Olla Podrida

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Title: Olla Podrida

Author: Frederick Marryat

Release Date: March 9, 2010 [EBook #31579]

Language: English


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OLLA PODRIDA

BY

CAPTAIN MARRYAT

LONDON
J. M. DENT AND CO.
BOSTON: LITTLE, BROWN AND CO.
MDCCCXCVI

Contents

The Monk of Seville1
Metropolitan Magazine, 1833.

The Gipsy85
Metropolitan Magazine, 1834.

Ill-Will159
New Monthly Magazine, 1837.

How to write a Fashionable Novel179
Metropolitan Magazine, 1833.

How to write a Book of Travels200
Metropolitan Magazine 1833, 1834.

How to write a Romance214
Metropolitan Magazine, 1835.

S.W. and by W. ¾ W.225

The Sky-Blue Domino243
New Monthly Magazine, 1837.

Modern Town Houses260
New Monthly Magazine, 1837.

The Way to be Happy275

The Legend of the Bell Rock282

Moonshine293

The Fairy's Wand313
New Monthly Magazine, 1840.

A Rencontre328

Prefatory Note

This edition of Olla Podrida does not include the "Diary on the Continent" which appeared first in the Metropolitan Magazine 1835-1836 as "The Diary of a Blasé" continued in the New Monthly Magazine 1837, 1838, as "Confessions and opinions of Ralph the Restless." Marryat himself described the "Diary" as "very good magazine stuff," and it has no fitting place in an edition of his novels, from which the "Diary in America" is also excluded.

The space thus created is occupied by "The Gipsy," "The Fairy's Wand," and "A Rencontre," which I have ventured to print here in spite the author's protest,[A] that the original edition of Olla Podrida contained all the miscellaneous matter contributed by him to periodicals that he wished to acknowledge as his writing. The statement may be regarded as a challenge to his editors to produce something worthy; and I certainly consider that the "Gipsy" is superior to some of his fragments, and may be paired, as a comedy, with "The Monk of Seville," as a tragedy.

[A] Preface to first edition of O.P. printed below.

But I have not attempted any systematic search for scraps. "The Fairy's Wand" was published in the same year as, and probably later than, Olla Podrida itself, and need not therefore be "considered as disavowed and rejected" by him. "A Rencontre" was always reprinted and acknowledged by its author, being, for no ostensible reason, bound up with Joseph Rushbrook, or The Poacher, 1841.

This seems the most appropriate occasion to supplement, and—in some measure—to correct, the list of novels contributed to periodicals by Marryat, which I compiled from statements in The Life and Letters by Florence Marryat (also tabulated in Mr David Hannay's "Life"), and printed on p. xix. of the General Introduction to this edition.

To the Metropolitan Magazine.

(Edited by Marryat, 1832-1835.)

The Pacha of Many Tales, May 1831—February 1833; and May 1834—May 1835.

Peter Simple, June 1832—September 1833. The novel is not completed in the Magazine, but closes with an announcement of the three volume edition.

Jacob Faithful, September 1833—September 1834.

Japhet in Search of a Father, September 1834—January 1836.

Snarleyyow, January 1836—January 1837.

Midshipman Easy. One specimen chapter only. August 1835.

To the New Monthly Magazine.

The Privateersman, 1845-1846.

Valerie (the first eleven chapters), 1846-1847.

The Phantom Ship, 1838-1839.

The bulk of this volume is reprinted from the first edition of Olla Podrida, in three volumes, Longman, Orme, Brown, Green, and Longmans, 1840. "The Gipsy," from the Metropolitan Magazine; "The Fairy's Wand," from the New Monthly Magazine; and "A Rencontre," from the first Edition of The Poacher, 1841.

R. B. J.

Author's Preface to the First Edition

I have not yet ventured upon a Preface to any of my writings, and I did not expect that I should ever have written one. Except in a work of importance, which may demand it, a Preface is, generally speaking, a request for indulgence which never will be accorded, or an explanation to which the Public is indifferent. It is only when an explanation is due to the Public, or to the Author's reputation, that he should venture to offer one. If a work is well written, the Public are satisfied; if not, they have just cause to feel otherwise; and if an Author obtains justice, he obtains all that he has a right to expect.

I write this Preface, because I consider that it may save me from a hasty remark or two, which it may be just as well to forestall. During the ten years which I have taken up the pen, I have furnished miscellaneous matter to various Periodicals, which, if it were all collected together, would swell into many volumes. Among it, as must be the case under the circumstances in which it was written, there is some which I consider tolerable; but the major portion is but indifferent; and I should be very sorry indeed, if at any future time, when I may not have the power to prevent it, all these articles should be collected and printed as mine. If ever it were done, it certainly would not be by my friends: I wish it, therefore, to be understood, that in the portions of these volumes which consist of republications, I have selected from the mass, all that I wish to acknowledge as my writing; and that the remainder (with the exception of the papers on nautical subjects, which are of no interest to the general reader) may be considered as disavowed and rejected. The major part of these volumes consist of a Diary written when I was on the Continent. It first appeared in the Periodicals, under the title of a "Diary of a Blasé:" the title was a bad one, as I did not write up to the character; I have, therefore, for want of a better name, simply called it a "Diary on the Continent;" and I mention this, that I may not be accused of having intentionally deceived.

F. M.

THE MONK OF SEVILLE:

A PLAY, IN FIVE ACTS.

DRAMATIS PERSONÆ.

Anselmo Don Gaspar, A monk disguised as a cavalier.

Don Felix, A Spanish nobleman.

Don Perez, Do.

Superior of the monastery.

Antonio, Servant to Don Gasper.

Manuel, A monk.

Jacobo, Porter to the monastery.

Sancho, Servant to Don Perez.


Donna Inez, A noble lady.

Isidora, Her niece.

Donna Serafina.

Beppa, } Servant to Serafina.
}      both wives of Antonio
Nina,  } Do. to Isidora.

Monks, Choristers, Attendants, &c.


Scene laid in Seville.

Olla Podrida

The Monk of Seville

Act I. Scene I.

Enter Don Felix and Don Perez.

Felix. You say his name's Don Gaspar?

Perez. So he styles himself; but of what house, parentage, or country, cannot be gained. He keeps aloof from all, bears himself gallantly; and 'tis manifest that any question discourteously put he'd answer with his sword.

Felix. He's skill'd in fence, then?

Perez. There's none to match him.