The view seemed to him very picturesque, though in the gathered dusk little was left of it save a cold yellow streak in the west, a gleam of brown water, and the reflection of the lights that had begun to show themselves in a row of houses, impressive to Ransom in their extreme modernness, which overlooked the same lagoon from a long embankment on the left, constructed of stones roughly piled. He thought this prospect, from a city-house, almost romantic; and he turned from it back to the interior (illuminated now by a lamp which the parlour-maid had placed on a table while he stood at the window) as to something still more genial and interesting. The artistic sense in Basil Ransom had not been highly cultivated; neither (though he had passed his early years as the son of a rich man) was his conception of material comfort very definite; it consisted mainly of the vision of plenty of cigars and brandy and water and newspapers, and a cane-bottomed arm-chair of the right inclination, from which he could stretch his legs. Nevertheless it seemed to him he had never seen an interior that was so much an interior as this queer corridor-shaped drawing-room of his new-found kinswoman; he had never felt himself in the presence of so much organised privacy or of so many objects that spoke of habits and tastes. Most of the people he had hitherto known had no tastes; they had a few habits, but these were not of a sort that required much upholstery. He had not as yet been in many houses in New York, and he had never before seen so many accessories. The general character of the place struck him as Bostonian; this was, in fact, very much what he had supposed Boston to be. He had always heard Boston was a city of culture, and now there was culture in Miss Chancellor’s tables and sofas, in the books that were everywhere, on little shelves like brackets (as if a book were a statuette), in the photographs and water-colours that covered the walls, in the curtains that were festooned rather stiffly in the doorways. He looked at some of the books and saw that his cousin read German; and his impression of the importance of this (as a symptom of superiority) was not diminished by the fact that he himself had mastered the tongue (knowing it contained a large literature of jurisprudence) during a long, empty, deadly summer on the plantation. It is a curious proof of a certain crude modesty inherent in Basil Ransom that the main effect of his observing his cousin’s German books was to give him an idea of the natural energy of Northerners. He had noticed it often before; he had already told himself that he must count with it. It was only after much experience he made the discovery that few Northerners were, in their secret soul, so energetic as he. Many other persons had made it before that. He knew very little about Miss Chancellor; he had come to see her only because she wrote to him; he would never have thought of looking her up, and since then there had been no one in New York he might ask about her. Therefore he could only guess that she was a rich young woman; such a house, inhabited in such a way by a quiet spinster, implied a considerable income. How much? he asked himself; five thousand, ten thousand, fifteen thousand a year? There was richness to our panting young man in the smallest of these figures. He was not of a mercenary spirit, but he had an immense desire for success, and he had more than once reflected that a moderate capital was an aid to achievement. He had seen in his younger years one of the biggest failures that history commemorates, an immense national fiasco, and it had implanted in his mind a deep aversion to the ineffectual. It came over him, while he waited for his hostess to reappear, that she was unmarried as well as rich, that she was sociable (her letter answered for that) as well as single; and he had for a moment a whimsical vision of becoming a partner in so flourishing a firm. He ground his teeth a little as he thought of the contrasts of the human lot; this cushioned feminine nest made him feel unhoused and underfed. Such a mood, however, could only be momentary, for he was conscious at bottom of a bigger stomach than all the culture of Charles Street could fill.

Afterwards, when his cousin had come back and they had gone down to dinner together, where he sat facing her at a little table decorated in the middle with flowers, a position from which he had another view through a window where the curtain remained undrawn by her direction (she called his attention to this—it was for his benefit), of the dusky, empty river,d spotted with points of light—at this period, I say, it was very easy for him to remark to himself that nothing would induce him to make love toe such a type as that. Several months later, in New York, in conversation with Mrs. Luna, of whom he was destined to see a good deal, he alluded by chance to this repast, to the way her sister had placed him at table, and to the remark with which she had pointed out the advantage of his seat.

“That’s what they call in Boston being very ‘thoughtful,”’ Mrs. Luna said, “giving you the Back Bay1 (don’t you hate the name?) to look at, and then taking credit for it.”

This, however, was in the future; what Basil Ransom actually perceived was that Miss Chancellor was a signal old maid. That was her quality, her destiny; nothing could be more distinctly written. There are women who are unmarried by accident, and others who are unmarried by option; but Olive Chancellor was unmarried by every implication of her being. She was a spinster as Shelleyf was a lyric poet, or as the month of August is sultry. She was so essentially a celibate that Ransom found himself thinking of her as old, though when he came to look at her (as he said to himself) it was apparent that her years were fewer than his own. He did not dislike her, she had been so friendly; but, little by little, she gave him an uneasy feeling—the sense that you could never be safe with a person who took things so hard. It came over him that it was because she took things hard she had sought his acquaintance; it had been because she was strenuous, not because she was genial; she had had in her eye—and what an extraordinary eye it was!—not a pleasure, but a duty.