To show him honestly and without disguise, as he lived his own life and sung his own songs at the brilliant Court of Edward III, is to do his memory a moral justice far more material than any wrong that can ever come out of spelling. As to the minor poems of Spenser, which follow The Faerie Queen, the choice has been governed by the desire to give at once the most interesting, and the most characteristic of the poet's several styles; and, save in the case of the Sonnets, the poems so selected are given entire. It is manifest that the endeavours to adapt this volume for popular use, have been already noticed, would imperfectly succeed without the aid of notes and glossary, to explain allusions that have become obsolete, or antiquated words which it was necessary to retain. An endeavour has been made to render each page self- explanatory, by placing on it all the glossarial and illustrative notes required for its elucidation, or — to avoid repetitions that would have occupied space — the references to the spot where information may be found. The great advantage of such a plan to the reader, is the measure of its difficulty for the editor. It permits much more flexibility in the choice of glossarial explanations or equivalents; it saves the distracting and time- consuming reference to the end or the beginning of the book; but, at the same time, it largely enhances the liability to error. The Editor is conscious that in the 12,000 or 13,000 notes, as well as in the innumerable minute points of spelling, accentuation, and rhythm, he must now and again be found tripping; he can only ask any reader who may detect all that he could himself point out as being amiss, to set off against inevitable mistakes and misjudgements, the conscientious labour bestowed on the book, and the broad consideration of its fitness for the object contemplated.

From books the Editor has derived valuable help; as from Mr Cowden Clarke's revised modern text of The Canterbury Tales, published in Mr Nimmo's Library Edition of the English Poets; from Mr Wright's scholarly edition of the same work; from the indispensable Tyrwhitt; from Mr Bell's edition of Chaucer's Poem; from Professor Craik's "Spenser and his Poetry," published twenty-five years ago by Charles Knight; and from many others. In the abridgement of the Faerie Queen, the plan may at first sight seem to be modelled on the lines of Mr Craik's painstaking condensation; but the coincidences are either inevitable or involuntary. Many of the notes, especially of those explaining classical references and those attached to the minor poems of Chaucer, have been prepared specially for this edition. The Editor leaves his task with the hope that his attempt to remove artificial obstacles to the popularity of England's earliest poets, will not altogether miscarry.

D. LAING PURVES.

LIFE OF GEOFFREY CHAUCER.

NOT in point of genius only, but even in point of time, Chaucer may claim the proud designation of "first" English poet. He wrote "The Court of Love" in 1345, and "The Romaunt of the Rose," if not also "Troilus and Cressida," probably within the next decade: the dates usually assigned to the poems of Laurence Minot extend from 1335 to 1355, while "The Vision of Piers Plowman" mentions events that occurred in 1360 and 1362 — before which date Chaucer had certainly written "The Assembly of Fowls" and his "Dream." But, though they were his contemporaries, neither Minot nor Langland (if Langland was the author of the Vision) at all approached Chaucer in the finish, the force, or the universal interest of their works and the poems of earlier writer; as Layamon and the author of the "Ormulum," are less English than Anglo-Saxon or Anglo- Norman. Those poems reflected the perplexed struggle for supremacy between the two grand elements of our language, which marked the twelfth and thirteenth centuries; a struggle intimately associated with the political relations between the conquering Normans and the subjugated Anglo-Saxons. Chaucer found two branches of the language; that spoken by the people, Teutonic in its genius and its forms; that spoken by the learned and the noble, based on the French Yet each branch had begun to borrow of the other — just as nobles and people had been taught to recognise that each needed the other in the wars and the social tasks of the time; and Chaucer, a scholar, a courtier, a man conversant with all orders of society, but accustomed to speak, think, and write in the words of the highest, by his comprehensive genius cast into the simmering mould a magical amalgamant which made the two half-hostile elements unite and interpenetrate each other. Before Chaucer wrote, there were two tongues in England, keeping alive the feuds and resentments of cruel centuries; when he laid down his pen, there was practically but one speech — there was, and ever since has been, but one people.

Geoffrey Chaucer, according to the most trustworthy traditions- for authentic testimonies on the subject are wanting — was born in 1328; and London is generally believed to have been his birth-place. It is true that Leland, the biographer of England's first great poet who lived nearest to his time, not merely speaks of Chaucer as having been born many years later than the date now assigned, but mentions Berkshire or Oxfordshire as the scene of his birth. So great uncertainty have some felt on the latter score, that elaborate parallels have been drawn between Chaucer, and Homer — for whose birthplace several cities contended, and whose descent was traced to the demigods. Leland may seem to have had fair opportunities of getting at the truth about Chaucer's birth — for Henry VIII had him, at the suppression of the monasteries throughout England, to search for records of public interest the archives of the religious houses. But it may be questioned whether he was likely to find many authentic particulars regarding the personal history of the poet in the quarters which he explored; and Leland's testimony seems to be set aside by Chaucer's own evidence as to his birthplace, and by the contemporary references which make him out an aged man for years preceding the accepted date of his death. In one of his prose works, "The Testament of Love," the poet speaks of himself in terms that strongly confirm the claim of London to the honour of giving him birth; for he there mentions "the city of London, that is to me so dear and sweet, in which I was forth growen; and more kindly love," says he, "have I to that place than to any other in earth; as every kindly creature hath full appetite to that place of his kindly engendrure, and to will rest and peace in that place to abide." This tolerably direct evidence is supported — so far as it can be at such an interval of time — by the learned Camden; in his Annals of Queen Elizabeth, he describes Spencer, who was certainly born in London, as being a fellow-citizen of Chaucer's — "Edmundus Spenserus, patria Londinensis, Musis adeo arridentibus natus, ut omnes Anglicos superioris aevi poetas, ne Chaucero quidem concive excepto, superaret." <1> The records of the time notice more than one person of the name of Chaucer, who held honourable positions about the Court; and though we cannot distinctly trace the poet's relationship with any of these namesakes or antecessors, we find excellent ground for belief that his family or friends stood well at Court, in the ease with which Chaucer made his way there, and in his subsequent career.

Like his great successor, Spencer, it was the fortune of Chaucer to live under a splendid, chivalrous, and high-spirited reign. 1328 was the second year of Edward III; and, what with Scotch wars, French expeditions, and the strenuous and costly struggle to hold England in a worthy place among the States of Europe, there was sufficient bustle, bold achievement, and high ambition in the period to inspire a poet who was prepared to catch the spirit of the day. It was an age of elaborate courtesy, of high- paced gallantry, of courageous venture, of noble disdain for mean tranquillity; and Chaucer, on the whole a man of peaceful avocations, was penetrated to the depth of his consciousness with the lofty and lovely civil side of that brilliant and restless military period. No record of his youthful years, however, remains to us; if we believe that at the age of eighteen he was a student of Cambridge, it is only on the strength of a reference in his "Court of Love", where the narrator is made to say that his name is Philogenet, "of Cambridge clerk;" while he had already told us that when he was stirred to seek the Court of Cupid he was "at eighteen year of age." According to Leland, however, he was educated at Oxford, proceeding thence to France and the Netherlands, to finish his studies; but there remains no certain evidence of his having belonged to either University. At the same time, it is not doubted that his family was of good condition; and, whether or not we accept the assertion that his father held the rank of knighthood — rejecting the hypotheses that make him a merchant, or a vintner "at the corner of Kirton Lane" — it is plain, from Chaucer's whole career, that he had introductions to public life, and recommendations to courtly favour, wholly independent of his genius. We have the clearest testimony that his mental training was of wide range and thorough excellence, altogether rare for a mere courtier in those days: his poems attest his intimate acquaintance with the divinity, the philosophy, and the scholarship of his time, and show him to have had the sciences, as then developed and taught, "at his fingers' ends." Another proof of Chaucer's good birth and fortune would he found in the statement that, after his University career was completed, he entered the Inner Temple - - the expenses of which could be borne only by men of noble and opulent families; but although there is a story that he was once fined two shillings for thrashing a Franciscan friar in Fleet Street, we have no direct authority for believing that the poet devoted himself to the uncongenial study of the law. No special display of knowledge on that subject appears in his works; yet in the sketch of the Manciple, in the Prologue to the Canterbury Tales, may be found indications of his familiarity with the internal economy of the Inns of Court; while numerous legal phrases and references hint that his comprehensive information was not at fault on legal matters. Leland says that he quitted the University "a ready logician, a smooth rhetorician, a pleasant poet, a grave philosopher, an ingenious mathematician, and a holy divine;" and by all accounts, when Geoffrey Chaucer comes before us authentically for the first time, at the age of thirty-one, he was possessed of knowledge and accomplishments far beyond the common standard of his day.

Chaucer at this period possessed also other qualities fitted to recommend him to favour in a Court like that of Edward III. Urry describes him, on the authority of a portrait, as being then "of a fair beautiful complexion, his lips red and full, his size of a just medium, and his port and air graceful and majestic. So," continues the ardent biographer, — "so that every ornament that could claim the approbation of the great and fair, his abilities to record the valour of the one, and celebrate the beauty of the other, and his wit and gentle behaviour to converse with both, conspired to make him a complete courtier." If we believe that his "Court of Love" had received such publicity as the literary media of the time allowed in the somewhat narrow and select literary world — not to speak of "Troilus and Cressida," which, as Lydgate mentions it first among Chaucer's works, some have supposed to be a youthful production — we find a third and not less powerful recommendation to the favour of the great co- operating with his learning and his gallant bearing. Elsewhere <2> reasons have been shown for doubt whether "Troilus and Cressida" should not be assigned to a later period of Chaucer's life; but very little is positively known about the dates and sequence of his various works. In the year 1386, being called as witness with regard to a contest on a point of heraldry between Lord Scrope and Sir Robert Grosvenor, Chaucer deposed that he entered on his military career in 1359. In that year Edward III invaded France, for the third time, in pursuit of his claim to the French crown; and we may fancy that, in describing the embarkation of the knights in "Chaucer's Dream", the poet gained some of the vividness and stir of his picture from his recollections of the embarkation of the splendid and well- appointed royal host at Sandwich, on board the eleven hundred transports provided for the enterprise. In this expedition the laurels of Poitiers were flung on the ground; after vainly attempting Rheims and Paris, Edward was constrained, by cruel weather and lack of provisions, to retreat toward his ships; the fury of the elements made the retreat more disastrous than an overthrow in pitched battle; horses and men perished by thousands, or fell into the hands of the pursuing French. Chaucer, who had been made prisoner at the siege of Retters, was among the captives in the possession of France when the treaty of Bretigny — the "great peace" — was concluded, in May, 1360. Returning to England, as we may suppose, at the peace, the poet, ere long, fell into another and a pleasanter captivity; for his marriage is generally believed to have taken place shortly after his release from foreign durance. He had already gained the personal friendship and favour of John of Gaunt, Duke of Lancaster, the King's son; the Duke, while Earl of Richmond, had courted, and won to wife after a certain delay, Blanche, daughter and co-heiress of Henry Duke of Lancaster; and Chaucer is by some believed to have written "The Assembly of Fowls" to celebrate the wooing, as he wrote "Chaucer's Dream" to celebrate the wedding, of his patron. The marriage took place in 1359, the year of Chaucer's expedition to France; and as, in "The Assembly of Fowls," the formel or female eagle, who is supposed to represent the Lady Blanche, begs that her choice of a mate may be deferred for a year, 1358 and 1359 have been assigned as the respective dates of the two poems already mentioned. In the "Dream," Chaucer prominently introduces his own lady-love, to whom, after the happy union of his patron with the Lady Blanche, he is wedded amid great rejoicing; and various expressions in the same poem show that not only was the poet high in favour with the illustrious pair, but that his future wife had also peculiar claims on their regard.