Morgan, the gardener, wants to speak to you for a minute, if you didn't mind.'

'Show him in, please,' I answered, and set my lips tight.

The old man came slowly into the room, and the servant shut the door behind him.

'Sit down, Mr. Morgan,' I said; 'what is it that you want to say to me?'

'Well, miss, Mr. Gregg he gave me something for you yesterday morning, just before he went off, and he told me particular not to hand it up before eight o'clock this evening exactly, if so be as he wasn't back again home before, and if he should come home before I was just to return it to him in his own hands. So, you see, as Mr. Gregg isn't here yet, I suppose I'd better give you the parcel directly.'

He pulled out something from his pocket, and gave it to me, half rising. I took it silently, and seeing that Morgan seemed doubtful as to what he was to do next. I thanked him and bade him good night, and he went out. I was left alone in the room with the parcel in my hand--a paper parcel, neatly sealed and directed to me, with the instructions Morgan had quoted, all written in the professor's large, loose hand. I broke the seals with a choking at my heart, and found an envelope inside, addressed also, but open, and I took the letter out.

My dear Miss Lally it began--To quote the old logic manual, the case of your reading this note is a case of my having made a blunder of some sort, and, I am afraid, a blunder that turns these lines into a farewell. It is practically certain that neither you nor any one else will ever see me again. I have made my will with provision for this eventuality, and I hope you will consent to accept the small remembrance addressed to you, and my sincere thanks for the way in which you joined your fortunes to mine. The fate which has come upon me is desperate and terrible beyond the remotest dreams of man; but this fate you have a right to know--if you please. If you look in the left-hand drawer of my dressing-table, you will find the key of the escritoire, properly labelled. In the well of the escritoire is a large envelope sealed and addressed to your name. I advise you to throw it forthwith into the fire; you will sleep better of nights if you do so. But if you must know the history of what has happened, it is all written down for you to read.

The signature was firmly written below, and again I turned the page and read out the words one by one, aghast and white to the lips, my hands cold as ice, and sickness choking me. The dead silence of the room, and the thought of the dark woods and hills closing me in on every side, oppressed me, helpless and without capacity, and not knowing where to turn for counsel. At last I resolved that though knowledge should haunt my whole life and all the days to come, I must know the meaning of the strange terrors that had so long tormented me, rising grey, dim, and awful, like the shadows in the wood at dusk. I carefully carried out Professor Gregg's directions, and not without reluctance broke the seal of the envelope, and spread out his manuscript before me. That manuscript I always carry with me, and I see that I cannot deny your unspoken request to read it. This, then, was what I read that night, sitting at the desk, with a shaded lamp beside me.

The young lady who called herself Miss Lally then proceeded to recite

THE STATEMENT OF WILLIAM GREGG. F.R.S., ETC.

It is many years since the first glimmer of the theory which is now almost, if not quite, reduced to fact dawned on my mind. A somewhat extensive course of miscellaneous and obsolete reading had done a great deal to prepare the way, and, later, when I became somewhat of a specialist, and immersed myself in the studies known as ethnological, I was now and then startled by facts that would not square with orthodox scientific opinion, and by discoveries that seemed to hint at something still hidden for all our research. More particularly I became convinced that much of the folk-lore of the world is but an exaggerated account of events that really happened, and I was especially drawn to consider the stories of the fairies, the good folk of the Celtic races. Here, I thought I could detect the fringe of embroidery and exaggeration, the fantastic guise, the little people dressed in green and gold sporting in the flowers, and I thought I saw a distinct analogy between the name given to this race (supposed to be imaginary) and the description of their appearance and manners. Just as our remote ancestors called the dreaded beings 'fair' and 'good' precisely because they dreaded them, so they had dressed them up in charming forms, knowing the truth to be the very reverse. Literature, too, had gone early to work, and had lent a powerful hand in the transformation, so that the playful elves of Shakespere are already far removed from the true original, and the real horror is disguised in a form of prankish mischief. But in the older tales, the stories that used to make men cross themselves as they sat around the burning logs, we tread a different stage; I saw a widely opposed spirit in certain histories of children and of men and women who vanished strangely from the earth. They would be seen by a peasant in the fields walking towards some green and rounded hillock, and seen no more on earth; and there are stories of mothers who have left a child quietly sleeping, with the cottage door rudely barred with a piece of wood, and have returned, not to find the plump and rosy little Saxon, but a thin and wizened creature, with sallow skin and black, piercing eyes, the child of another race. Then, again, there were myths darker still; the dread of witch and wizard, the lurid evil of the Sabbath, and the hint of demons who mingled with the daughters of men.