Tomorrow he’ll send copies to NSA, the CIA, and Department of Homeland Security.

Quinn pocketed the video card but stopped short after hearing a small sound. In the absence of certainty, he preferred not to squeeze his huge frame through the narrow cell door opening, but this was Donovan Creed after all, so Quinn entered reluctantly, knelt on the floor, and tried Creed’s wrist for a pulse. Failing to find one, he cradled the dead man’s head in his giant hand and placed his ear close to Creed’s mouth.

A raspy whisper emerged: “That all you got?”

Startled, Quinn drew back. “Son of a bitch!” he said for the second time that night. Some day he’ll be drinking in a biker bar or hanging on a meat hook somewhere, and some guy will ask him who the toughest man he ever met was.

Quinn will say Donovan Creed, and he’ll give a dozen examples of Creed’s toughness, ending with these most recent events. He’ll tell it just the way it happened tonight, no need to embellish, and he’ll end the story with a recitation of Creed’s final words, “Is that all you’ve got?” The guy hearing the story will smile because, as final words go, Creed’s were gold.

As it turns out, those were not Creed’s last words.

“This time,” he said, “give me twelve seconds.”

Quinn sighed. “I should’ve brought a sandwich,” he said.

Quinn fears no human or beast in the world, save for the man at his feet. Specifically, he fears that thing inside the man on the fl oor that drives Donovan Creed to sleep in a prison cell every night when he’s here at his headquarters in Virginia—or in the attics and crawl spaces of homes owned by clueless strangers the rest of the time. Nor can Quinn fathom what fuels Creed’s insane desire to build his resistance to torture by scheduling these horrific late night sessions in order to play human guinea pig to the latest military death weapon du jour.

Quinn makes his way back through the cell door opening and places the video card back in the camera. He peers into the aperture, presses the record button.

The lens displays a stark prison cell measuring six feet by nine. A narrow bed with a bare mattress hugs the left wall, separated from the toilet by a stainless steel sink. The reinforced cinderblock walls and concrete floor are painted institutional gray. Two-inch-thick iron bars span the front of the cell. A center section can be slid to one side to accommodate prisoner access. The ceiling is high and holds fluorescent lighting above a grid designed to discourage prisoners from hurling food or clothing upward in an attempt to obtain shards of glass from which to fashion a weapon.

The grid diffuses the light into a greenish glow that slightly distorts the image of the man on the floor in the center of the prison cell … as he struggles, once again, to his feet.


 

 

 

CHAPTER 1

 

I awoke in mid-scream, jerked upright, and jumped off my cot like I’d been set on fire. My brain cells sputtered, overloaded by panic and crippling pain. I staggered three steps and crashed into the bars of my cell. I grabbed them and held on for dear life. It took a minute, but I finally remembered how I’d spent the previous night cozying up to the death ray.

My cell phone rang. I ignored it, made my way to the toilet, and puked up everything inside me, including, possibly, my spleen. The ringing stopped long before I felt like checking the caller ID.