The church and yew

10 And farmhouse slept in a Sunday silentness.

The air raised not a straw. The steep farm roof,

With tiles duskily glowing, entertained

The midday sun; and up and down the roof

White pigeons nestled. There was no sound but one.

15 Three cart-horses were looking over a gate

Drowsily through their forelocks, swishing their tails

Against a fly, a solitary fly.

The Winter’s cheek flushed as if he had drained

Spring, Summer, and Autumn at a draught

20 And smiled quietly. But ’twas not Winter –

Rather a season of bliss unchangeable

Awakened from farm and church where it had lain

Safe under tile and thatch for ages since

This England, Old already, was called Merry.

An Old Song I

I was not apprenticed nor ever dwelt in famous Lincolnshire;

I’ve served one master ill and well much more than seven year;

And never took up to poaching as you shall quickly find;

   But ’tis my delight of a shiny night in the season of the year.

5 I roamed where nobody had a right but keepers and squires, and there

I sought for nests, wild flowers, oak sticks, and moles, both far and near,

And had to run from farmers, and learnt the Lincolnshire song:

   ‘Oh, ’tis my delight of a shiny night in the season of the year.’

I took those walks years after, talking with friend or dear,

10 Or solitary musing; but when the moon shone clear

I had no joy or sorrow that could not be expressed

   By ‘’Tis my delight of a shiny night in the season of the year.’

Since then I’ve thrown away a chance to fight a gamekeeper;

And I less often trespass, and what I see or hear

15 Is mostly from the road or path by day: yet still I sing:

   ‘Oh, ’tis my delight of a shiny night in the season of the year.’

For if I am contented, at home or anywhere,

Or if I sigh for I know not what, or my heart beats with some fear,

It is a strange kind of delight to sing or whistle just:

20    ‘Oh, ’tis my delight of a shiny night in the season of the year.’

And with this melody on my lips and no one by to care,

Indoors, or out on shiny nights or dark in open air,

I am for a moment made a man that sings out of his heart:

   ‘Oh, ’tis my delight of a shiny night in the season of the year.’

An Old Song II

The sun set, the wind fell, the sea

Was like a mirror shaking:

The one small wave that clapped the land

A mile-long snake of foam was making

5 Where tide had smoothed and wind had dried

The vacant sand.

A light divided the swollen clouds

And lay most perfectly

Like a straight narrow footbridge bright

10 That crossed over the sea to me;

And no one else in the whole world

Saw that same sight.

I walked elate, my bridge always

Just one step from my feet:

15 A robin sang, a shade in shade:

And all I did was to repeat:

    ‘I’ll go no more a-roving

    With you, fair maid.’

The sailors’ song of merry loving

20 With dusk and sea-gull’s mewing

Mixed sweet, the lewdness far outweighed

By the wild charm the chorus played:

    ‘I’ll go no more a-roving

    With you, fair maid:

25     A-roving, a-roving, since roving’s been my ruin,

    I’ll go no more a-roving with you, fair maid.’

    In Amsterdam there dwelt a maid –

    Mark well what I do say –

    In Amsterdam there dwelt a maid

30     And she was a mistress of her trade:

    I’ll go no more a-roving

    With you, fair maid:

    A-roving, a-roving, since roving’s been my ruin,

    I’ll go no more a-roving with you, fair maid.

The Combe

The Combe was ever dark, ancient and dark.

Its mouth is stopped with bramble, thorn, and briar;

And no one scrambles over the sliding chalk

By beech and yew and perishing juniper

5 Down the half precipices of its sides, with roots

And rabbit holes for steps. The sun of Winter,

The moon of Summer, and all the singing birds

Except the missel-thrush that loves juniper,

Are quite shut out. But far more ancient and dark

10 The Combe looks since they killed the badger there,

Dug him out and gave him to the hounds,

That most ancient Briton of English beasts.

The Hollow Wood

Out in the sun the goldfinch flits

Along the thistle-tops, flits and twits

Above the hollow wood

Where birds swim like fish –

5 Fish that laugh and shriek –

To and fro, far below

In the pale hollow wood.

Lichen, ivy, and moss

Keep evergreen the trees

10 That stand half-flayed and dying,

And the dead trees on their knees

In dog’s-mercury and moss:

And the bright twit of the goldfinch drops

Down there as he flits on thistle-tops.

The New Year

He was the one man I met up in the woods

That stormy New Year’s morning; and at first sight,

Fifty yards off, I could not tell how much

Of the strange tripod was a man. His body,

5 Bowed horizontal, was supported equally

By legs at one end, by a rake at the other:

Thus he rested, far less like a man than

His wheel-barrow in profile was like a pig.

But when I saw it was an old man bent,

10 At the same moment came into my mind

The games at which boys bend thus, High-cockolorum,

Or Fly-the-garter, and Leap-frog. At the sound

Of footsteps he began to straighten himself;

His head rolled under his cape like a tortoise’s;

15 He took an unlit pipe out of his mouth

Politely ere I wished him ‘A Happy New Year’,

And with his head cast upward sideways muttered –

So far as I could hear through the trees’ roar –

‘Happy New Year, and may it come fastish, too,’

20 While I strode by and he turned to raking leaves.

The Source

All day the air triumphs with its two voices

Of wind and rain:

As loud as if in anger it rejoices,

Drowning the sound of earth

5 That gulps and gulps in choked endeavour vain

To swallow the rain.

Half the night, too, only the wild air speaks

With wind and rain,

Till forth the dumb source of the river breaks

10 And drowns the rain and wind,

Bellows like a giant bathing in mighty mirth

The triumph of earth.

The Penny Whistle

The new moon hangs like an ivory bugle

In the naked frosty blue;

And the ghylls of the forest, already blackened

By Winter, are blackened anew.

5 The brooks that cut up and increase the forest,

As if they had never known

The sun, are roaring with black hollow voices

Betwixt rage and a moan.

But still the caravan-hut by the hollies

10 Like a kingfisher gleams between:

Round the mossed old hearths of the charcoal-burners

First primroses ask to be seen.

The charcoal-burners are black, but their linen

Blows white on the line;

15 And white the letter the girl is reading

Under that crescent fine;

And her brother who hides apart in a thicket,

Slowly and surely playing

On a whistle an olden nursery melody,

20 Says far more than I am saying.

A Private

This ploughman dead in battle slept out of doors

Many a frosty night, and merrily

Answered staid drinkers, good bedmen, and all bores:

‘At Mrs Greenland’s Hawthorn Bush,’ said he,

5 ‘I slept.’ None knew which bush. Above the town,

Beyond ‘The Drover’, a hundred spot the down

In Wiltshire. And where now at last he sleeps

More sound in France – that, too, he secret keeps.

Snow

In the gloom of whiteness,

In the great silence of snow,

A child was sighing

5 And bitterly saying: ‘Oh,

They have killed a white bird up there on her nest,

The down is fluttering from her breast.’

And still it fell through that dusky brightness

On the child crying for the bird of the snow.

Adlestrop

Yes. I remember Adlestrop –

The name, because one afternoon

Of heat the express-train drew up there

Unwontedly. It was late June.

5 The steam hissed. Someone cleared his throat.

No one left and no one came

On the bare platform. What I saw

Was Adlestrop – only the name

And willows, willow-herb, and grass,

10 And meadowsweet, and haycocks dry,

No whit less still and lonely fair

Than the high cloudlets in the sky.

And for that minute a blackbird sang

Close by, and round him, mistier,

15 Farther and farther, all the birds

Of Oxfordshire and Gloucestershire.

Tears

It seems I have no tears left. They should have fallen –

Their ghosts, if tears have ghosts, did fall – that day

When twenty hounds streamed by me, not yet combed out

But still all equals in their rage of gladness

5 Upon the scent, made one, like a great dragon

In Blooming Meadow that bends towards the sun

And once bore hops: and on that other day

When I stepped out from the double-shadowed Tower

Into an April morning, stirring and sweet

10 And warm. Strange solitude was there and silence.

A mightier charm than any in the Tower

Possessed the courtyard. They were changing guard,

Soldiers in line, young English countrymen,

Fair-haired and ruddy, in white tunics. Drums

15 And fifes were playing ‘The British Grenadiers’.

The men, the music piercing that solitude

And silence, told me truths I had not dreamed,

And have forgotten since their beauty passed.

Over the Hills

Often and often it came back again

To mind, the day I passed the horizon ridge

To a new country, the path I had to find

By half-gaps that were stiles once in the hedge,

5 The pack of scarlet clouds running across

The harvest evening that seemed endless then

And after, and the inn where all were kind,

All were strangers. I did not know my loss

Till one day twelve months later suddenly

10 I leaned upon my spade and saw it all,

Though far beyond the sky-line. It became

Almost a habit through the year for me

To lean and see it and think to do the same

Again for two days and a night. Recall

15 Was vain: no more could the restless brook

Ever turn back and climb the waterfall

To the lake that rests and stirs not in its nook,

As in the hollow of the collar-bone

Under the mountain’s head of rush and stone.

The Lofty Sky

Today I want the sky,

The tops of the high hills,

Above the last man’s house,

His hedges, and his cows,

5 Where, if I will, I look

Down even on sheep and rook,

And of all things that move

See buzzards only above: –

Past all trees, past furze

10 And thorn, where naught deters

The desire of the eye

For sky, nothing but sky.

I sicken of the woods

And all the multitudes

15 Of hedge-trees. They are no more

Than weeds upon this floor

Of the river of air

Leagues deep, leagues wide, where

I am like a fish that lives

20 In weeds and mud and gives

What’s above him no thought.

I might be a tench for aught

That I can do today

Down on the wealden clay.

25 Even the tench has days

When he floats up and plays

Among the lily leaves

And sees the sky, or grieves

Not if he nothing sees:

30 While I, I know that trees

Under that lofty sky

Are weeds, fields mud, and I

Would arise and go far

To where the lilies are.

The Cuckoo

That’s the cuckoo, you say. I cannot hear it.

When last I heard it I cannot recall; but I know

Too well the year when first I failed to hear it –

It was drowned by my man groaning out to his sheep ‘Ho! Ho!’

5 Ten times with an angry voice he shouted

‘Ho! Ho!’ but not in anger, for that was his way.

He died that Summer, and that is how I remember

The cuckoo calling, the children listening, and me saying, ‘Nay.’

And now, as you said, ‘There it is!’ I was hearing

10 Not the cuckoo at all, but my man’s ‘Ho! Ho!’ instead.

And I think that even if I could lose my deafness

The cuckoo’s note would be drowned by the voice of my dead.

Swedes

They have taken the gable from the roof of clay

On the long swede pile. They have let in the sun

To the white and gold and purple of curled fronds

Unsunned. It is a sight more tender-gorgeous

5 At the wood-corner where Winter moans and drips

Than when, in the Valley of the Tombs of Kings,

A boy crawls down into a Pharaoh’s tomb

And, first of Christian men, beholds the mummy,

God and monkey, chariot and throne and vase,

10 Blue pottery, alabaster, and gold.

But dreamless long-dead Amen-hotep lies.

This is a dream of Winter, sweet as Spring.

The Unknown Bird

Three lovely notes he whistled, too soft to be heard

If others sang; but others never sang

In the great beech-wood all that May and June.

No one saw him: I alone could hear him

5 Though many listened. Was it but four years

Ago? or five? He never came again.

Oftenest when I heard him I was alone,

Nor could I ever make another hear.

La-la-la! he called, seeming far-off –

10 As if a cock crowed past the edge of the world,

As if the bird or I were in a dream.

Yet that he travelled through the trees and sometimes

Neared me, was plain, though somehow distant still

He sounded. All the proof is – I told men

What I had heard.

15                           I never knew a voice,

Man, beast, or bird, better than this. I told

The naturalists; but neither had they heard

Anything like the notes that did so haunt me,

I had them clear by heart and have them still.

20 Four years, or five, have made no difference. Then

As now that La-la-la! was bodiless sweet:

Sad more than joyful it was, if I must say

That it was one or other, but if sad

’Twas sad only with joy too, too far off

25 For me to taste it. But I cannot tell

If truly never anything but fair

The days were when he sang, as now they seem.

This surely I know, that I who listened then,

Happy sometimes, sometimes suffering

30 A heavy body and a heavy heart,

Now straightway, if I think of it, become

Light as that bird wandering beyond my shore.

The Mill-Pond

The sun blazed while the thunder yet

Added a boom:

A wagtail flickered bright over

The mill-pond’s gloom:

5 Less than the cooing in the alder

Isles of the pool

Sounded the thunder through that plunge

Of waters cool.

Scared starlings on the aspen tip

10 Past the black mill

Outchattered the stream and the next roar

Far on the hill.

As my feet dangling teased the foam

That slid below

15 A girl came out.