It is only done as an instigation to education. Much may be said in opposition to this; but nothing shall be said here. It is merely of the cruelty of spirit that is thus engendered that we now speak. Success is the only test of merit. Words have lost their old significance, and to deserve only is not meritorious. Væ victis! there are so many of them!

"Thompson," says Johnson, the young poet, when he has at last succeeded in getting the bosomest of his friends alone into his chamber with him, "have you happened to look at my Iphigenia yet?"

Thompson can't say that he has. He has been busy; has had so many water-parties; and then, somehow, he doesn't think that he is very partial to modern poetry on subjects of old mythology. Of course, however, he means to read it—some of these days.

"I wish you would," says Johnson, tendering a copy of the thin volume. "I really wish you would; and let me have your candid opinion. The press certainly have not noticed it much, and what they have said has been very lukewarm."

"I am sorry for that," says Thompson, looking grave.

"And I did my best with it too. You would hardly believe how hard I worked at it. There is not a line that has not been weighed and written, perhaps, three times over. I do not think I am conceited; but I cannot but believe that there is something in it. The reviewers are so jealous! if a man has not a name, they will give him credit for nothing; and it is so hard to begin."

"I am sure it is," says Thompson.

"I don't expect fame; and as for money, of course I don't think of that. But I should like to know that it had been read by one or two persons who could understand it. I have given to it the best of my time, the best of my labour. I cannot but think that there is something in it." Thus pleads the unsuccessful one for mercy.

And thus answers to him the successful one, with no grain of mercy in his composition:—"My dear Johnson, my maxim is this, that in this world every man gets in the long run exactly what he deserves——"

"Did Milton get what he deserved?"

"These are not the days of Milton. I don't want to hurt your feelings; but old friends as we are, I should not forgive myself if I didn't tell you what I really think. Poetry is all very well; but you can't create a taste for it if it doesn't exist. Nobody that I know of cares a d——for Iphigenia."

"You think I should change my subject, then?"

"To tell you the truth, I think you should change your trade. This is the third attempt, you know. I dare say they are very good in their way; but if the world liked them, the world would have found it out by this time. 'Vox populi, vox Dei'—that is my motto—I don't trust my own judgment; I trust that of the public. If you will take my advice, you will give up Iphigenia and the rest of them. You see you are doing nothing whatever at the bar," &c., &c.

And thus Johnson is left, without a scrap of comfort, a word of consolation, a spark of sympathy; and yet he had given to that Iphigenia of his the best that was in him to give. Had his publisher sold ten thousand copies of it, how Thompson would have admired it! how he would have pressed the poet in his arms, and have given him champagne up at Richmond! But who now has sympathy for failure? To fail is to be disgraced. Væ victis!

There is something very painful in these races, which we English are always running, to one who has tenderness enough to think of the nine beaten horses instead of the one who has conquered. Look at that list which has just come out after our grand national struggle at Cambridge. How many wranglers are there? Thirty, shall we say? and it is always glorious to be a wrangler. Out of that thirty there is probably but one who has not failed, who is not called on to submit to the inward grief of having been beaten.