They will leave

The barn, as I shall be left, maybe.

What holds it up? ’Twould not pay to pull down.

Well, this place has no other antiquity.

No abbey or castle looks so old

10 As this that Job Knight built in ’54,

Built to keep corn for rats and men.

Now there’s fowls in the roof, pigs on the floor.

What thatch survives is dung for the grass,

The best grass on the farm. A pity the roof

15 Will not bear a mower to mow it. But

Only fowls have foothold enough.

Starlings used to sit there with bubbling throats

Making a spiky beard as they chattered

And whistled and kissed, with heads in air,

20 Till they thought of something else that mattered.

But now they cannot find a place,

Among all those holes, for a nest any more.

It’s the turn of lesser things, I suppose.

Once I fancied ’twas starlings they built it for.

Home

Not the end: but there’s nothing more.

Sweet Summer and Winter rude

I have loved, and friendship and love,

The crowd and solitude:

5 But I know them: I weary not;

But all that they mean I know.

I would go back again home

Now. Yet how should I go?

This is my grief. That land,

10 My home, I have never seen;

No traveller tells of it,

However far he has been.

And could I discover it,

I fear my happiness there,

15 Or my pain, might be dreams of return

Here, to these things that were.

Remembering ills, though slight

Yet irremediable,

Brings a worse, an impurer pang

20 Than remembering what was well.

No: I cannot go back,

And would not if I could.

Until blindness come, I must wait

And blink at what is not good.

The Owl

Downhill I came, hungry, and yet not starved;

Cold, yet had heat within me that was proof

Against the North wind; tired, yet so that rest

Had seemed the sweetest thing under a roof.

5 Then at the inn I had food, fire, and rest,

Knowing how hungry, cold, and tired was I.

All of the night was quite barred out except

An owl’s cry, a most melancholy cry

Shaken out long and clear upon the hill,

10 No merry note, nor cause of merriment,

But one telling me plain what I escaped

And others could not, that night, as in I went.

And salted was my food, and my repose,

Salted and sobered, too, by the bird’s voice

15 Speaking for all who lay under the stars,

Soldiers and poor, unable to rejoice.

The Child on the Cliffs

Mother, the root of this little yellow flower

Among the stones has the taste of quinine.

Things are strange today on the cliff. The sun shines so bright,

And the grasshopper works at his sewing-machine

5 So hard. Here’s one on my hand, mother, look;

I lie so still. There’s one on your book.

But I have something to tell more strange. So leave

Your book to the grasshopper, mother dear, –

Like a green knight in a dazzling market-place, –

10 And listen now. Can you hear what I hear

Far out? Now and then the foam there curls

And stretches a white arm out like a girl’s.

Fishes and gulls ring no bells. There cannot be

A chapel or church between here and Devon,

15 With fishes or gulls ringing its bell, – hark! –

Somewhere under the sea or up in heaven.

‘It’s the bell, my son, out in the bay

On the buoy. It does sound sweet today.’

Sweeter I never heard, mother, no, not in all Wales.

20 I should like to be lying under that foam,

Dead, but able to hear the sound of the bell,

And certain that you would often come

And rest, listening happily.

I should be happy if that could be.

The Bridge

I have come a long way today:

On a strange bridge alone,

Remembering friends, old friends,

I rest, without smile or moan,

5 As they remember me without smile or moan.

All are behind, the kind

And the unkind too, no more

Tonight than a dream. The stream

Runs softly yet drowns the Past,

10 The dark-lit stream has drowned the Future and the Past.

No traveller has rest more blest

Than this moment brief between

Two lives, when the Night’s first lights

And shades hide what has never been,

15 Things goodlier, lovelier, dearer, than will be or have been.

Good-night

The skylarks are far behind that sang over the down;

I can hear no more those suburb nightingales;

Thrushes and blackbirds sing in the gardens of the town

In vain: the noise of man, beast, and machine prevails.

5 But the call of children in the unfamiliar streets

That echo with a familiar twilight echoing,

Sweet as the voice of nightingale or lark, completes

A magic of strange welcome, so that I seem a king

Among man, beast, machine, bird, child, and the ghost

10 That in the echo lives and with the echo dies.

The friendless town is friendly; homeless, I am not lost;

Though I know none of these doors, and meet but strangers’ eyes.

Never again, perhaps, after tomorrow, shall

I see these homely streets, these church windows alight,

15 Not a man or woman or child among them all:

But it is All Friends’ Night, a traveller’s good-night.

But these things also

But these things also are Spring’s –

On banks by the roadside the grass

Long-dead that is greyer now

Than all the Winter it was;

5 The shell of a little snail bleached

In the grass; chip of flint, and mite

Of chalk; and the small birds’ dung

In splashes of purest white:

All the white things a man mistakes

10 For earliest violets

Who seeks through Winter’s ruins

Something to pay Winter’s debts,

While the North blows, and starling flocks

By chattering on and on

15 Keep their spirits up in the mist,

And Spring’s here, Winter’s not gone.

The New House

Now first, as I shut the door,

I was alone

In the new house; and the wind

Began to moan.

5 Old at once was the house,

And I was old;

My ears were teased with the dread

Of what was foretold,

Nights of storm, days of mist, without end;

10 Sad days when the sun

Shone in vain: old griefs, and griefs

Not yet begun.

All was foretold me; naught

Could I foresee;

15 But I learnt how the wind would sound

After these things should be.

The Barn and the Down

It stood in the sunset sky

Like the straight-backed down,

Many a time – the barn

At the edge of the town,

5 So huge and dark that it seemed

It was the hill

Till the gable’s precipice proved

It impossible.

Then the great down in the west

10 Grew into sight,

A barn stored full to the ridge

With black of night;

And the barn fell to a barn

Or even less

15 Before critical eyes and its own

Late mightiness.

But far down and near barn and I

Since then have smiled,

Having seen my new cautiousness

20 By itself beguiled

To disdain what seemed the barn

Till a few steps changed

It past all doubt to the down;

So the barn was avenged.

Sowing

It was a perfect day

For sowing; just

As sweet and dry was the ground

As tobacco-dust.

5 I tasted deep the hour

Between the far

Owl’s chuckling first soft cry

And the first star.

A long stretched hour it was;

10 Nothing undone

Remained; the early seeds

All safely sown.

And now, hark at the rain,

Windless and light,

15 Half a kiss, half a tear,

Saying good-night.

March the Third

Here again (she said) is March the third

And twelve hours singing for the bird

’Twixt dawn and dusk, from half-past six

To half-past six, never unheard.

5 ’Tis Sunday, and the church-bells end

When the birds do. I think they blend

Now better than they will when passed

Is this unnamed, unmarked godsend.

Or do all mark, and none dares say,

10 How it may shift and long delay,

Somewhere before the first of Spring,

But never fails, this singing day?

And when it falls on Sunday, bells

Are a wild natural voice that dwells

15 On hillsides; but the birds’ songs have

The holiness gone from the bells.

This day unpromised is more dear

Than all the named days of the year

When seasonable sweets come in,

20 Because we know how lucky we are.

Two Pewits

Under the after-sunset sky

Two pewits sport and cry,

More white than is the moon on high

Riding the dark surge silently;

5 More black than earth. Their cry

Is the one sound under the sky.

They alone move, now low, now high,

And merrily they cry

To the mischievous Spring sky,

10 Plunging earthward, tossing high,

Over the ghost who wonders why

So merrily they cry and fly,

Nor choose ’twixt earth and sky,

While the moon’s quarter silently

15 Rides, and earth rests as silently.

Will you come?

Will you come?

Will you come?

Will you ride

So late

5 At my side?

O, will you come?

Will you come?

Will you come

If the night

10 Has a moon,

Full and bright?

O, will you come?

Would you come?

Would you come

15 If the noon

Gave light,

Not the moon?

Beautiful, would you come?

Would you have come?

20 Would you have come

Without scorning,

Had it been

Still morning?

Beloved, would you have come?

25 If you come,

Haste and come.

Owls have cried;

It grows dark

To ride.

30 Beloved, beautiful, come.

The Path

Running along a bank, a parapet

That saves from the precipitous wood below

The level road, there is a path. It serves

Children for looking down the long smooth steep,

5 Between the legs of beech and yew, to where

A fallen tree checks the sight: while men and women

Content themselves with the road and what they see

Over the bank, and what the children tell.

The path, winding like silver, trickles on,

10 Bordered and even invaded by thinnest moss

That tries to cover roots and crumbling chalk

With gold, olive, and emerald, but in vain.

The children wear it. They have flattened the bank

On top, and silvered it between the moss

15 With the current of their feet, year after year.

But the road is houseless, and leads not to school.

To see a child is rare there, and the eye

Has but the road, the wood that overhangs

And underyawns it, and the path that looks

20 As if it led on to some legendary

Or fancied place where men have wished to go

And stay; till, sudden, it ends where the wood ends.

The Wasp Trap

This moonlight makes

The lovely lovelier

Than ever before lakes

And meadows were.

5 And yet they are not,

Though this their hour is, more

Lovely than things that were not

Lovely before.

Nothing on earth,

10 And in the heavens no star,

For pure brightness is worth

More than that jar,

For wasps meant, now

A star – long may it swing

15 From the dead apple-bough,

So glistening.

A Tale

There once the walls

Of the ruined cottage stood.

The periwinkle crawls

With flowers in its hair into the wood.

5 In flowerless hours

Never will the bank fail,

With everlasting flowers

On fragments of blue plates, to tell the tale.

Wind and Mist

They met inside the gateway that gives the view,

A hollow land as vast as heaven. ‘It is

A pleasant day, sir.’ ‘A very pleasant day.’

‘And what a view here. If you like angled fields

5 Of grass and grain bounded by oak and thorn,

Here is a league. Had we with Germany

To play upon this board it could not be

More dear than April has made it with a smile.

The fields beyond that league close in together

10 And merge, even as our days into the past,

Into one wood that has a shining pane

Of water. Then the hills of the horizon –

That is how I should make hills had I to show

One who would never see them what hills were like.’

15 ‘Yes. Sixty miles of South Downs at one glance.

Sometimes a man feels proud of them, as if

He had just created them with one mighty thought.’

‘That house, though modern, could not be better planned

For its position. I never liked a new

20 House better. Could you tell me who lives in it?’

‘No one.’ ‘Ah – and I was peopling all

Those windows on the south with happy eyes,

The terrace under them with happy feet;

Girls – ’ ‘Sir, I know. I know. I have seen that house

25 Through mist look lovely as a castle in Spain,

And airier. I have thought: “’Twere happy there

To live.” And I have laughed at that

Because I lived there then.’ ‘Extraordinary.’

‘Yes, with my furniture and family

30 Still in it, I, knowing every nook of it

And loving none, and in fact hating it.’

‘Dear me! How could that be? But pardon me.’

‘No offence. Doubtless the house was not to blame,

But the eye watching from those windows saw,

35 Many a day, day after day, mist – mist

Like chaos surging back – and felt itself

Alone in all the world, marooned alone.

We lived in clouds, on a cliff’s edge almost

(You see), and if clouds went, the visible earth

40 Lay too far off beneath and like a cloud.

I did not know it was the earth I loved

Until I tried to live there in the clouds

And the earth turned to cloud.’ ‘You had a garden

Of flint and clay, too.’ ‘True; that was real enough.

45 The flint was the one crop that never failed.

The clay first broke my heart, and then my back;

And the back heals not. There were other things

Real, too. In that room at the gable a child

Was born while the wind chilled a summer dawn:

50 Never looked grey mind on a greyer one

Than when the child’s cry broke above the groans.’

‘I hope they were both spared.’ ‘They were.