Pygmalion and three other plays

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Table of Contents

 

FROM THE PAGES OF PYGMALION ANDTHREE OTHER PLAYS

Title Page

Copyright Page

GEORGE BERNARD SHAW

THE WORLD OF GEORGE BERNARD SHAW AND HIS PLAYS

Introduction

 

MAJOR BARBARA

PREFACE TO MAJOR BARBARA - FIRST AID TO CRITICS

THE GOSPEL OF ST. ANDREW UNDERSHAFT

THE SALVATION ARMY

BARBARA’S RETURN TO THE COLORS

WEAKNESSES OF THE SALVATION ARMY

CHRISTIANITY AND ANARCHISM

SANE CONCLUSIONS

ACT I

ACT II

ACT III

 

THE DOCTOR’S DILEMMA

PREFACE ON DOCTORS

DOUBTFUL CHARACTER BORNE BY THE MEDICAL PROFESSION

DOCTOR’S CONSCIENCES

THE PECULIAR PEOPLE

RECOIL OF THE DOGMA OF MEDICAL INFALLIBILITY ON THE DOCTOR

WHY DOCTORS DO NOT DIFFER

THE CRAZE FOR OPERATIONS

CREDULITY AND CHLOROFORM

MEDICAL POVERTY

THE SUCCESSFUL DOCTOR

THE PSYCHOLOGY OF SELF-RESPECT IN SURGEONS

ARE DOCTORS MEN OF SCIENCE?

BACTERIOLOGY AS A SUPERSTITION

ECONOMIC DIFFICULTIES OF IMMUNIZATION

THE PERILS OF INOCULATION

TRADE UNIONISM AND SCIENCE

DOCTORS AND VIVISECTION

THE PRIMITIVE SAVAGE MOTIVE

THE HIGHER MOTIVE. THE TREE OF KNOWLEDGE

THE FLAW IN THE ARGUMENT

LIMITATIONS OF THE RIGHT TO KNOWLEDGE

A FALSE ALTERNATIVE

CRUELTY FOR ITS OWN SAKE

OUR OWN CRUELTIES

THE SCIENTIFIC INVESTIGATION OF CRUELTY

SUGGESTED LABORATORY TESTS OF THE VIVISECTOR’ S EMOTIONS

ROUTINE

THE OLD LINE BETWEEN MAN AND BEAST

VIVISECTING THE HUMAN SUBJECT

“THE LIE IS A EUROPEAN POWER”

AN ARGUMENT WHICH WOULD DEFEND ANY CRIME

THOU ART THE MAN

WHAT THE PUBLIC WANTS AND WILL NOT GET

THE VACCINATION CRAZE

STATISTICAL ILLUSIONS

THE SURPRISES OF ATTENTION AND NEGLECT

STEALING CREDIT FROM CIVILIZATION

BIOMETRIKA

PATIENT-MADE THERAPEUTICS

THE REFORMS ALSO COME FROM THE LAITY

FASHIONS AND EPIDEMICS

THE DOCTOR’S VIRTUES

THE DOCTOR’S HARDSHIPS

THE PUBLIC DOCTOR

MEDICAL ORGANIZATION

THE SOCIAL SOLUTION OF THE MEDICAL PROBLEM

THE FUTURE OF PRIVATE PRACTICE

THE TECHNICAL PROBLEM

THE LATEST THEORIES

ACT I

ACT II

ACT III

ACT IV

ACT V

 

PYGMALION

PREFACE TO PYGMALION - A PROFESSOR OF PHONETICS

ACT I

ACT II

ACT III

ACT IV

ACT V

 

HEARTBREAK HOUSE

HEARTBREAK HOUSE AND HORSEBACK HALL

WHERE HEARTBREAK HOUSE STANDS

THE INHABITANTS

HORSEBACK HALL

REVOLUTION ON THE SHELF

THE CHERRY ORCHARD

NATURE’S LONG CREDITS

THE WICKED HALF CENTURY

HYPOCHONDRIA

THOSE WHO DO NOT KNOW HOW TO LIVE MUST MAKE A MERIT OF DYING

WAR DELIRIUM

MADNESS IN COURT

THE LONG ARM OF WAR

THE RABID WATCHDOGS OF LIBERTY

THE SUFFERINGS OF THE SANE

EVIL IN THE THRONE OF GOOD

STRAINING AT THE GNAT AND SWALLOWING THE CAMEL

LITTLE MINDS AND BIG BATTLES

THE DUMB CAPABLES AND THE NOISY INCAPABLES

THE PRACTICAL BUSINESS MEN

HOW THE FOOLS SHOUTED THE WISE MEN DOWN

THE MAD ELECTION

THE YAHOO AND THE ANGRY APE

PLAGUE ON BOTH YOUR HOUSES!

HOW THE THEATRE FARED

THE SOLDIER AT THE THEATRE FRONT

COMMERCE IN THE THEATRE

UNSER SHAKESPEARE

THE HIGHER DRAMA PUT OUT OF ACTION

CHURCH AND THEATRE

THE NEXT PHASE

THE EPHEMERAL THRONES AND THE ETERNAL THEATRE

HOW WAR MUZZLES THE DRAMATIC POET

ACT I

ACT II

ACT III

 

ENDNOTES

INSPIRED BY PYGMALION AND THREE OTHER PLAYS

COMMENTS & QUESTIONS

FOR FURTHER READING

FROM THE PAGES OF
PYGMALION AND
THREE OTHER PLAYS

I am, and have always been, and shall now always be, a revolutionary writer, because our laws make law impossible; our liberties destroy all freedom; our property is organized robbery; our morality is an impudent hypocrisy; our wisdom is administered by inexperienced or malexperienced dupes, our power wielded by cowards and weaklings, and our honor false in all its points. I am an enemy of the existing order for good reasons.

(from Shaw’s preface to Major Barbara, pages 43—44)

 

“He knows nothing; and he thinks he knows everything. That points clearly to a political career.” (from Major Barbara, page 127)

 

“You have learnt something. That always feels at first as if you had lost something.” (from Major Barbara, page 132)

 

If you cannot have what you believe in you must believe in what you have.

(from Shaw’s preface to The Doctor’s Dilemma, page 166)

 

“I find that the moment I let a woman make friends with me, she becomes jealous, exacting, suspicious, and a damned nuisance. I find that the moment I let myself make friends with a woman, I become selfish and tyrannical. Women upset everything.” (from Pygmalion, page 394)

 

“The great secret, Eliza, is not having bad manners or good manners or any other particular sort of manners, but having the same manner for all human souls: in short, behaving as if you were in Heaven, where there are no third-class carriages, and one soul is as good as another.”

(from Pygmalion, pages 451 -452)

 

“The surest way to ruin a man who doesn’t know how to handle money is to give him some.” (from Heartbreak House, page 568)

“His heart is breaking: that is all. It is a curious sensation: the sort of pain that goes mercifully beyond our powers of feeling. When your heart is broken, your boats are burned: nothing matters any more. It is the end of happiness and the beginning of peace.” (from Heartbreak House, page 596)

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Published by Barnes & Noble Books
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Major Barbara was first published in 1907, Doctor’s Dilemma in 1909,
Pygmalion in 1916, and Heartbreak House in 1919.

 

Published in 2004 by Barnes & Noble Classics with new Introduction,
Notes, Biography, Chronology, Inspired By, Comments & Questions,
and For Further Reading.

 

Introduction, Notes, and For Further Reading

Copyright @ 2004 by John Bertolini.

 

Note on George Bernard Shaw, The World of George Bernard Shaw and His Plays,
Inspired by Pygmalion and Three Other Plays, and Comments & Questions
Copyright © 2004 by Barnes & Noble, Inc.

 

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Pygmalion and Three Other Plays

ISBN-13: 978-1-59308-078-5 ISBN-10: 1-59308-078-6

eISBN : 978-1-411-43300-7

LC Control Number 2003112512

 

Produced and published in conjunction with:
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Michael J. Fine, President and Publisher

 

Printed in the United States of America

 

QM

3 5 7 9 10 8 6 4

GEORGE BERNARD SHAW

Dramatist, critic, and social reformer George Bernard Shaw was born on July 26, 1856, into a poor yet genteel Dublin household. His diffident and impractical father was an alcoholic disdained by his mother, a professional singer who ingrained in her only son a love of music, art, and literature. Just shy of his seventeenth birthday, Shaw joined his mother and two sisters in London, where they had settled three years earlier.

There he struggled—and failed—to support himself by writing. He first wrote a string of novels, beginning with the semi autobiographical Immaturity, completed in 1879. Though some of his novels were serialized, none met with great success, and Shaw decided to abandon the form in favor of drama. While he struggled artistically, he flourished politically; for some years his greater fame was as a political activist and pamphleteer. A stammering, shy young man, Shaw nevertheless joined in the radical politics of his day. In the late 1880s he became a leading member of the fledgling Fabian Society, a group dedicated to progressive politics, and authored numerous pamphlets on a range of social and political issues. He often mounted a soapbox in Hyde Park and there developed the enthralling oratory style that pervades his dramatic writing.

In the 1890s, deeply influenced by the dramatic writings of Henrik Ibsen, Shaw spurned the conventions of the stage in “unpleasant” plays, such as Mrs. Warren’s Profession, and in “pleasant” ones like Arms and the Man and Candida. His drama shifted attention from romantic travails to the great web of society, with its hypocrisies and other ills. The burden of writing seriously strained Shaw’s health; he suffered from chronic migraine headaches. Shaw married fellow Fabian and Irish heiress Charlotte Payne-Townshend.

By the turn of the century, Shaw had matured as a dramatist with the historical drama Caesar and Cleopatra, and his master-pieces Man and Superman and Major Barbara. In all, he wrote more than fifty plays, including his antiwar Heartbreak House and the polemical Saint Joan, for which he was awarded the Nobel Prize. Equally prolific in his writings about music and theater, Shaw was so popular that he signed his critical pieces with simply the initials GBS. (He disliked his first name, George, and never used it except for the initial.) He remained in the public eye throughout his final years, writing controversial plays until his death. George Bernard Shaw died at his country home on November 2, 1950.

THE WORLD OF GEORGE BERNARD SHAW AND HIS PLAYS

1856George Bernard Shaw is born on July 26, at 33 Upper Synge Street in Dublin, to George Carr Shaw and Lucinda Elizabeth Gurly Shaw.
1865George John Vandeleur Lee, Mrs. Shaw’s singing instructor, moves into the Shaw household. Known as Vandeleur Lee, he has a reputation as an unscrupulous character.
1869Embarrassed by controversy and gossip related to his mother’s relationship with Vandeleur Lee, young “Sonny,” as Shaw was called by his family, leaves school.
1871He begins work in a Dublin land agent’s office.
1873Shaw’s mother, now a professional singer, follows Van deleur Lee to London, where they establish a household that includes Shaw’s sisters, Elinor Agnes and Lucille Frances (Lucy).