I have never been there, he said resentfully. She chuckled, well anyway we are going there, she said, and Miss Toklas is going to have lessons in french. Ah the Miss Toklas, he said, with small feet like a spanish woman and earrings like a gypsy and a father who is king of Poland like the Poniatowskis, of course she will take lessons. We all laughed and went to the door. There stood a very beautiful man, oh Agero, said Picasso, you know the ladies. He looks like a Greco, I said in english. Picasso caught the name, a false Greco, he said. Oh I forgot to give you these, said Gertrude Stein handing Picasso a package of newspapers, they will console you. He opened them up, they were the Sunday supplement of american papers, they were the Katzenjammer kids. Oh oui, Oh oui, he said, his face full of satisfaction, merci thanks Getrude, and we left.
We left then and continued to climb higher up the hill. What did you think of what you saw, asked Miss Stein. Well I did see something. Sure you did, she said, but did you see what it had to do with those two pictures you sat in front of so long at the vernissage. Only that Picassos were rather awful and the others were not. Sure, she said, as Pablo once remarked, when you make a thing, it is so complicated making it that it is bound to be ugly, but those that do it after you they don’t have to worry about making it and they can make it pretty, and so everybody can like it when the others make it.
We went on and turned down a little street and there was another little house and we asked for Mademoiselle Bellevallée and we were sent into a little corridor and we knocked and went into a moderate sized room in which was a very large bed and a piano and a little tea table and Fernande and two others.
One of them was Alice Princet. She was rather a madonna like creature, with large lovely eyes and charming hair. Fernande afterwards explained that she was the daughter of a workingman and had the brutal thumbs that of course were a characteristic of workingmen. She had been, so Fernande explained, for seven years with Princet who was in the government employ and she had been faithful to him in the fashion of Montmartre, that is to say she had stuck to him through sickness and health but she had amused herself by the way. Now they were to be married. Princet had become the head of his small department in the government service and it would be necessary for him to invite other heads of departments to his house and so of course he must regularise the relation. They were actually married a few months afterward and it was apropos of this marriage that Max Jacob made his famous remark, it is wonderful to long for a woman for seven years and to possess her at last. Picasso made the more practical one, why should they marry simply in order to divorce. This was a prophecy.
No sooner were they married than Alice Princet met Derain and Derain met her. It was what the french call un coup de foudre, or love at first sight. They went quite mad about each other. Princet tried to bear it but they were married now and it was different. Beside he was angry for the first time in his life and in his anger he tore up Alice’s first fur coat which she had gotten for the wedding. That settled the matter, and within six months after the marriage Alice left Princet never to return. She and Derain went off together and they have never separated since. I always liked Alice Derain.
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