"We were going to track the Leopard Men to their village, that my father, the chief, might lead the Utengas against it."

"First let us speak with the dead men," said Muzimo. "We shall see what they have to tell us."

"You can speak with the dead?" Orando's voice trembled at the suggestion.

"The dead do not speak with words," explained Muzimo; "but nevertheless they often have stories to tell. We shall see. This one," he continued, after a brief inspection of the corpse of the man he had killed last, "is the larger of the two young men. There lies the tall thin man, and yonder, with your spear through his heart, is he who limped, an old man with a crippled leg. These three, then, have told us that he who escaped is the smaller of the two young men."

Now, more carefully, he examined each of the corpses, noting their weapons and their ornaments, dumping the contents of their pouches upon the ground. These he scanned carefully, paying particular attention to the amulets, of the dead men. In a large package carried by the crippled old man, he found parts of a human body.

"There is no doubt now but that these were the killers of Nyamwegi," said Orando; "for these are the same parts that were removed from his body."

"There was never any doubt," asserted Muzimo confidently. "The dead men did not have to tell me that."

"What have they told you, Muzimo?"

"Their filed teeth have told me that they are eaters of men; their amulets and the contents of their pouches have told me that their village lies upon the banks of a large river. They are fishermen; and they fear Gimla, the crocodile, more than they fear aught else. The hooks in their pouches tell me the one their amulets the other. From their ornaments and weapons, by the cicatrices upon their foreheads and chins I know their tribe and the country it inhabits. I do not need to follow the young warrior; his friends have told me where he is going. Now we may hunt. Later we can go to the village of the Leopard Men."

"Even as I prayed today before setting out from the village, you have protected me from danger," observed Orando, "and now, if you bring the animals near to me and give me meat, all of my prayer will have been fulfilled."

"The animals go where they will," responded Muzimo. "I cannot lead them to you, but I can lead you to them; and when you are near, then, perhaps, I can frighten them toward you. Come."

He turned backward along the trail down which they had followed the Leopard Men and fell into an easy trot, while Orando followed, his eyes upon the broad shoulders of his muzimo and the spirit of Nyamwegi, perched upon one of them. Thus they continued silently for a half hour, when Muzimo halted.

"Move forward slowly and cautiously," he directed. "The scent spoor of Wappi, the antelope, has grown strong in my nostrils. I go ahead through the trees to get upon the other side of him. When he catches my scent he will move away from me toward you. Be ready."

Scarcely had Muzimo ceased speaking before he disappeared amidst the overhanging foliage of the forest, leaving Orando filled with wonder and admiration, with which was combined overweening pride in his possession of a muzimo such as no other man might boast. He hoped that the hunting would be quickly concluded that he might return to the village of Tumbai and bask in the admiration and envy of his fellows as he nonchalantly paraded his new and wondrous acquisition before their eyes. It was something, of course, to be a chief's son, just as it was something to be a chief or a witch-doctor; but to possess a muzimo that one might see and talk to and hunt with-ah, that was glory transcending any that might befall mortal man.

Suddenly Orando's gloating thoughts were interrupted by a slight sound of something approaching along the trail from the direction in which he was moving. Just the suggestion of a sound it was, but to the ears of the jungle hunter it was sufficient. You or I could not have heard it; nor, hearing it, could we have interpreted it; but to Orando it bore a message as clear to his ears as is the message of a printed page to our eyes. It told him that a hoofed animal was approaching him, walking quickly, though not yet in full flight. A turn in the trail just ahead of him concealed him from the view of the approaching animal. Orando grasped his spear more firmly, and stepped behind the bole of a small tree that partially hid him from the sight of any creature coming toward him. There he stood, motionless as a bronze statue, knowing that motion and scent are the two most potent stimuli to fear in the lower orders.