Life's Handicap: Being Stories of Mine Own People

Life's Handicap

Being Stories of Mine Own People

by

Rudyard Kipling

eBooks@Adelaide
2009

This web edition published by eBooks@Adelaide.

Rendered into HTML by Steve Thomas.

Last updated Friday March 27 2009.

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Table of Contents

Preface
  1. The Lang Men O’ Larut
  2. Reingelder and the German Flag
  3. The Wandering Jew
  4. Through the Fire
  5. The Finances of the Gods
  6. The Amir’s Homily
  7. Jews in Shushan
  8. The Limitations of Pambe Serang
  9. Little Tobrah
  10. Bubbling Well Road
  11. The City of Dreadful Night
  12. Georgie Porgie
  13. Naboth
  14. The Dream of Duncan Parrenness
  15. The Incarnation of Krishna Mulvaney
  16. The Courting of Dinah Shadd
  17. On Greenhow Hill
  18. The Man Who Was
  19. The Head of the District
  20. Without Benefit of Clergy
  21. At the End of the Passage
  22. The Mutiny of the Mavericks
  23. The Mark of the Beast
  24. The Return of Imray
  25. Namgay Doola
  26. Burtran and Bimi
  27. Moti Guj—Mutineer
  28. L’Envoi

Table of Contents Next

Last updated on Fri Mar 27 14:07:25 2009 for eBooks@Adelaide.

Rudyard Kipling

Life's Handicap

Preface

In Northern India stood a monastery called The Chubara of Dhunni Bhagat. No one remembered who or what Dhunni Bhagat had been. He had lived his life, made a little money and spent it all, as every good Hindu should do, on a work of piety—the Chubara. That was full of brick cells, gaily painted with the figures of Gods and kings and elephants, where worn-out priests could sit and meditate on the latter end of things; the paths were brick paved, and the naked feet of thousands had worn them into gutters. Clumps of mangoes sprouted from between the bricks; great pipal trees overhung the well-windlass that whined all day; and hosts of parrots tore through the trees. Crows and squirrels were tame in that place, for they knew that never a priest would touch them.

The wandering mendicants, charm-sellers, and holy vagabonds for a hundred miles round used to make the Chubara their place of call and rest. Mahomedan, Sikh, and Hindu mixed equally under the trees. They were old men, and when man has come to the turnstiles of Night all the creeds in the world seem to him wonderfully alike and colourless.

Gobind the one-eyed told me this. He was a holy man who lived on an island in the middle of a river and fed the fishes with little bread pellets twice a day. In flood-time, when swollen corpses stranded themselves at the foot of the island, Gobind would cause them to be piously burned, for the sake of the honour of mankind, and having regard to his own account with God hereafter. But when two-thirds of the island was torn away in a spate, Gobind came across the river to Dhunni Bhagat’s Chubara, he and his brass drinking vessel with the well-cord round the neck, his short arm-rest crutch studded with brass nails, his roll of bedding, his big pipe, his umbrella, and his tall sugar-loaf hat with the nodding peacock feathers in it. He wrapped himself up in his patched quilt made of every colour and material in the world, sat down in a sunny corner of the very quiet Chubara, and, resting his arm on his short-handled crutch, waited for death. The people brought him food and little clumps of marigold flowers, and he gave his blessing in return. He was nearly blind, and his face was seamed and lined and wrinkled beyond belief, for he had lived in his time which was before the English came within five hundred miles of Dhunni Bhagat’s Chubara.

When we grew to know each other well, Gobind would tell me tales in a voice most like the rumbling of heavy guns over a wooden bridge. His tales were true, but not one in twenty could be printed in an English book, because the English do not think as natives do. They brood over matters that a native would dismiss till a fitting occasion; and what they would not think twice about a native will brood over till a fitting occasion: then native and English stare at each other hopelessly across great gulfs of miscomprehension.

‘And what,’ said Gobind one Sunday evening, ‘is your honoured craft, and by what manner of means earn you your daily bread?’

‘I am,’ said I, ‘a kerani—one who writes with a pen upon paper, not being in the service of the Government.’

‘Then what do you write?’ said Gobind. ‘Come nearer, for I cannot see your countenance, and the light fails.’

‘I write of all matters that lie within my understanding, and of many that do not. But chiefly I write of Life and Death, and men and women, and Love and Fate according to the measure of my ability, telling the tale through the mouths of one, two, or more people. Then by the favour of God the tales are sold and money accrues to me that I may keep alive.’

‘Even so,’ said Gobind. ‘That is the work of the bazar story-teller; but he speaks straight to men and women and does not write anything at all. Only when the tale has aroused expectation, and calamities are about to befall the virtuous, he stops suddenly and demands payment ere he continues the narration. Is it so in your craft, my son?’

‘I have heard of such things when a tale is of great length, and is sold as a cucumber, in small pieces.’

‘Ay, I was once a famed teller of stories when I was begging on the road between Koshin and Etra; before the last pilgrimage that ever I took to Orissa. I told many tales and heard many more at the rest-houses in the evening when we were merry at the end of the march. It is in my heart that grown men are but as little children in the matter of tales, and the oldest tale is the most beloved.’

‘With your people that is truth,’ said I. ‘But in regard to our people they desire new tales, and when all is written they rise up and declare that the tale were better told in such and such a manner, and doubt either the truth or the invention thereof.’

‘But what folly is theirs!’ said Gobind, throwing out his knotted hand. ‘A tale that is told is a true tale as long as the telling lasts. And of their talk upon it—you know how Bilas Khan, that was the prince of tale-tellers, said to one who mocked him in the great rest-house on the Jhelum road: “Go on, my brother, and finish that I have begun,” and he who mocked took up the tale, but having neither voice nor manner for the task came to a standstill, and the pilgrims at supper made him eat abuse and stick half that night.’

‘Nay, but with our people, money having passed, it is their right; as we should turn against a shoeseller in regard to shoes if those wore out. If ever I make a book you shall see and judge.’

‘And the parrot said to the falling tree, Wait, brother, till I fetch a prop!’ said Gobind with a grim chuckle. ‘God has given me eighty years, and it may be some over. I cannot look for more than day granted by day and as a favour at this tide. Be swift.’

‘In what manner is it best to set about the task.’ said I, ‘O chiefest of those who string pearls with their tongue?’

‘How do I know? Yet’—he thought for a little—‘how should I not know? God has made very many heads, but there is only one heart in all the world among your people or my people.