Wind keen from north-east: sky a dull grey.
(Triolet)
Rook. – Throughout the field I find no grain;
The cruel frost encrusts the cornland!
Starling. – Aye: patient pecking now is vain
Throughout the field, I find ...
Rook. – No grain!
Pigeon. – Nor will be, comrade, till it rain,
Or genial thawings loose the lorn land
Throughout the field.
Rook. – I find no grain:
The cruel frost encrusts the cornland!
The Last Chrysanthemum
Why should this flower delay so long
To show its tremulous plumes?
Now is the time of plaintive robin-song,
When flowers are in their tombs.
Through the slow summer, when the sun
Called to each frond and whorl
That all he could for flowers was being done,
Why did it not uncurl?
It must have felt that fervid call
Although it took no heed,
Waking but now, when leaves like corpses fall,
And saps all retrocede.
Too late its beauty, lonely thing,
The season's shine is spent,
Nothing remains for it but shivering
In tempests turbulent.
Had it a reason for delay,
Dreaming in witlessness
That for a bloom so delicately gay
Winter would stay its stress?
– I talk as if the thing were born
With sense to work its mind;
Yet it is but one mask of many worn
By the Great Face behind.
The Darkling Thrush
I leant upon a coppice gate
When Frost was spectre-gray,
And Winter's dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
The land's sharp features seemed to be
The Century's corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.
At once a voice arose among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt, and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.
So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.
The Comet at Yell'ham
I
It bends far over Yell'ham Plain,
And we, from Yell'ham Height,
Stand and regard its fiery train,
So soon to swim from sight.
II
It will return long years hence, when
As now its strange swift shine
Will fall on Yell'ham; but not then
On that sweet form of thine.
Mad Judy
When the hamlet hailed a birth
Judy used to cry:
When she heard our christening mirth
She would kneel and sigh.
She was crazed, we knew, and we
Humoured her infirmity.
When the daughters and the sons
Gathered them to wed,
And we like-intending ones
Danced till dawn was red,
She would rock and mutter, »More
Comers to this stony shore!«
When old Headsman Death laid hands
On a babe or twain,
She would feast, and by her brands
Sing her songs again.
What she liked we let her do,
Judy was insane, we knew.
A Wasted Illness
Through vaults of pain,
Enribbed and wrought with groins of ghastliness,
I passed, and garish spectres moved my brain
To dire distress.
And hammerings,
And quakes, and shoots, and stifling hotness, blent
With webby waxing things and waning things
As on I went.
»Where lies the end
To this foul way?« I asked with weakening breath.
Thereon ahead I saw a door extend –
The door to Death.
It loomed more clear:
»At last!« I cried. »The all-delivering door!«
And then, I knew not how, it grew less near
Than theretofore.
And back slid I
Along the galleries by which I came,
And tediously the day returned, and sky,
And life – the same.
And all was well:
Old circumstance resumed its former show,
And on my head the dews of comfort fell
As ere my woe.
I roam anew,
Scarce conscious of my late distress. ... And yet
Those backward steps to strength I cannot view
Without regret.
For that dire train
Of waxing shapes and waning, passed before,
And those grim chambers, must be ranged again
To reach that door.
A Man
(In Memory of H. of M.)
I
In Casterbridge there stood a noble pile,
Wrought with pilaster, bay, and balustrade
In tactful times when shrewd Eliza swayed. –
On burgher, squire, and clown
It smiled the long street down for near a mile.
II
But evil days beset that domicile;
The stately beauties of its roof and wall
Passed into sordid hands. Condemned to fall
Were cornice, quoin, and cove,
And all that art had wove in antique style.
III
Among the hired dismantlers entered there
One till the moment of his task untold.
When charged therewith he gazed, and answered bold:
»Be needy I or no,
I will not help lay low a house so fair!
IV
Hunger is hard. But since the terms be such –
No wage, or labour stained with the disgrace
Of wrecking what our age cannot replace
To save its tasteless soul –
I'll do without your dole. Life is not much!«
V
Dismissed with sneers he backed his tools and went,
And wandered workless; for it seemed unwise
To close with one who dared to criticize
And carp on points of taste:
Rude men should work where placed, and be content.
VI
Years whiled. He aged, sank, sickened; and was not:
And it was said, »A man intractable
And curst is gone.« None sighed to hear his knell,
None sought his churchyard-place;
His name, his rugged face, were soon forgot.
VII
The stones of that fair hall lie far and wide,
And but a few recall its ancient mould;
Yet when I pass the spot I long to hold
As truth what fancy saith:
»His protest lives where deathless things abide!«
The Dame of Athelhall
I
»Dear! Shall I see thy face,« she said,
»In one brief hour?
And away with thee from a loveless bed
To a far-off sun, to a vine-wrapt bower,
And be thine own unseparated,
And challenge the world's white glower?«
II
She quickened her feet, and met him where
They had predesigned:
And they clasped, and mounted, and cleft the air
Upon whirling wheels; till the will to bind
Her life with his made the moments there
Efface the years behind.
III
Miles slid, and the port uprose to view
As they sped on;
When slipping its bond the bracelet flew
From her fondled arm. Replaced anon,
Its cameo of the abjured one drew
Her musings thereupon.
IV
The gaud with his image once had been
A gift from him:
And so it was that its carving keen
Refurbished memories wearing dim,
Which set in her soul a twinge of teen,
And a tear on her lashes' brim.
V
»I may not go!« she at length outspake,
»Thoughts call me back –
I would still lose all for your dear, true sake;
My heart is thine, friend! But my track
Home, home to Athelhall I must take
To hinder household wrack!«
VI
He was wroth. And they parted, weak and wan;
And he left the shore;
His ship diminished, was low, was gone;
And she heard in the waves as the daytide wore,
And read in the leer of the sun that shone,
That they parted for evermore.
VII
She homed as she came, at the dip of eve
On Athel Coomb
Regaining the Hall she had sworn to leave.
The house was soundless as a tomb,
And she stole to her chamber, there to grieve
Lone, kneeling, in the gloom.
VIII
From the lawn without rose her husband's voice
To one his friend:
»Another her Love, another my choice,
Her going is good. Our conditions mend;
In a change of mates we shall both rejoice;
I hoped that it thus might end!
IX
A quick divorce; she will make him hers,
And I wed mine.
So Time rights all things in long, long years –
Or rather she, by her bold design!
I admire a woman no balk deters:
She has blessed my life, in fine.
X
I shall build new rooms for my new true bride,
Let the bygone be:
By now, no doubt, she has crossed the tide
With the man to her mind. Far happier she
In some warm vineland by his side
Than ever she was with me.«
The Seasons of Her Year
I
Winter is white on turf and tree,
And birds are fled;
But summer songsters pipe to me,
And petals spread,
For what I dreamt of secretly
His lips have said!
II
O 'tis a fine May morn, they say,
And blooms have blown;
But wild and wintry is my day,
My song-birds moan;
For he who vowed leaves me to pay
Alone – alone!
The Milkmaid
Under a daisied bank
There stands a rich red ruminating cow,
And hard against her flank
A cotton-hooded milkmaid bends her brow.
The flowery river-ooze
Upheaves and falls; the milk purrs in the pail;
Few pilgrims but would choose
The peace of such a life in such a vale.
The maid breathes words – to vent,
It seems, her sense of Nature's scenery,
Of whose life, sentiment,
And essence, very part itself is she.
She bends a glance of pain,
And, at a moment, lets escape a tear;
Is it that passing train,
Whose alien whirr offends her country ear? –
Nay! Phyllis does not dwell
On visual and familiar things like these;
What moves her is the spell
Of inner themes and inner poetries:
Could but by Sunday morn
Her gay new gown come, meads might dry to dun,
Trains shriek till cars were torn,
If Fred would not prefer that Other One.
The Levelled Churchyard
»O Passenger, pray list and catch
Our sighs and piteous groans,
Half stifled in this jumbled patch
Of wrenched memorial stones!
We late-lamented, resting here,
Are mixed to human jam,
And each to each exclaims in fear,
›I know not which I am!‹
The wicked people have annexed
The verses on the good;
A roaring drunkard sports the text
Teetotal Tommy should!
Where we are huddled none can trace,
And if our names remain,
They pave some path or porch or place
Where we have never lain!
Here's not a modest maiden elf
But dreads the final Trumpet,
Lest half of her should rise herself,
And half some sturdy strumpet!
From restorations of Thy fane,
From smoothings of Thy sward,
From zealous Churchmen's pick and plane
Deliver us O Lord! Amen!«
The Ruined Maid
»O 'Melia, my dear, this does everything crown!
Who could have supposed I should meet you in Town?
And whence such fair garments, such prosperi-ty?« –
»O didn't you know I'd been ruined?« said she.
– »You left us in tatters, without shoes or socks,
Tired of digging potatoes, and spudding up docks;
And now you've gay bracelets and bright feathers three!« –
»Yes: that's how we dress when we're ruined,« said she.
– »At home in the barton you said ›thee‹ and ›thou‹,
And ›thik oon‹, and ›theäs oon‹, and ›t'other‹; but now
Your talking quite fits 'ee for high compa-ny!« –
»Some polish is gained with one's ruin,« said she.
– »Your hands were like paws then, your face blue and bleak
But now I'm bewitched by your delicate cheek,
And your little gloves fit as on any la-dy!« –
»We never do work when we're ruined,« said she.
– »You used to call home-life a hag-ridden dream,
And you'd sigh, and you'd sock; but at present you seem
To know not of megrims or melancho-ly!« –
»True. One's pretty lively when ruined,« said she.
– »I wish I had feathers, a fine sweeping gown,
And a delicate face, and could strut about Town!« –
»My dear – a raw country girl, such as you be,
Cannot quite expect that. You ain't ruined,« said she.
Westbourne Park Villas, 1866
The Respectable Burgher
On »The Higher Criticism«
Since Reverend Doctors now declare
That clerks and people must prepare
To doubt if Adam ever were;
To hold the flood a local scare;
To argue, though the stolid stare,
That everything had happened ere
The prophets to its happening sware;
That David was no giant-slayer,
Nor one to call a God-obeyer
In certain details we could spare,
But rather was a debonair
Shrewd bandit, skilled as banjo-player:
That Solomon sang the fleshly Fair,
And gave the Church no thought whate'er,
That Esther with her royal wear,
And Mordecai, the son of Jair,
And Joshua's triumphs, Job's despair,
And Balaam's ass's bitter blare;
Nebuchadnezzar's furnace-flare,
And Daniel and the den affair,
And other stories rich and rare,
Were writ to make old doctrine wear
Something of a romantic air:
That the Nain widow's only heir,
And Lazarus with cadaverous glare
(As done in oils by Piombo's care)
Did not return from Sheol's lair:
That Jael set a fiendish snare,
That Pontius Pilate acted square,
That never a sword cut Malchus' ear;
And (but for shame I must forbear)
That –– did not reappear! ...
– Since thus they hint, nor turn a hair,
All churchgoing will I forswear,
And sit on Sundays in my chair,
And read that moderate man Voltaire.
Architectural Masks
I
There is a house with ivied walls,
And mullioned windows worn and old,
And the long dwellers in those halls
Have souls that know but sordid calls,
And daily dote on gold.
II
In blazing brick and plated show
Not far away a ›villa‹ gleams,
And here a family few may know,
With book and pencil, viol and bow,
Lead inner lives of dreams.
III
The philosophic passers say,
»See that old mansion mossed and fair,
Poetic souls therein are they:
And O that gaudy box! Away,
You vulgar people there.«
The Tenant-for-Life
The sun said, watching my watering-pot:
»Some morn you'll pass away;
These flowers and plants I parch up hot –
Who'll water them that day?
Those banks and beds whose shape your eye
Has planned in line so true,
New hands will change, unreasoning why
Such shape seemed best to you.
Within your house will strangers sit,
And wonder how first it came;
They'll talk of their schemes for improving it,
And will not mention your name.
They'll care not how, or when, or at what
You sighed, laughed, suffered here,
Though you feel more in an hour of the spot
Than they will feel in a year.
As I look on at you here, now,
Shall I look on at these;
But as to our old times, avow
No knowledge – hold my peace! ...
O friend, it matters not, I say;
Bethink ye, I have shined
On nobler ones than you, and they
Are dead men out of mind!«
The King's Experiment
It was a wet wan hour in spring,
And Nature met King Doom beside a lane,
Wherein Hodge tramped, all blithely ballading
The Mother's smiling reign.
»Why warbles he that skies are fair
And coombs alight,« she cried, »and fallows gay,
When I have placed no sunshine in the air
Or glow on earth to-day?«
»'Tis in the comedy of things
That such should be,« returned the one of Doom;
»Charge now the scene with brightest blazonings,
And he shall call them gloom.«
She gave the word: the sunbeams broke,
All Froomside shone, the hedgebirds raised a strain;
And later Hodge, upon the midday stroke,
Returned along the lane,
Low murmuring: »O this bitter scene,
And thrice accurst horizon hung with gloom!
How deadly like this sky, these fields, these treen,
To trappings of the tomb!«
The Beldame then: »The fool and blind!
Such mad perverseness who may apprehend?« –
»Nay; there's no madness in it; thou shalt find
Thy law there,« said her friend.
»When Hodge went forth 'twas to his Love,
To make her, ere this eve, his wedded prize,
And Earth, despite the heaviness above,
Was bright as Paradise.
But I sent on my messenger,
With cunning arrows poisonous and keen,
To take forthwith her laughing life from her,
And dull her little een,
And white her cheek, and still her breath,
Ere her too buoyant Hodge had reached her side;
So, when he came, he clasped her but in death,
And never as his bride.
And there's the humour, as I said;
Thy dreary dawn he saw as gleaming gold,
And in thy glistening green and radiant red
Funereal gloom and cold.«
The Tree
An Old Man's Story
I
Its roots are bristling in the air
Like some mad Earth-god's spiny hair;
The loud south-wester's swell and yell
Smote it at midnight, and it fell.
Thus ends the tree
Where Some One sat with me.
II
Its boughs, which none but darers trod,
A child may step on from the sod,
And twigs that earliest met the dawn
Are lit the last upon the lawn.
Cart off the tree
Beneath whose trunk sat we!
III
Yes, there we sat: she cooed content,
And bats ringed round, and daylight went;
The gnarl, our seat, is wrenched and sunk,
Prone that queer pocket in the trunk
Where lay the key
To her pale mystery.
IV
»Years back, within this pocket-hole
I found, my Love, a hurried scrawl
Meant not for me,« at length said I;
»I glanced thereat, and let it lie:
The words were three –
›Beloved, I agree.‹
V
Who placed it here; to what request
It gave assent, I never guessed.
Some prayer of some hot heart, no doubt,
To some coy maiden hereabout,
Just as, maybe,
With you, Sweet Heart, and me.«
VI
She waited, till with quickened breath
She spoke, as one who banisheth
Reserves that lovecraft heeds so well,
To ease some mighty wish to tell:
»'Twas I,« said she,
»Who wrote thus clinchingly.
VII
My lover's wife – aye, wife – knew nought
Of what we felt, and bore, and thought. ...
He'd said: ›I wed with thee or die:
She stands between, 'tis true. But why?
Do thou agree,
And – she shall cease to be.‹
VIII
How I held back, how love supreme
Involved me madly in his scheme
Why should I say? ... I wrote assent
(You found it hid) to his intent. ...
She – died. ... But he
Came not to wed with me.
IX
O shrink not, Love! – Had these eyes seen
But once thine own, such had not been!
But we were strangers. ... Thus the plot
Cleared passion's path.
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