The Algernon Blackwood Collection

TABLE OF CONTENTS

  • The Algernon Blackwood Collection
  • The Centaur
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • X
  • XI
  • XII
  • XIII
  • XIV
  • XV
  • XVI
  • XVII
  • XVIII
  • XIX
  • XX
  • XXI
  • XXII
  • XXIII
  • XXIV
  • XXV
  • XXVI
  • XXVII
  • XXVIII
  • XXIX
  • XXX
  • XXXI
  • XXXII
  • XXXIII
  • XXXIV
  • XXXV
  • XXXVI
  • XXXVII
  • XXXVIII
  • XXXIX
  • XL
  • XLI
  • XLII
  • XLIII
  • XLIV
  • XLV
  • XLVI
  • Jimbo: A Fantasy
  • CHAPTER I: “RABBITS”
  • CHAPTER II: MISS LAKE COMES—AND GOES
  • CHAPTER III: THE SHOCK
  • CHAPTER IV: ON THE EDGE OF UNCONSCIOUSNESS
  • CHAPTER V: INTO THE EMPTY HOUSE
  • CHAPTER VI: HIS COMPANION IN PRISON
  • CHAPTER VII: THE SPELL OF THE EMPTY HOUSE
  • CHAPTER VIII: THE GALLERY OF ANCIENT MEMORIES
  • CHAPTER IX: THE MEANS OF ESCAPE
  • CHAPTER X: THE PLUNGE
  • CHAPTER XI: THE FIRST FLIGHT
  • CHAPTER XII: THE FOUR WINDS
  • CHAPTER XIII: PLEASURES OF FLIGHT
  • CHAPTER XIV: AN ADVENTURE
  • CHAPTER XV: THE CALL OF THE BODY
  • CHAPTER XVI: PREPARATION
  • CHAPTER XVII: OFF!
  • CHAPTER XVIII: HOME
  • The Human Chord
  • Chapter I
  • Chapter II
  • Chapter III
  • Chapter IV
  • Chapter V
  • Chapter VI
  • Chapter VII
  • Chapter VIII
  • Chapter IX
  • Chapter X
  • Chapter XI
  • Chapter XII
  • Chapter XIII
  • Chapter XIV
  • A Prisoner in Fairyland
  • CHAPTER I
  • CHAPTER II
  • CHAPTER III
  • CHAPTER IV
  • CHAPTER V
  • CHAPTER VI
  • CHAPTER VII
  • CHAPTER VIII
  • CHAPTER IX
  • CHAPTER X
  • CHAPTER XI
  • CHAPTER XII
  • CHAPTER XIII
  • CHAPTER XIV
  • CHAPTER XV
  • CHAPTER XVI
  • CHAPTER XVII
  • CHAPTER XVIII
  • CHAPTER XIX
  • CHAPTER XX
  • CHAPTER XXI
  • CHAPTER XXII
  • CHAPTER XXII
  • CHAPTER XXIV
  • CHAPTER XXV
  • CHAPTER XXVI
  • CHAPTER XXVII
  • CHAPTER XXVIII
  • CHAPTER XXIX
  • CHAPTER XXX
  • CHAPTER XXXI
  • CHAPTER XXXII
  • CHAPTER XXXIII
  • CHAPTER XXXIV
  • The Extra Day
  • CHAPTER I: THE MATERIAL
  • CHAPTER II: FANCY—SEED OF WONDER
  • CHAPTER III: DEATH OF A MERE FACT
  • CHAPTER IV: FACT—EDGED WITH FANCY
  • CHAPTER V: THE BIRTH OF WONDER
  • CHAPTER VI: THE GROWTH OF WONDER
  • CHAPTER VII: IMAGINATION WAKES
  • CHAPTER VIII: WHERE WONDER HIDES
  • CHAPTER IX: A PRIEST OF WONDER
  • CHAPTER X: FACT AND WONDER—CLASH
  • CHAPTER XI: JUDY’S PARTICULAR ADVENTURE
  • CHAPTER XII: TIM’S PARTICULAR ADVENTURE
  • CHAPTER XIII: TIME HESITATES
  • CHAPTER XIV: MARIA STIRS
  • CHAPTER XV: “A DAY WILL COME”
  • CHAPTER XVI: TIME HALTS
  • CHAPTER XVII: A DAY HAS COME, MARIA’S PARTICULAR ADVENTURE
  • THE EXTRA DAY
  • THE STRANGER WHO IS WONDER
  • HIDE-AND-SEEK
  • THE LEADER
  • THE COMMON SIGNS
  • COME-BACK STUMPER’S SIGN
  • WEEDEN’S SIGN
  • AUNT EMILY FINDS—HERSELF
  • SIGNS EVERYWHERE!
  • REALITY
  • CHAPTER XVIII: TIME GOES ON AGAIN—-
  • CHAPTER XIX: —AS USUAL
  • CHAPTER XX: —BUT DIFFERENTLY!
  • Julius Levallon: An Episode
  • Book 1: Schooldays
  • Chapter i
  • Chapter ii
  • Chapter iii
  • Chapter iv
  • Chapter v
  • Chapter vi
  • Chapter vii
  • Chapter viii
  • Book 2: Edinburgh
  • Chapter ix
  • Chapter x
  • Chapter xi
  • Chapter xii
  • Chapter xiii
  • Chapter xiv
  • Book 3: The Chalet in the Jura Mountains
  • Chapter xv
  • Chapter xvi
  • Chapter xvii
  • Chapter xviii
  • Chapter xix
  • Chapter xx
  • Chapter xxi
  • Chapter xxii
  • Chapter xxiii
  • Chapter xxiv
  • Book 4: The Attempted Restitution
  • Chapter xxv
  • Chapter xxvi
  • Chapter xxvii
  • Chapter xxviii
  • Chapter xxix
  • Chapter xxx
  • Chapter xxxi
  • Chapter xxxii
  • The Bright Messenger
  • Chapter 1
  • Chapter 2
  • Chapter 3
  • Chapter 4
  • Chapter 5
  • Chapter 6
  • Chapter 7
  • Chapter 8
  • Chapter 9
  • Chapter 10
  • Chapter 11
  • Chapter 12
  • Chapter 13
  • Chapter 14
  • Chapter 15
  • Chapter 16
  • Chapter 17
  • Chapter 18
  • Chapter 19
  • Chapter 20
  • Chapter 21
  • Chapter 22
  • Chapter 23
  • Chapter 24
  • Chapter 25
  • Chapter 26
  • Chapter 27
  • The Wave: An Egyptian Aftermath
  • Part I
  • CHAPTER I.
  • CHAPTER II.
  • CHAPTER III.
  • CHAPTER IV.
  • CHAPTER V.
  • CHAPTER VI.
  • CHAPTER VII.
  • PART II
  • CHAPTER VIII.
  • CHAPTER IX.
  • CHAPTER X.
  • CHAPTER XI.
  • CHAPTER XII.
  • PART III
  • CHAPTER XIII.
  • CHAPTER XIV.
  • CHAPTER XV.
  • CHAPTER XVI.
  • CHAPTER XVII.
  • CHAPTER XVIII.
  • CHAPTER XIX.
  • CHAPTER XX.
  • CHAPTER XXI.
  • CHAPTER XXII.
  • CHAPTER XXIII.
  • CHAPTER XXIV.
  • CHAPTER XXV.
  • CHAPTER XXVI.
  • CHAPTER XXVII.
  • PART IV
  • CHAPTER XXVIII.
  • CHAPTER XXIX.
  • CHAPTER XXX.
  • CHAPTER XXXI.
  • CHAPTER XXXII.
  • CHAPTER XXXIII.
  • The Promise of Air
  • CHAPTER I.
  • CHAPTER II.
  • CHAPTER III.
  • CHAPTER IV.
  • CHAPTER V.
  • CHAPTER VI.
  • CHAPTER VII.
  • CHAPTER VIII.
  • CHAPTER IX.
  • CHAPTER X.
  • CHAPTER XI.
  • CHAPTER XII.
  • CHAPTER XIII.
  • CHAPTER XIV.
  • CHAPTER XV.
  • CHAPTER XVI.
  • CHAPTER XVII.
  • CHAPTER XVIII.
  • CHAPTER XIX.
  • The Garden of Survival
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • X
  • XI
  • The Willows
  • I
  • II
  • III
  • The Wendigo
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • The Damned
  • Chapter I
  • Chapter II
  • Chapter III
  • Chapter IV
  • Chapter V
  • Chapter VI
  • Chapter VII
  • Chapter VIII
  • Chapter IX
  • The Man Whom the Trees Loved
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • The Insanity of Jones
  • The Man Who Found Out
  • The Glamour of the Snow
  • Sand
  • CASE I: A PSYCHICAL INVASION
  • CASE II: ANCIENT SORCERIES
  • CASE III: THE NEMESIS OF FIRE
  • Three More John Silence Stories
  • CASE I: SECRET WORSHIP
  • CASE II: THE CAMP OF THE DOG
  • CASE III: A VICTIM OF HIGHER SPACE
  • The Empty House and Other Ghost Stories
  • THE EMPTY HOUSE
  • A HAUNTED ISLAND
  • A CASE OF EAVESDROPPING
  • KEEPING HIS PROMISE
  • WITH INTENT TO STEAL
  • THE WOOD OF THE DEAD
  • SMITH: AN EPISODE IN A LODGING-HOUSE
  • A SUSPICIOUS GIFT
  • THE STRANGE ADVENTURES OF A PRIVATE SECRETARY IN NEW YORK
  • SKELETON LAKE: AN EPISODE IN CAMP
  • The Empty House and Other Ghost Stories
  • THE EMPTY HOUSE
  • A HAUNTED ISLAND
  • A CASE OF EAVESDROPPING
  • KEEPING HIS PROMISE
  • WITH INTENT TO STEAL
  • THE WOOD OF THE DEAD
  • SMITH: AN EPISODE IN A LODGING-HOUSE
  • A SUSPICIOUS GIFT
  • THE STRANGE ADVENTURES OF A PRIVATE SECRETARY IN NEW YORK
  • SKELETON LAKE: AN EPISODE IN CAMP
  • THE TRYST
  • THE TOUCH OF PAN
  • THE WINGS OF HORUS
  • INITIATION
  • A DESERT EPISODE
  • THE OTHER WING
  • THE OCCUPANT OF THE ROOM
  • CAIN’S ATONEMENT
  • AN EGYPTIAN HORNET
  • BY WATER
  • H. S. H.
  • A BIT OF WOOD
  • TRANSITION
  • THE TRADITION
  • THE WOLVES OF GOD
  • CHINESE MAGIC
  • RUNNING WOLF
  • FIRST HATE
  • THE TARN OF SACRIFICE
  • THE VALLEY OF THE BEASTS
  • THE CALL
  • EGYPTIAN SORCERY
  • THE DECOY
  • THE MAN WHO FOUND OUT
  • THE EMPTY SLEEVE
  • WIRELESS CONFUSION
  • CONFESSION
  • THE LANE THAT RAN EAST AND WEST
  • “VENGEANCE IS MINE”
  • THE ALGERNON BLACKWOOD COLLECTION

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    THE CENTAUR

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    I

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    “WE MAY BE IN THE Universe as dogs and cats are in our libraries, seeing the books and hearing the conversation, but having no inkling of the meaning of it all.”

    —WILLIAM JAMES, A Pluralistic Universe

    “… A man’s vision is the great fact about him. Who cares for Carlyle’s reasons, or Schopenhauer’s, or Spencer’s? A philosophy is the expression of a man’s intimate character, and all definitions of the Universe are but the deliberately adopted reactions of human characters upon it.”

    —Ibid

    “There are certain persons who, independently of sex or comeliness, arouse an instant curiosity concerning themselves. The tribe is small, but its members unmistakable. They may possess neither fortune, good looks, nor that adroitness of advance-vision which the stupid name good luck; yet there is about them this inciting quality which proclaims that they have overtaken Fate, set a harness about its neck of violence, and hold bit and bridle in steady hands.

    “Most of us, arrested a moment by their presence to snatch the definition their peculiarity exacts, are aware that on the heels of curiosity follows—envy. They know the very things that we forever seek in vain. And this diagnosis, achieved as it were en passant, comes near to the truth, for the hallmark of such persons is that they have found, and come into, their own. There is a sign upon the face and in the eyes. Having somehow discovered the ‘piece’ that makes them free of the whole amazing puzzle, they know where they belong and, therefore, whither they are bound: more, they are definitely en route. The littlenesses of existence that plague the majority pass them by.

    “For this reason, if for no other,” continued O’Malley, “I count my experience with that man as memorable beyond ordinary. ‘If for no other,’ because from the very beginning there was another. Indeed, it was probably his air of unusual bigness, massiveness rather,—head, face, eyes, shoulders, especially back and shoulders,—that struck me first when I caught sight of him lounging there hugely upon my steamer deck at Marseilles, winning my instant attention before he turned and the expression on his great face woke more—woke curiosity, interest, envy. He wore this very look of certainty that knows, yet with a tinge of mild surprise as though he had only recently known. It was less than perplexity. A faint astonishment as of a happy child—almost of an animal—shone in the large brown eyes—”

    “You mean that the physical quality caught you first, then the psychical?” I asked, keeping him to the point, for his Irish imagination was ever apt to race away at a tangent.

    He laughed good-naturedly, acknowledging the check. “I believe that to be the truth,” he replied, his face instantly grave again. “It was the impression of uncommon bulk that heated my intuition—blessed if I know how—leading me to the other. The size of his body did not smother, as so often is the case with big people: rather, it revealed. At the moment I could conceive no possible connection, of course. Only this overwhelming attraction of the man’s personality caught me and I longed to make friends. That’s the way with me, as you know,” he added, tossing the hair back from his forehead impatiently,"—pretty often. First impressions. Old man, I tell you, it was like a possession.”

    “I believe you,” I said. For Terence O’Malley all his life had never understood half measures.

    II

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    “THE FRIENDLY AND FLOWING SAVAGE, who is he? Is he waiting for civilization, or is he past it, and mastering it?”

    —WHITMAN

    “We find ourselves today in the midst of a somewhat peculiar state of society, which we call Civilization, but which even to the most optimistic among us does not seem altogether desirable. Some of us, indeed, are inclined to think that it is a kind of disease which the various races of man have to pass through….

    “While History tells us of many nations that have been attacked by it, of many that have succumbed to it, and of some that are still in the throes of it, we know of no single case in which a nation has fairly recovered from and passed through it to a more normal and healthy condition. In other words, the development of human society has never yet (that we know of) passed beyond a certain definite and apparently final stage in the process we call Civilization; at that stage it has always succumbed or been arrested.”

    —EDWARD CARPENTER, Civilization: Its Cause and Cure

    O’Malley himself is an individuality that invites consideration from the ruck of commonplace men. Of mingled Irish, Scotch, and English blood, the first predominated, and the Celtic element in him was strong. A man of vigorous health, careless of gain, a wanderer, and by his own choice something of an outcast, he led to the end the existence of a rolling stone. He lived from hand to mouth, never quite growing up.