She could not play ten-pins or croquet, nor could she dance.

"What are the men kneeling down for, and why do they keep stopping to put on those queer little caps and things?" she whispered to Miss Ferrol one night.

"They are trying to dance a German," replied Miss Ferrol, "and the man who is leading them only knows one figure."

As for the riding, she had been used to riding all her life; but no one asked her to join them, and if they had done so she would have been too wise,—unsophisticated as she was,—to accept the invitation. So where Miss Ferrol was seen she was seen also, and she was never so happy as when she was invited into her protector's room and allowed to spend the morning or evening there. She would have been content to sit there forever and listen to Miss Ferrol's graphic description of life in the great world: The names of celebrated personages made small impression upon her. It was revealed gradually to Miss Ferrol that she had private doubts as to the actual existence of some of them, and the rest she had never heard of before.

"You never read 'The Scarlet Letter?'" asked her instructress upon one occasion.

She flushed guiltily.

"No," she answered. "Nor—nor any of the others."

Miss Ferrol gazed at her silently for a few moments. Then she asked her a question in a low voice, specially mellowed, so that it might not alarm her.

"Do you know who John Stuart Mill is?" she said.

"No," she replied from the dust of humiliation.

"Have you never heard—just heard—of Ruskin?"

"No."

"Nor of Michael Angelo?"

"N-no—ye-es, I think so—perhaps, but I don't know what he did."

"Do you," she continued, very slowly, "do—you—know—anything—about—Worth?"

"No, nothing."

Her questioner clasped her hands with repressed emotion.

"Oh," she cried, "how—how you have been neglected!"

She was really depressed, but her protégée was so much more deeply so that she felt it her duty to contain herself and return to cheerfulness.

"Never mind," she said. "I will tell you all I know about them, and,"—after a pause for speculative thought upon the subject,—"by-the-by, it isn't much, and I will lend you some books to read, and give you a list of some you must persuade your father to buy for you, and you will be all right. It is rather dreadful not to know the names of people and things; but, after all, I think there are very few people who—ahem!"

She was checked here by rigid conscientious scruples. If she was to train this young mind in the path of learning and literature, she must place before her a higher standard of merit than the somewhat shady and slipshod one her eagerness had almost betrayed her into upholding. She had heard people talk of "standards" and "ideals," and when she was kept to the point and in regulation working order, she could be very eloquent upon these subjects herself.

"You will have to work very seriously," she remarked, rather incongruously and with a rapid change of position. "If you wish to—to acquire anything, you must read conscientiously and—and with a purpose." She was rather proud of that last clause.

"Must I?" inquired Louise, humbly. "I should like to—if I knew where to begin. Who was Worth? Was he a poet?"

Miss Ferrol acquired a fine, high color very suddenly.

"Oh," she answered, with some uneasiness, "you—you have no need to begin with Worth. He doesn't matter so much—really."

"I thought," Miss Rogers said meekly, "that you were more troubled about my not having read what he wrote, than about my not knowing any of the others."

"Oh, no. You see—the fact is, he—he never wrote anything."

"What did he do?" she asked, anxious for information.

"He—it isn't 'did,' it is 'does.' He—makes dresses."

"Dresses!"

This single word, but no exclamation point could express its tone of wild amazement.

"Yes."

"A man!"

"Yes."

There was a dead silence. It was embarrassing at first. Then the amazement of the unsophisticated one began to calm itself; it gradually died down, and became another emotion, merging itself into interest.

"Does"—guilelessly she inquired—"he make nice ones?"

"Nice!" echoed Miss Ferrol. "They are works of art! I have got three in my trunk."

"O-o h!" sighed Louisiana. "Oh, dear!"

Miss Ferrol rose from her chair.

"I will show them to you," she said. "I—I should like you to try them on."

"To try them on!" ejaculated the child in an awe-stricken tone. "Me?"

"Yes," said Miss Ferrol, unlocking the trunk and throwing back the lid. "I have been wanting to see you in them since the first day you came."

She took them out and laid them upon the bed on their trays. Louise got up from the floor and approaching, reverently stood near them. There was a cream-colored evening-dress of soft, thick, close-clinging silk of some antique-modern sort; it had golden fringe, and golden flowers embroidered upon it.

"Look at that," said Miss Ferrol, softly—even religiously.

She made a mysterious, majestic gesture.

"Come here," she said. "You must put it on."

Louise shrank back a pace.

"I—oh! I daren't," she cried. "It is too beautiful!"

"Come here," repeated Miss Ferrol.

She obeyed timorously, and gave herself into the hands of her controller. She was so timid and excited that she trembled all the time her toilette was being performed for her. Miss Ferrol went through this service with the manner of a priestess officiating at an altar. She laced up the back of the dress with the slender, golden cords; she arranged the antique drapery which wound itself around in close swathing folds. There was not the shadow of a wrinkle from shoulder to hem: the lovely young figure was revealed in all its beauty of outline. There were no sleeves at all, there was not very much bodice, but there was a great deal of effect, and this, it is to be supposed, was the object.

"Walk across the floor," commanded Miss Ferrol.

Louisiana obeyed her.

"Do it again," said Miss Ferrol.

Having been obeyed for the second time, her hands fell together. Her attitude and expression could be said to be significant only of rapture.

"I said so!" she cried.