Bon!”

A day came when Leclère gathered his dogs together and floated down in a bateau to Forty Mile, and so on to the Porcupine, where he took a commission from the P. C. Company, and went exploring for the better part of a year. After that he poled up the Koyokuk to deserted Arctic City, and later came drifting back, from camp to camp, along the Yukon. And during the long months Bâtard was well lessoned. He learned many tortures, and, notably, the torture of hunger, the torture of thirst, the torture of fire, and, worst of all, the torture of music.

Like the rest of his kind, he did not enjoy music. It gave him exquisite anguish, racking him nerve by nerve, and ripping apart every fibre of his being. It made him howl, long and wolf-like, as when the wolves bay the stars on frosty nights. He could not help howling. It was his one weakness in the contest with Leclère, and it was his shame. Leclère, on the other hand, passionately loved music—as passionately as he loved strong drink. And when his soul clamored for expression, it usually uttered itself in one or the other of the two ways, and more usually in both ways. And when he had drunk, his brain a-lilt with unsung song and the devil in him aroused and rampant, his soul found its supreme utterance in torturing Bâtard.

“Now we will haf a leetle museek,” he would say. “Eh? W‘at you t’ink, Bâtard?”

It was only an old and battered harmonica, tenderly treasured and patiently repaired; but it was the best that money could buy, and out of its silver reeds he drew weird vagrant airs that men had never heard before. Then Bâtard, dumb of throat, with teeth tight clenched, would back away, inch by inch, to the farthest cabin comer. And Leclère, playing, playing, a stout club tucked under his arm, followed the animal up, inch by inch, step by step, till there was no further retreat.

At first Bâtard would crowd himself into the smallest possible space, grovelling close to the floor; but as the music came nearer and nearer, he was forced to uprear, his back jammed into the logs, his fore legs fanning the air as though to beat off the rippling waves of sound. He still kept his teeth together, but severe muscular contractions attacked his body, strange twitchings and jerkings, till he was all a-quiver and writhing in silent torment. As he lost control, his jaws spasmodically wrenched apart, and deep throaty vibrations issued forth, too low in the register of sound for human ear to catch. And then, nostrils distended, eyes dilated, hair bristling in helpless rage, arose the long wolf howl. It came with a slurring rush upward, swelling to a great heart-breaking burst of sound, and dying away in sadly cadenced woe—then the next rush upward, octave upon octave; the bursting heart; and the infinite sorrow and misery, fainting, fading, falling, and dying slowly away.

It was fit for hell. And Leclère, with fiendish ken, seemed to divine each particular nerve and heartstring, and with long wails and tremblings and sobbing minors to make it yield up its last shred of grief. It was frightful, and for twenty-four hours after, Bâtard was nervous and unstrung, starting at common sounds, tripping over his own shadow, but, withal, vicious and masterful with his team-mates. Nor did he show signs of a breaking spirit. Rather did he grow more grim and taciturn, biding his time with an inscrutable patience that began to puzzle and weigh upon Leclère. The dog would lie in the firelight, motionless, for hours, gazing straight before him at Leclère, and hating him with his bitter eyes.

Often the man felt that he had bucked against the very essence of life—the unconquerable essence that swept the hawk down out of the sky like a feathered thunderbolt, that drove the great gray goose across the zones, that hurled the spawning salmon through two thousand miles of boiling Yukon flood. At such times he felt impelled to express his own unconquerable essence; and with strong drink, wild music, and Bâtard, he indulged in vast orgies, wherein he pitted his puny strength in the face of things, and challenged all that was, and had been, and was yet to be.

“Dere is somet‘ing dere,” he affirmed, when the rhythmed vagaries of his mind touched the secret chords of Bâtard’s being and brought forth the long lugubrious howl. “Ah pool eet out wid bot’ my han’s, so, an‘ so. Ha! Ha! Eet is fonee! Eet is ver’ fonee! De priest chant, de womans pray, de mans swear, de leetle bird go peep-peep, Bâtard, heem go yow-yow—an‘ eet is all de ver’ same t‘ing. Ha! Ha!”

Father Gautier, a worthy priest, once reproved him with instances of concrete perdition. He never reproved him again.

“Eet may be so, mon père,” he made answer.