He's up in these parts drawing pictures."

She did not offer to explain this statement. It was too far beyond Liff Hyatt's limitations for the attempt to be worth making. "He wants to see the brown house, and go all over it," she pursued.

Liff was still running his fingers perplexedly through his shock of straw-colored hair. "Is it a fellow from the city?" he asked.

"Yes. He draws pictures of things. He's down there now drawing the Bonner house." She pointed to a chimney just visible over the dip of the pasture below the wood.

"The Bonner house?" Liff echoed incredulously.

"Yes. You won't understand—and it don't matter. All I say is: he's going to the Hyatts' in a day or two."

Liff looked more and more perplexed. "Bash is ugly sometimes in the afternoons."

She threw her head back, her eyes full on Hyatt's. "I'm coming too: you tell him."

"They won't none of them trouble you, the Hyatts won't. What d'you want a take a stranger with you though?"

"I've told you, haven't I? You've got to tell Bash Hyatt."

He looked away at the blue mountains on the horizon; then his gaze dropped to the chimney-top below the pasture.

"He's down there now?"

"Yes."

He shifted his weight again, crossed his arms, and continued to survey the distant landscape. "Well, so long," he said at last, inconclusively; and turning away he shambled up the hillside. From the ledge above her, he paused to call down: "I wouldn't go there a Sunday"; then he clambered on till the trees closed in on him. Presently, from high overhead, Charity heard the ring of his axe.

She lay on the warm ridge, thinking of many things that the woodsman's appearance had stirred up in her. She knew nothing of her early life, and had never felt any curiosity about it: only a sullen reluctance to explore the corner of her memory where certain blurred images lingered. But all that had happened to her within the last few weeks had stirred her to the sleeping depths. She had become absorbingly interesting to herself, and everything that had to do with her past was illuminated by this sudden curiosity.

She hated more than ever the fact of coming from the Mountain; but it was no longer indifferent to her. Everything that in any way affected her was alive and vivid: even the hateful things had grown interesting because they were a part of herself.

"I wonder if Liff Hyatt knows who my mother was?" she mused; and it filled her with a tremor of surprise to think that some woman who was once young and slight, with quick motions of the blood like hers, had carried her in her breast, and watched her sleeping. She had always thought of her mother as so long dead as to be no more than a nameless pinch of earth; but now it occurred to her that the once-young woman might be alive, and wrinkled and elf-locked like the woman she had sometimes seen in the door of the brown house that Lucius Harney wanted to draw.

The thought brought him back to the central point in her mind, and she strayed away from the conjectures roused by Liff Hyatt's presence. Speculations concerning the past could not hold her long when the present was so rich, the future so rosy, and when Lucius Harney, a stone's throw away, was bending over his sketch-book, frowning, calculating, measuring, and then throwing his head back with the sudden smile that had shed its brightness over everything.

She scrambled to her feet, but as she did so she saw him coming up the pasture and dropped down on the grass to wait. When he was drawing and measuring one of "his houses," as she called them, she often strayed away by herself into the woods or up the hillside. It was partly from shyness that she did so: from a sense of inadequacy that came to her most painfully when her companion, absorbed in his job, forgot her ignorance and her inability to follow his least allusion, and plunged into a monologue on art and life. To avoid the awkwardness of listening with a blank face, and also to escape the surprised stare of the inhabitants of the houses before which he would abruptly pull up their horse and open his sketch-book, she slipped away to some spot from which, without being seen, she could watch him at work, or at least look down on the house he was drawing. She had not been displeased, at first, to have it known to North Dormer and the neighborhood that she was driving Miss Hatchard's cousin about the country in the buggy he had hired of lawyer Royall. She had always kept to herself, contemptuously aloof from village love-making, without exactly knowing whether her fierce pride was due to the sense of her tainted origin, or whether she was reserving herself for a more brilliant fate. Sometimes she envied the other girls their sentimental preoccupations, their long hours of inarticulate philandering with one of the few youths who still lingered in the village; but when she pictured herself curling her hair or putting a new ribbon on her hat for Ben Fry or one of the Sollas boys the fever dropped and she relapsed into indifference.

Now she knew the meaning of her disdains and reluctances. She had learned what she was worth when Lucius Harney, looking at her for the first time, had lost the thread of his speech, and leaned reddening on the edge of her desk. But another kind of shyness had been born in her: a terror of exposing to vulgar perils the sacred treasure of her happiness. She was not sorry to have the neighbors suspect her of "going with" a young man from the city; but she did not want it known to all the countryside how many hours of the long June days she spent with him. What she most feared was that the inevitable comments should reach Mr. Royall. Charity was instinctively aware that few things concerning her escaped the eyes of the silent man under whose roof she lived; and in spite of the latitude which North Dormer accorded to courting couples she had always felt that, on the day when she showed too open a preference, Mr.