They make for the chesterfield, not noticing the two palpitating figures blotted against the walls in the gloom on either side. The figures flit away noiselessly through the window and disappear].

JUNO [officiously] Ah: here we are. [He leads the way to the sofa]. Sit down: I'm sure you're tired. [She sits]. That's right. [He sits beside her on her left]. Hullo! [he rises] this sofa's quite warm.

MRS. LUNN [bored] Is it? I don't notice it. I expect the sun's been on it.

JUNO. I felt it quite distinctly: I'm more thinly clad than you. [He sits down again, and proceeds, with a sigh of satisfaction]. What a relief to get off the ship and have a private room! That's the worst of a ship. You're under observation all the time.

MRS. LUNN. But why not?

JUNO. Well, of course there's no reason: at least I suppose not. But, you know, part of the romance of a journey is that a man keeps imagining that something might happen; and he can't do that if there are a lot of people about and it simply can't happen.

MRS. LUNN. Mr. Juno: romance is all very well on board ship; but when your foot touches the soil of England there's an end of it.

JUNO. No: believe me, that's a foreigner's mistake: we are the most romantic people in the world, we English. Why, my very presence here is a romance.

MRS. LUNN [faintly ironical] Indeed?

JUNO. Yes. You've guessed, of course, that I'm a married man.

MRS. LUNN. Oh, that's all right. I'm a married woman.

JUNO. Thank Heaven for that! To my English mind, passion is not real passion without guilt.