To him they were very cordial; the one who was lying down came forward to shake hands, keeping the place in his book with his finger.

On a table in the middle of the room were pipes and boxes of tobacco, cigars in a glass jar, and a big Chinese bowl full of cigarettes. This provisionment seemed the more remarkable to Claude because at home he had to smoke in the cowshed. The number of books astonished him almost as much; the wainscoting all around the room was built up in open bookcases, stuffed with volumes fat and thin, and they all looked interesting and hard-used. One of the brothers had been to a party the night before, and on coming home had put his dress-tie about the neck of a little plaster bust of Byron that stood on the mantel. This head, with the tie at a rakish angle, drew Claude's attention more than anything else in the room, and for some reason instantly made him wish he lived there.

Julius brought in his mother, and when they went to supper Claude was seated beside her at one end of the long table. Mrs. Erlich seemed to him very young to be the head of such a family. Her hair was still brown, and she wore it drawn over her ears and twisted in two little horns, like the ladies in old daguerreotypes. Her face, too, suggested a daguerreotype; there was something old-fashioned and picturesque about it. Her skin had the soft whiteness of white flowers that have been drenched by rain. She talked with quick gestures, and her decided little nod was quaint and very personal. Her hazel-coloured eyes peered expectantly over her nose-glasses, always watching to see things turn out wonderfully well; always looking for some good German fairy in the cupboard or the cake-box, or in the steaming vapor of wash-day.

The boys were discussing an engagement that had just been announced, and Mrs. Erlich began to tell Claude a long story about how this brilliant young man had come to Lincoln and met this beautiful young girl, who was already engaged to a cold and academic youth, and how after many heart-burnings the beautiful girl had broken with the wrong man and become betrothed to the right one, and now they were so happy, and every one, she asked Claude to believe, was equally happy! In the middle of her narrative Julius reminded her smilingly that since Claude didn't know these people, he would hardly be interested in their romance, but she merely looked at him over her nose-glasses and said, "And is that so, Herr Julius!" One could see that she was a match for them.

The conversation went racing from one thing to another. The brothers began to argue hotly about a new girl who was visiting in town; whether she was pretty, how pretty she was, whether she was naive. To Claude this was like talk in a play. He had never heard a living person discussed and analysed thus before. He had never heard a family talk so much, or with anything like so much zest. Here there was none of the poisonous reticence he had always associated with family gatherings, nor the awkwardness of people sitting with their hands in their lap, facing each other, each one guarding his secret or his suspicion, while he hunted for a safe subject to talk about. Their fertility of phrase, too, astonished him; how could people find so much to say about one girl? To be sure, a good deal of it sounded far-fetched to him, but he sadly admitted that in such matters he was no judge. When they went back to the living room Julius began to pick out airs on his guitar, and the bearded brother sat down to read. Otto, the youngest, seeing a group of students passing the house, ran out on to the lawn and called them in,--two boys, and a girl with red cheeks and a fur stole. Claude had made for a corner, and was perfectly content to be an on-looker, but Mrs. Erlich soon came and seated herself beside him. When the doors into the parlour were opened, she noticed his eyes straying to an engraving of Napoleon which hung over the piano, and made him go and look at it. She told him it was a rare engraving, and she showed him a portrait of her great-grandfather, who was an officer in Napoleon's army. To explain how this came about was a long story.

As she talked to Claude, Mrs. Erlich discovered that his eyes were not really pale, but only looked so because of his light lashes. They could say a great deal when they looked squarely into hers, and she liked what they said. She soon found out that he was discontented; how he hated the Temple school, and why his mother wished him to go there.

When the three who had been called in from the sidewalk took their leave, Claude rose also. They were evidently familiars of the house, and their careless exit, with a gay "Good-night, everybody!" gave him no practical suggestion as to what he ought to say or how he was to get out.