE PAGES OF LEAVES OF GRASS

001

I am the poet of the body,
And I am the poet of the soul.

(FROM “SONG OF MYSELF,” 1855, PAGE 48)

 

Walt Whitman, an American, one of the roughs, a kosmos,
Disorderly fleshy and sensual .... eating drinking and breeding,
No sentimentalist .... no stander above men and women or apart
from them .... no more modest than immodest.

 

Unscrew the locks from the doors!
Unscrew the doors themselves from their jambs!

(FROM “SONG OF MYSELF,” 1855, PAGE 52)

 

I have perceived that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful curious breathing laughing flesh
is enough,
To pass among them ... to touch any one .... to rest my arm ever
so lightly round his or her neck for a moment .... what is this
then?
I do not ask any more delight .... I swim in it as in a sea.

(FROM “I SING THE BODY ELECTRIC,” 1855, PAGE 121)

 

To the States or any one of them, or any city of the States,
Resist much, obey little.

(FROM “TO THE STATES,” PAGE 173)

 

Shut not your doors to me proud libraries,
For that which was lacking on all your well-fill’d shelves, yet
needed most, I bring,
Forth from the war emerging, a book I have made,
The words of my book nothing, the drift of it every thing.

(FROM “SHUT NOT YOUR DOORS,” PAGE 176)

 

[These women] are not one jot less than I am,
They are tann’d in the face by shining suns and blowing winds,
Their flesh has the old divine suppleness and strength,
They know how to swim, row, ride, wrestle, shoot, run, strike,
retreat, advance, resist, defend themselves,
They are ultimate in their own right—they are calm, clear,
well-possess’d of themselves.

(FROM “A WOMAN WAITS FOR ME,” PAGES 263-264)

 

City of the world! (for all races are here,
All the lands of the earth make contributions here;)
City of the sea! city of hurried and glittering tides!
City whose gleeful tides continually rush or recede, whirling in
and out with eddies and foam!
City of wharves and stores—city of tall façades of marble and iron!
Proud and passionate city—mettlesome, mad, extravagant city!

(FROM “CITY OF SHIPS,” PAGE 444)

 

O Captain! my Captain! our fearful trip is done,
The ship has weather’d every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.

(FROM “O CAPTAIN! MY CAPTAIN!” PAGE 484)

002

003

Published by Barnes & Noble Books
122 Fifth Avenue
New York, NY 10011

 

www.BookishMall.com.com/classics

 

Leaves of Grass was published anonymously in 1855.
Throughout his life, Whitman revised Leaves of Grass and regularly issued
new editions. The final authorized ninth, or “Death-bed,”
edition was published in 1891-1892.

 

Published by Barnes & Noble Classics in 2004 with new Introduction,
Notes, Biography, Chronology, Publication Information, Inspired By,
Comments & Questions, For Further Reading, and Index.

 

Introduction, Notes, Publishing Information, and For Further Reading

Copyright © 2004 by Karen Karbiener.

 

Note on Walt Whitman, The World of Walt Whitman and Leaves of Grass,
Inspired by Leaves of Grass, Comments & Questions, and Index
Copyright © 2004 by Barnes & Noble, Inc.

 

All rights reserved. No part of this publication may be reproduced or
transmitted in any form or by any means, electronic or mechanical, including
photocopy, recording, or any information storage and retrieval system,
without the prior written permission of the publisher.

 

Barnes & Noble Classics and the Barnes & Noble Classics
colophon are trademarks of Barnes & Noble, Inc.

 

Leaves of Grass

ISBN-13: 978-1-59308-083-9
ISBN-10: 1-59308-083-2

eISBN : 978-1-411-43252-9

LC Control Number 2004102191

 

Produced and published in conjunction with
Fine Creative Media, Inc.
322 Eighth Avenue
New York, NY 10001

 

Michael J. Fine, President and Publisher

 

Printed in the United States of America
QM
5 7 9 10 8 6 4

WALT WHITMAN

004

Walt Whitman was born on May 31, 1819, on a farm near West Hills, New York, on Long Island. In 1823, Walter Senior moved his growing family to Brooklyn, where he worked as a carpenter and introduced Walt to freethinkers and reformers like the Quaker preacher Elias Hicks and women’s rights activist Frances Wright. One of Whitman’s most vivid childhood memories was of being hoisted onto the shoulders of General Lafayette during a visit the Revolutionary War hero made to New York.

While many notable American figures of the mid-nineteenth century, such as Henry Wadsworth Longfellow and Nathaniel Hawthorne, were the privileged sons of well-established families, Whitman was, at least on the basis of his humble origins, indeed a man of the people. His mother, Louisa Van Velsor, an unfailing supporter of her literary-minded son, was barely literate; of the seven Whitman offspring who survived infancy, Eddy was mentally disabled, Jesse spent much of his life in an insane asylum, Andrew died young of alcoholism and tuberculosis, and Hannah married an abusive man who repeatedly beat her. Whitman was confronted with these often sordid family matters through much of his adult life.

Walt dropped out of school when he was eleven, though he continued to read widely and soon entered the newspaper business as a printer’s apprentice. Before long he was editing and writing for some of the most popular newspapers of the day.