James Barbour and Tom Quirk (1990).

Berthoff, Warner. The Example of Melville (1962).

Bezanson, Walter. “Moby-Dick”: Work of Art. In Moby-Dick: Centennial Essays, ed. Tyrus Hillway and Luther S. Mansfield (1953).

Brodhead, Richard H. Hawthorne, Mellville, and the Novel (1976).

Bryant, John, ed. A Companion to Melville Studies (1986).

Cameron, Sharon. The Corporeal Self: Allegories of the Body in Melville and Hawthorne (1981).

Charvat, William. “Melville,” in The Profession of Authorship in America, 1800–1870 (1968).

Dimock, Wai-Chee, Empire of Liberty: Melville and the Poetics of Individualism (1989).

Gilmore, Michael T., ed. Twentieth-Century Interpretations of Moby-Dick (1977).

Hardwick, Elizabeth. Herman Melville: A Penguin Life. New York: Viking, 2000.

Hayes, Kevin, ed. The Critical Response to Herman Melville’s Moby-Dick. Westport, Conn.: Greenwood Press, 1994.

Heimert, Alan. “Moby-Dick and American Political Symbolism,” American Quarterly 15 (Winter 1963).

Howard, Leon. Herman Melville (1951).

James, C. L. R. Mariners, Renegades, and Castaways: The Story of Herman Meville and the World We Live In (1953).

Karcher, Carolyn. Shadow over the Promised Land: Slavery, Race, and Violence in Melville’s America (1980).

Lawrence, D. H. Studies in Classic American Literature (1923).

Martin, Robert K. Hero, Captain, Stranger (1986).

Matthiessen, F. O. American Renaissance (1941).

Morrison, Toni. “Unspeakable Things Unspoken: The Afro-American Presence in American Literature,” Michigan Quarterly Review 28 (Winter 1989).

Mumford, Lewis. Herman Melville (1929).

Murray, Henry. “In Nomine Diaboli,” in Moby-Dick Centennial Essays, ed. Tyrus Hillway and Luther S.