When he was but a lad

110 He won a rich man’s heiress, deaf, dumb, and sad,

By rousing her to laugh at him. He carried

His donkey on his back. So they were married.

And while he was a little cobbler’s boy

He tricked the giant coming to destroy

115 Shrewsbury by flood. “And how far is it yet?”

The giant asked in passing. “I forget;

But see these shoes I’ve worn out on the road

And we’re not there yet.” He emptied out his load

Of shoes for mending. The giant let fall from his spade

120 The earth for damming Severn, and thus made

The Wrekin hill; and little Ercall hill

Rose where the giant scraped his boots. While still

So young, our Jack was chief of Gotham’s sages.

But long before he could have been wise, ages

125 Earlier than this, while he grew thick and strong

And ate his bacon, or, at times, sang a song

And merely smelt it, as Jack the giant-killer

He made a name. He too ground up the miller,

The Yorkshireman who ground men’s bones for flour.

130 ‘Do you believe Jack dead before his hour?

Or that his name is Walker, or Bottlesford,

Or Button, a mere clown, or squire, or lord?

The man you saw, – Lob-lie-by-the-fire, Jack Cade,

Jack Smith, Jack Moon, poor Jack of every trade,

135 Young Jack, or old Jack, or Jack What-d’ye-call,

Jack-in-the-hedge, or Robin-run-by-the-wall,

Robin Hood, Ragged Robin, lazy Bob,

One of the lords of No Man’s Land, good Lob, –

Although he was seen dying at Waterloo,

140 Hastings, Agincourt, and Sedgemoor too, –

Lives yet. He never will admit he is dead

Till millers cease to grind men’s bones for bread,

Not till our weathercock crows once again

And I remove my house out of the lane

145 On to the road.’ With this he disappeared

In hazel and thorn tangled with old-man’s-beard.

But one glimpse of his back, as there he stood,

Choosing his way, proved him of old Jack’s blood,

Young Jack perhaps, and now a Wiltshireman

150 As he has oft been since his days began.

Digging

Today I think

Only with scents, – scents dead leaves yield,

And bracken, and wild carrot’s seed,

And the square mustard field;

5 Odours that rise

When the spade wounds the root of tree,

Rose, currant, raspberry, or goutweed,

Rhubarb or celery;

The smoke’s smell, too,

10 Flowing from where a bonfire burns

The dead, the waste, the dangerous,

And all to sweetness turns.

It is enough

To smell, to crumble the dark earth,

15 While the robin sings over again

Sad songs of Autumn mirth.

Lovers

The two men in the road were taken aback.

The lovers came out shading their eyes from the sun,

And never was white so white, or black so black,

As her cheeks and hair. ‘There are more things than one

5 A man might turn into a wood for, Jack,’

Said George; Jack whispered: ‘He has not got a gun.

It’s a bit too much of a good thing, I say.

They are going the other road, look. And see her run.’ –

She ran – ‘What a thing it is, this picking may.’

In Memoriam (Easter, 1915)

The flowers left thick at nightfall in the wood

This Eastertide call into mind the men,

Now far from home, who, with their sweethearts, should

Have gathered them and will do never again.

Head and Bottle

The downs will lose the sun, white alyssum

Lose the bees’ hum;

But head and bottle tilted back in the cart

Will never part

5 Till I am cold as midnight and all my hours

Are beeless flowers.

He neither sees, nor hears, nor smells, nor thinks,

But only drinks,

Quiet in the yard where tree trunks do not lie

10 More quietly.

Home

Often I had gone this way before:

But now it seemed I never could be

And never had been anywhere else;

’Twas home; one nationality

5 We had, I and the birds that sang,

One memory.

They welcomed me. I had come back

That eve somehow from somewhere far:

The April mist, the chill, the calm,

10 Meant the same thing familiar

And pleasant to us, and strange too,

Yet with no bar.

The thrush on the oaktop in the lane

Sang his last song, or last but one;

15 And as he ended, on the elm

Another had but just begun

His last; they knew no more than I

The day was done.

Then past his dark white cottage front

20 A labourer went along, his tread

Slow, half with weariness, half with ease;

And, through the silence, from his shed

The sound of sawing rounded all

That silence said.

Health

Four miles at a leap, over the dark hollow land,

To the frosted steep of the down and its junipers black,

Travels my eye with equal ease and delight:

And scarce could my body leap four yards.

5 This is the best and the worst of it –

Never to know,

Yet to imagine gloriously, pure health.

Today, had I suddenly health,

I could not satisfy the desire of my heart

10 Unless health abated it,

So beautiful is the air in its softness and clearness, while Spring

Promises all and fails in nothing as yet;

And what blue and what white is I never knew

Before I saw this sky blessing the land.

15 For had I health I could not ride or run or fly

So far or so rapidly over the land

As I desire: I should reach Wiltshire tired;

I should have changed my mind before I could be in Wales.

I could not love; I could not command love.

20 Beauty would still be far off

However many hills I climbed over;

Peace would still be farther.

Maybe I should not count it anything

To leap these four miles with the eye;

25 And either I should not be filled almost to bursting with desire,

Or with my power desire would still keep pace.

Yet I am not satisfied

Even with knowing I never could be satisfied.

With health and all the power that lies

30 In maiden beauty, poet and warrior,

In Caesar, Shakespeare, Alcibiades,

Mazeppa, Leonardo, Michelangelo,

In any maiden whose smile is lovelier

Than sunlight upon dew,

35 I could not be as the wagtail running up and down

The warm tiles of the roof slope, twittering

Happily and sweetly as if the sun itself

Extracted the song

As the hand makes sparks from the fur of a cat:

40 I could not be as the sun.

Nor should I be content to be

As little as the bird or as mighty as the sun.

For the bird knows not of the sun,

And the sun regards not the bird.

45 But I am almost proud to love both bird and sun,

Though scarce this Spring could my body leap four yards.

The Huxter

He has a hump like an ape on his back;

He has of money a plentiful lack;

And but for a gay coat of double his girth

There is not a plainer thing on the earth

5         This fine May morning.

But the huxter has a bottle of beer;

He drives a cart and his wife sits near

Who does not heed his lack or his hump;

And they laugh as down the lane they bump

10         This fine May morning.

She dotes

She dotes on what the wild birds say

Or hint or mock at, night and day, –

Thrush, blackbird, all that sing in May,

        And songless plover,

5 Hawk, heron, owl, and woodpecker.

They never say a word to her

        About her lover.

She laughs at them for childishness,

She cries at them for carelessness

10 Who see her going loverless

        Yet sing and chatter

Just as when he was not a ghost,

Nor ever ask her what she has lost

        Or what is the matter.

15 Yet she has fancied blackbirds hide

A secret, and that thrushes chide

Because she thinks death can divide

        Her from her lover;

And she has slept, trying to translate

20 The word the cuckoo cries to his mate

        Over and over.

Song

At poet’s tears,

Sweeter than any smiles but hers,

She laughs; I sigh;

And yet I could not live if she should die.

5 And when in June

Once more the cuckoo spoils his tune,

She laughs at sighs;

And yet she says she loves me till she dies.

A Cat

She had a name among the children;

But no one loved though someone owned

Her, locked her out of doors at bedtime

And had her kittens duly drowned.

5 In Spring, nevertheless, this cat

Ate blackbirds, thrushes, nightingales,

And birds of bright voice and plume and flight,

As well as scraps from neighbours’ pails.

I loathed and hated her for this;

10 One speckle on a thrush’s breast

Was worth a million such; and yet

She lived long, till God gave her rest.

Melancholy

The rain and wind, the rain and wind, raved endlessly.

On me the Summer storm, and fever, and melancholy

Wrought magic, so that if I feared the solitude

Far more I feared all company: too sharp, too rude,

5 Had been the wisest or the dearest human voice.

What I desired I knew not, but whate’er my choice

Vain it must be, I knew. Yet naught did my despair

But sweeten the strange sweetness, while through the wild air

All day long I heard a distant cuckoo calling

10 And, soft as dulcimers, sounds of near water falling,

And, softer, and remote as if in history,

Rumours of what had touched my friends, my foes, or me.

Tonight

Harry, you know at night

The larks in Castle Alley

Sing from the attic’s height

As if the electric light

5 Were the true sun above a summer valley:

Whistle, don’t knock, tonight.

I shall come early, Kate:

And we in Castle Alley

Will sit close out of sight

10 Alone, and ask no light

Of lamp or sun above a summer valley:

Tonight I can stay late.

April

The sweetest thing, I thought

At one time, between earth and heaven

Was the first smile

When mist has been forgiven

5 And the sun has stolen out,

Peered, and resolved to shine at seven

On dabbled lengthening grasses,

Thick primroses and early leaves uneven,

When earth’s breath, warm and humid, far surpasses

10 The richest oven’s, and loudly rings ‘cuckoo’

And sharply the nightingale’s ‘tsoo, troo, troo, troo’:

To say ‘God bless it’ was all that I could do.

But now I know one sweeter

By far since the day Emily

15 Turned weeping back

To me, still happy me,

To ask forgiveness, –

Yet smiled with half a certainty

To be forgiven, – for what

20 She had never done; I knew not what it might be,

Nor could she tell me, having now forgot,

By rapture carried with me past all care

As to an isle in April lovelier

Than April’s self. ‘God bless you’ I said to her.

The Glory

The glory of the beauty of the morning, –

The cuckoo crying over the untouched dew;

The blackbird that has found it, and the dove

That tempts me on to something sweeter than love;

5 White clouds ranged even and fair as new-mown hay;

The heat, the stir, the sublime vacancy

Of sky and meadow and forest and my own heart: –

The glory invites me, yet it leaves me scorning

All I can ever do, all I can be,

10 Beside the lovely of motion, shape, and hue,

The happiness I fancy fit to dwell

In beauty’s presence. Shall I now this day

Begin to seek as far as heaven, as hell,

Wisdom or strength to match this beauty, start

15 And tread the pale dust pitted with small dark drops,

In hope to find whatever it is I seek,

Hearkening to short-lived happy-seeming things

That we know naught of, in the hazel copse?

Or must I be content with discontent

20 As larks and swallows are perhaps with wings?

And shall I ask at the day’s end once more

What beauty is, and what I can have meant

By happiness? And shall I let all go,

Glad, weary, or both? Or shall I perhaps know

25 That I was happy oft and oft before,

Awhile forgetting how I am fast pent,

How dreary-swift, with naught to travel to,

Is Time? I cannot bite the day to the core.

July

Naught moves but clouds, and in the glassy lake

Their doubles and the shadow of my boat.

The boat itself stirs only when I break

This drowse of heat and solitude afloat

5 To prove if what I see be bird or mote,

Or learn if yet the shore woods be awake.

Long hours since dawn grew, – spread, – and passed on high

And deep below, – I have watched the cool reeds hung

Over images more cool in imaged sky:

10 Nothing there was worth thinking of so long;

All that the ring-doves say, far leaves among,

Brims my mind with content thus still to lie.

The Chalk-Pit

‘Is this the road that climbs above and bends

Round what was once a chalk-pit: now it is

By accident an amphitheatre.

Some ash trees standing ankle-deep in briar

5 And bramble act the parts, and neither speak

Nor stir.’ ‘But see: they have fallen, every one,

And briar and bramble have grown over them.’

‘That is the place. As usual no one is here.

Hardly can I imagine the drop of the axe,

10 And the smack that is like an echo, sounding here.’

‘I do not understand.’ ‘Why, what I mean is

That I have seen the place two or three times

At most, and that its emptiness and silence

And stillness haunt me, as if just before

15 It was not empty, silent, still, but full

Of life of some kind, perhaps tragical.

Has anything unusual happened here?’

‘Not that I know of. It is called the Dell.

They have not dug chalk here for a century.

20 That was the ash trees’ age. But I will ask.’

‘No. Do not. I prefer to make a tale,

Or better leave it like the end of a play,

Actors and audience and lights all gone;

For so it looks now. In my memory

25 Again and again I see it, strangely dark,

And vacant of a life but just withdrawn.

We have not seen the woodman with the axe.

Some ghost has left it now as we two came.’

‘And yet you doubted if this were the road?’

30 ‘Well, sometimes I have thought of it and failed

To place it. No. And I am not quite sure,

Even now, this is it. For another place,

Real or painted, may have combined with it.

Or I myself a long way back in time…’

35 ‘Why, as to that, I used to meet a man –

I had forgotten, – searching for birds’ nests

Along the road and in the chalk-pit too.

The wren’s hole was an eye that looked at him

For recognition. Every nest he knew.

40 He got a stiff neck, by looking this side or that,

Spring after spring, he told me, with his laugh, –

A sort of laugh. He was a visitor,

A man of forty, – smoked and strolled about.

At orts and crosses Pleasure and Pain had played

45 On his brown features; – I think both had lost; –

Mild and yet wild too. You may know the kind.

And once or twice a woman shared his walks,

A girl of twenty with a brown boy’s face,

And hair brown as a thrush or as a nut,

50 Thick eyebrows, glinting eyes – ’ ‘You have said enough.

A pair, – free thought, free love, – I know the breed:

I shall not mix my fancies up with them.’

‘You please yourself. I should prefer the truth

Or nothing. Here, in fact, is nothing at all

55 Except a silent place that once rang loud,

And trees and us – imperfect friends, we men

And trees since time began; and nevertheless

Between us still we breed a mystery.’

Fifty Faggots

There they stand, on their ends, the fifty faggots

That once were underwood of hazel and ash

In Jenny Pinks’s Copse. Now, by the hedge

Close packed, they make a thicket fancy alone

5 Can creep through with the mouse and wren.