Probably the Free Libraries have supplanted the flickering shop lights; and every lad and lass can enter and call for Miss Braddon and batten thereon "in luxury's sofa–lap of leather"; and of course this boon is appreciated and profited by, and we shall see the divine results in a year or two. And yet sometimes, like the dear old Baron in the "Red Lamp,""I wonder?"

For myself, public libraries possess a special horror, as of lonely wastes and dragon–haunted fens. The stillness and the heavy air, the feeling of restriction and surveillance, the mute presence of these other readers, "all silent and all damned," combine to set up a nervous irritation fatal to quiet study. Had I to choose, I would prefer the windy street. And possibly others have found that the removal of checks and obstacles makes the path which leads to the divine mountain–tops less tempting, now that it is less rugged. So full of human nature are we all— still— despite the Radical missionaries that labour in the vineyard. Before the National Gallery was extended and rearranged, there was a little "St Catherine" by Pinturicchio that possessed my undivided affections. In those days she hung near the floor, so that those who would worship must grovel; and little I grudged it. Whenever I found myself near Trafalgar Square with five minutes to spare I used to turn in and sit on the floor before the object of my love, till gently but firmly replaced on my legs by the attendant. She hangs on the line now, in the grand new room; but I never go to see her. Somehow she is not my "St Catherine" of old. Doubtless Free Libraries affect many students in the same way: on the same principle as that now generally accepted— that it is the restrictions placed on vice by our social code which make its pursuit so peculiarly agreeable.

But even when the element of human nature has been fully allowed for, it remains a question whether the type of mind that a generation or two of Free Libraries will evolve is or is not the one that the world most desiderates; and whether the spare reading and consequent fertile thinking necessitated by the old, or gas–lamp, style is not productive of sounder results. The cloyed and congested mind resulting from the free run of these grocers' shops to omnivorous appetites (and all young readers are omnivorous) bids fair to produce a race of literary resurrection–men: a result from which we may well pray to be spared. Of all forms of lettered effusiveness that which exploits the original work of others and professes to supply us with right opinions thereanent is the least wanted. And whether he take to literary expression by pen or only wag the tongue of him, the grocer's boy of letters is sure to prove a prodigious bore. The Free Library, if it be fulfilling the programme of its advocates, is breeding such as he by scores.

But after all there is balm in Gilead; and much joy and consolation may be drawn from the sorrowful official reports, by which it would appear that the patrons of these libraries are confining their reading, with a charming unanimity, exclusively to novels. And indeed they cannot do better; there is no more blessed thing on earth than a good novel, not the least merit of which is that it induces a state of passive, unconscious enjoyment, and never frenzies the reader to go out and put the world right. Next to fairy tales— the original world–fiction— our modern novels may be ranked as our most precious possessions; and so it has come to pass that I shall now cheerfully pay my five shillings, or ten shillings, or whatever it may shortly be, in the pound towards the Free Library: convinced at last that the money is not wasted in training exponents of the subjectivity of this writer and the objectivity of that, nor in developing fresh imitators of dead discredited styles, but is righteously devoted to the support of wholesome, honest, unpretending novel–reading.

The Rural Pan

An April Essay

Through shady Throgmorton Street and about the vale of Cheapside the restless Mercury is flitting, with furtive eye and voice a little hoarse from bidding in the market. Further west, down classic Piccadilly, moves the young Apollo, the lord of the unerring (satin) bow; and nothing meaner than a frock–coat shall in these latter years float round his perfect limbs. But remote in other haunts than these the rural Pan is hiding, and piping the low, sweet strain that reaches only the ears of a chosen few. And now that the year wearily turns and stretches herself before the perfect waking, the god emboldened begins to blow a clearer note.

When the waking comes at last, and Summer is abroad, these deities will abroad too, each as his several attributes move him. Who is this that flieth up the reaches of the Thames in steam–launch hired for the day? Mercury is out— some dozen or fifteen strong. The flower–gemmed banks crumble and slide down under the wash of his rampant screw; his wake is marked by a line of lobster–claws, gold–necked bottles, and fragments of veal–pie. Resplendent in blazer, he may even be seen to embrace the slim–waisted nymph, haunter of green (room) shades, in the full gaze of the shocked and scandalised sun. Apollo meantime reposeth, passively beautiful, on the lawn of the Guards' Club at Maidenhead. Here, O Apollo, are haunts meet for thee. A deity subjectively inclined, he is neither objective nor, it must be said for him, at all objectionable, like them of Mercury.

Meanwhile, nor launches nor lawns tempt him that pursueth the rural Pan. In the hushed recesses of Hurley backwater where the canoe may be paddled almost under the tumbling comb of the weir, he is to be looked for; there the god pipes with freest abandonment. Or under the great shadow of Streatley Hill, "annihilating all that's made to a green thought in a green shade"; or better yet, pushing an explorer's prow up the remote untravelled Thame, till Dorchester's stately roof broods over the quiet fields. In solitudes such as these Pan sits and dabbles, and all the air is full of the music of his piping.