The crimes and miseries in which she was an actor and a sufferer are as the mask and the mantle in which circumstances clothed her for her impersonation on the scene of the world.
The Cenci Palace is of great extent; and though in part modernized, there yet remains a vast and gloomy pile of feudal architecture in the same state as during the dreadful scenes which are the subject of this tragedy. The Palace is situated in an obscure corner of Rome, near the quarter of the Jews, and from the upper windows you see the immense ruins of Mount Palatine half hidden under their profuse overgrowth of trees. There is a court in one part of the palace (perhaps that in which Cenci built the Chapel to St. Thomas), supported by granite columns and adorned with antique friezes of fine workmanship and built up, according to the antient Italian fashion, with balcony over balcony of open work. One of the gates of the palace formed of immense stones and leading through a passage, dark and lofty and opening into gloomy subterranean chambers, struck me particularly.
Of the Castle of Petrella, I could obtain no further information than that which is to be found in the manuscript.
DRAMATIS PERSONAE

Nobles—Judges—Guards—Servants
LUCRETIA, Wife of Cenci, and step-mother of his children
BEATRICE, his daughter
The scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.
ACT I
SCENE I.—An apartment in the Cenci Palace. Enter COUNT CENCI, and CARDINAL CAMILLO.
Camillo. That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.—
It needed all my interest in the conclave
5To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:—
10But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men’s revolted eyes.
15 Cenci. The third of my possessions—let it go!
Aye, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
20I little thought he should outwit me so!
Henceforth no witness—not the lamp—shall see
That which the vassal threatened to divulge
Whose throat is choked with dust for his reward.
The deed he saw could not have rated higher
25Than his most worthless life:—it angers me!
Respited me from Hell!—So may the Devil
Respite their souls from Heaven. No doubt Pope Clement,
And his most charitable nephews, pray
That the Apostle Peter and the saints
30Will grant for their sake that I long enjoy
Strength, wealth, and pride, and lust, and length of days
Wherein to act the deeds which are the stewards
Of their revenue.—But much yet remains
To which they shew no title.
Camillo. Oh, Count Cenci!
35So much that thou mightst honourably live
And reconcile thyself with thine own heart
And with thy God, and with the offended world.
How hideously look deeds of lust and blood
Thro’ those snow white and venerable hairs!—
40Your children should be sitting round you now,
But that you fear to read upon their looks
The shame and misery you have written there.
Where is your wife? Where is your gentle daughter?
Methinks her sweet looks, which make all things else
45Beauteous and glad, might kill the fiend within you.
Why is she barred from all society
But her own strange and uncomplaining wrongs?
Talk with me, Count,—you know I mean you well.
I stood beside your dark and fiery youth
50Watching its bold and bad career, as men
Watch meteors, but it vanished not—I marked
Your desperate and remorseless manhood; now
Do I behold you in dishonoured age
Charged with a thousand unrepented crimes.
55Yet I have ever hoped you would amend,
And in that hope have saved your life three times.
Cenci. For which Aldobrandino owes you now
My fief beyond the Pincian.—Cardinal,
One thing, I pray you, recollect henceforth,
60And so we shall converse with less restraint.
A man you knew spoke of my wife and daughter—
He was accustomed to frequent my house;
So the next day his wife and daughter came
And asked if I had seen him; and I smiled:
65I think they never saw him any more.
Camillo. Thou execrable man, beware!—
Cenci. Of thee?
Nay this is idle:—We should know each other.
As to my character for what men call crime
Seeing I please my senses as I list,
70And vindicate that right with force or guile,
It is a public matter, and I care not
If I discuss it with you. I may speak
Alike to you and my own conscious heart—
For you give out that you have half reformed me,
75Therefore strong vanity will keep you silent
If fear should not; both will, I do not doubt.
All men delight in sensual luxury,
All men enjoy revenge; and most exult
Over the tortures they can never feel—
80Flattering their secret peace with others’ pain.
But I delight in nothing else. I love
The sight of agony, and the sense of joy,
When this shall be another’s, and that mine.
And I have no remorse and little fear,
85Which are, I think, the checks of other men.
This mood has grown upon me, until now
Any design my captious fancy makes
The picture of its wish, and it forms none
But such as men like you would start to know,
90Is as my natural food and rest debarred
Until it be accomplished.
Camillo. Art thou not
Most miserable?
Cenci. Why, miserable?—
No.—I am what your theologians call
Hardened;—which they must be in impudence,
95So to revile a man’s peculiar taste.
True, I was happier than I am, while yet
Manhood remained to act the thing I thought;
While lust was sweeter than revenge; and now
Invention palls:—Aye, we must all grow old—
100And but that there remains a deed to act
Whose horror might make sharp an appetite
Duller than mine—I’d do,—I know not what.
When I was young I thought of nothing else
But pleasure; and I fed on honey sweets:
105Men, by St. Thomas! cannot live like bees
And I grew tired:—yet, till I killed a foe,
And heard his groans, and heard his children’s groans,
Knew I not what delight was else on earth,
Which now delights me little. I the rather
110Look on such pangs as terror ill conceals,
The dry fixed eyeball; the pale quivering lip,
Which tell me that the spirit weeps within
Tears bitterer than the bloody sweat of Christ.
I rarely kill the body which preserves,
115Like a strong prison, the soul within my power,
Wherein I feed it with the breath of fear
For hourly pain.
Camillo. Hell’s most abandoned fiend
Did never, in the drunkenness of guilt,
Speak to his heart as now you speak to me;
120I thank my God that I believe you not.
[Enter ANDREA.
Andrea. My Lord, a gentleman from Salamanca
Would speak with you.
Cenci. Bid him attend me in
The grand saloon. [Exit ANDREA.
Camillo. Farewell; and I will pray
Almighty God that thy false, impious words
125Tempt not his spirit to abandon thee. [Exit CAMILLO.
Cenci. The third of my possessions! I must use
Close husbandry, or gold, the old man’s sword,
Falls from my withered hand. But yesterday
There came an order from the Pope to make
130Fourfold provision for my cursed sons;
Whom I had sent from Rome to Salamanca,
Hoping some accident might cut them off;
And meaning if I could to starve them there.
I pray thee, God, send some quick death upon them!
135Bernardo and my wife could not be worse
If dead and damned:—then, as to Beatrice—
[looking around him suspiciously
I think they cannot hear me at that door;
What if they should? And yet I need not speak
Though the heart triumphs with itself in words.
140O, thou most silent air, that shalt not hear
What now I think! Thou, pavement, which I tread
Towards her chamber,—let your echoes talk
Of my imperious step scorning surprise,
But not of my intent!—Andrea!
[Enter ANDREA.
Andrea. My Lord?
145 Cenci. Bid Beatrice attend me in her chamber
This evening:—no, at midnight and alone. [Exeunt.
SCENE II.—A garden of the Cenci Palace. Enter BEATRICE and ORSINO, as in conversation.
Beatrice. Pervert not truth,
Orsino. You remember where we held
That conversation;—nay, we see the spot
Even from this cypress;—two long years are past
5Since, on an April midnight, underneath
The moon-light ruins of mount Palatine,
I did confess to you my secret mind.
Orsino. You said you loved me then.
Beatrice. You are a Priest,
Speak to me not of love.
Orsino. I may obtain
10The dispensation of the Pope to marry.
Because I am a Priest do you believe
Your image, as the hunter some struck deer,
Follows me not whether I wake or sleep?
Beatrice. As I have said, speak to me not of love;
15Had you a dispensation, I have not;
Nor will I leave this home of misery
Whilst my poor Bernard, and that gentle lady
To whom I owe life, and these virtuous thoughts,
Must suffer what I still have strength to share.
20Alas, Orsino! All the love that once
I felt for you, is turned to bitter pain.
Ours was a youthful contract, which you first
Broke, by assuming vows no Pope will loose.
And thus I love you still, but holily,
25Even as a sister or a spirit might;
And so I swear a cold fidelity.
And it is well perhaps we shall not marry.
You have a sly, equivocating vein
That suits me not.—Ah, wretched that I am!
30Where shall I turn? Even now you look on me
As you were not my friend, and as if you
Discovered that I thought so, with false smiles
Making my true suspicion seem your wrong.
Ah! No, forgive me; sorrow makes me seem
35Sterner than else my nature might have been;
I have a weight of melancholy thoughts,
And they forbode,—but what can they forbode
Worse than I now endure?
Orsino. All will be well.
Is the petition yet prepared? You know
40My zeal for all you wish, sweet Beatrice;
Doubt not but I will use my utmost skill
So that the Pope attend to your complaint.
Beatrice. Your zeal for all I wish;—Ah me, you are cold!
Your utmost skill … speak but one word … (aside) Alas!
45Weak and deserted creature that I am,
Here I stand bickering with my only friend! [To ORSINO.
This night my father gives a sumptuous feast,
Orsino; he has heard some happy news
From Salamanca, from my brothers there,
50And with this outward shew of love he mocks
His inward hate. ’Tis bold hypocrisy
For he would gladlier celebrate their deaths,
Which I have heard him pray for on his knees:
Great God! that such a father should be mine!
55But there is mighty preparation made,
And all our kin, the Cenci, will be there,
And all the chief nobility of Rome.
And he has bidden me and my pale Mother
Attire ourselves in festival array.
60Poor lady! She expects some happy change
In his dark spirit from this act; I none.
At supper I will give you the petition:
Till when—farewell.
Orsino. Farewell. (Exit BEATRICE.)
I know the Pope
Will ne’er absolve me from my priestly vow
65But by absolving me from the revenue
Of many a wealthy see; and, Beatrice,
I think to win thee at an easier rate.
Nor shall he read her eloquent petition:
He might bestow her on some poor relation
70Of his sixth cousin, as he did her sister,
And I should be debarred from all access.
Then as to what she suffers from her father,
In all this there is much exaggeration:—
Old men are testy and will have their way;
75A man may stab his enemy, or his vassal,
And live a free life as to wine or women,
And with a peevish temper may return
To a dull home, and rate his wife and children;
Daughters and wives call this, foul tyranny.
80I shall be well content if on my conscience
There rest no heavier sin than what they suffer
From the devices of my love—A net
From which she shall escape not. Yet I fear
Her subtle mind, her awe-inspiring gaze,
85Whose beams anatomize me nerve by nerve
And lay me bare, and make me blush to see
My hidden thoughts.—Ah, no! A friendless girl
Who clings to me, as to her only hope:—
I were a fool, not less than if a panther
90Were panic-stricken by the Antelope’s eye,
If she escape me. [Exit.
SCENE III.—A magnificent Hall in the Cenci Palace. A Banquet.
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