Unlocked it is; but a deeply sleeping janitor lies across the threshold, face turned to the Moon. A rat dashes out of his turban at the sound of approaching footsteps. The man grunts, opens his eyes for a minute, turns round, and goes to sleep again. All the heat of a decade of fierce Indian summers is stored in the pitch-black, polished walls of the corkscrew staircase. Halfway up there is something alive, warm, and feathery; and it snores. Driven from step to step as it catches the sound of my advance, it flutters to the top and reveals itself as a yellow-eyed, angry kite. Dozens of kites are asleep on this and the other Minars, and on the domes below. There is the shadow of a cool, or at least a less sultry breeze at this height; and, refreshed thereby, turn to look on the City of Dreadful Night.

Doré might have drawn it! Zola could describe it – this spectacle of sleeping thousands in the moonlight and in the shadow of the Moon. The roof-tops are crammed with men, women, and children; and the air is full of undistinguishable noises. They are restless in the City of Dreadful Night; and small wonder. The marvel is that they can even breathe. If you gaze intently at the multitude you can see that they are almost as uneasy as a daylight crowd; but the tumult is subdued. Everywhere, in the strong light, you can watch the sleepers turning to and fro; shifting their beds and again resettlingthem. In the pitlike courtyards of the houses there is the same movement.

The pitiless Moon shows it all. Shows, too, the plains outside the city, and here and there a hand’s-breadth of the Ravee without the walls. Shows lastly, a splash of glittering silver on a housetop almost directly below the mosque Minar. Some poor soul has risen to throw a jar of water over his fevered body; the tinkle of the falling water strikes faintly on the ear. Two or three other men, in far-off corners of the City of Dreadful Night, follow his example, and the water flashes like heliographic signals. A small cloud passes over the face of the Moon, and the city and its inhabitants – clear drawn in black and white before – fade into masses of black and deeper black. Still the unrestful noise continues, the sigh of a great city overwhelmed with the heat, and of a people seeking in vain for rest. It is only the lower-class women who sleep on the house-tops. What must the torment be in the latticed zenanas, where a few lamps are still twinkling? There are footfalls in the court below. It is the Muezzin – faithful minister; but he ought to have been here an hour ago to tell the Faithful that prayer is better than sleep – the sleep that will not come to the city.

The Muezzin fumbles for a moment with the door of one of the Minars, disappears awhile, and a bull-like roar – a magnificent bass thunder – tells that he has reached the top of the Minar. They must hear the cry to the banks of the shrunken Ravee itself! Even across the courtyard it is almost overpowering. The cloud drifts by and shows him outlined in black against the sky, hands laid upon his ears, and broad chest heaving with the play of his lungs – ‘Allah ho Akbar’; then a pause while another Muezzin somewhere in the direction of the Golden Temple takes up the call – ‘Allah ho Akbar.’ Again and again; four times in all; and from the bedsteads a dozen men have risen up already. – ‘I bear witness that there is no God but God.’ What a splendid cry it is, the proclamation of the creed that brings men out of their beds by scores at midnight! Once again he thunders through the same phrase, shaking with the vehemence of his own voice; and then, far and near, the night air rings with ‘Mahomed is theProphet of God.’ It is as though he were flinging his defiance to the far-off horizon, where the summer lightning plays and leaps like a bared sword. Every Muezzin in the city is in full cry, and some men on the roof-tops are beginning to kneel. A long pause precedes the last cry, ‘La ilaha Illallah,’ and the silence closes up on it, as the ram on the head of a cotton-bale.

The Muezzin stumbles down the dark stairway grumbling in his beard. He passes the arch of the entrance and disappears. Then the stifling silence settles down over the City of Dreadful Night.