What was then glass is now gaping. Studs show through the “open plan” where, in years past, transpired sweet, murmurous late nights with Sally, or merry drinks’ evenings with some old Michigan chum who’d shown up unexpected with a bottle of Pouilly-Fuissé . . . where life went on, in other words.

The poured gray foundation is what’s left intact—a surprisingly small rectangular pit with a partial set of wooden steps going nowhere. The big Trane heat pump’s in place in the dank water that’s collected. But everything else in the “basement”—bicycles, hope chests, old uniforms, generations of shoes, wine racks, busted suitcases someone’s father owned, boxes and boxes and boxes of stuff you should’ve gotten rid of decades ago—all that’s been sucked up and blown away to some farmer’s field in Lakehurst, to be found, possibly returned, or else put in a museum to commemorate the awesomeness of mother nature when she gets it in her head to fuck with you.

All four other houses down Poincinet are simply missing, leaving only vacant cellars like my old place. Though opening up the space these houses so recently occupied has reconfigured a new pretty vista—ocean and beach the way they used to be, time immemorial. A lone fisherman in hip waders is visible, casting for stripers with his long pole to the incoming tide. He’s dressed in a bulky cable-knit, heavy gloves, and an orange watch cap, and doesn’t seem to have caught anything. Out at sea, between the land and the fog bank, an unmeasurable distance from where I’m sitting behind the wheel, a great white cruise ship—a wallowing twelve-decker—sits motionless against the gray. Carnival, Princess, Norwegian—one of those. I have a feeling passengers are at the rails, scoping out what used to be New Jersey, taking snaps with their phones and shooting them back to Ashtabula and Boise, as they ply their way toward Great Abaco. I’m not so certain they’re empathetic to our lives ashore.

I, though, am struck by something I’ve never thought before—even in my role as residential specialist, seeking shelter for those in need. And it is . . . what little difference a house makes once it’s gone. How effortlessly, almost sweetly, the world re-asserts its claim and becomes itself again. People wring their hands and cry bloody murder when a garish new structure rises and casts its ugly shadow; or when a parking lot behind the Pathway paves over the sacred midden of the lost Lenape or a wetland where herons nested and ducks stopped to rest. As if these evils last forever. They don’t. All may not be vanity (though plenty is); but nothing’s here to stay. There’s something to be said for a good no-nonsense hurricane, to bully life back into perspective. It’s always worthy of our notice when we don’t feel precisely the way we thought we would. Easy to say, of course, since I don’t live here anymore.

Up the beach, opened by the absence of what were people’s houses, the sight line stretches all the way up to Ortley Beach and beyond, to where the old roller-coaster bones sit marooned in seawater. Two tiny, faraway figures are walking a dog along the surf’s lap. A front loader—I hear its distant beeping through my open window—is slowly returning sand to the beach from the blanketed streets. I hear—over the berm, out of sight—the clatter of hammers striking wood, and the cheerful hum of Spanish. How strange life is. One day Reynoso, the next Sea-Clift. “Oh, jes,” one of them shouts (they’re English speakers now). “It’s cunt sniff.” At least I think that’s what the words say. Frolicsome musical notes rise from their radio and over the berm top.