"We are a vain people," he admitted, good-naturedly, "and it is possible that we place too much value on personal appearances. We vie with one another in the splendor of our accoutrements when trapped for the observance of the lighter duties of life, though when we take the field our leather is the plainest I ever have seen worn by fighting men of Barsoom. We pride ourselves, too, upon our physical beauty, and especially upon the beauty of our women. May I dare to say, Tara of Helium, that I am hoping for the day when you will visit Gathol that my people may see one who is really beautiful?"

"The women of Helium are taught to frown with displeasure upon the tongue of the flatterer," rejoined the girl, but Gahan, Jed of Gathol, observed that she smiled as she said it.

A bugle sounded, clear and sweet, above the laughter and the talk. "The Dance of Barsoom!" exclaimed the young warrior. "I claim you for it, Tara of Helium."

The girl glanced in the direction of the bench where she had last seen Djor Kantos. He was not in sight. She inclined her head in assent to the claim of the Gatholian. Slaves were passing among the guests, distributing small musical instruments of a single string. Upon each instrument were characters which indicated the pitch and length of its tone. The instruments were of skeel, the string of gut, and were shaped to fit the left forearm of the dancer, to which it was strapped. There was also a ring wound with gut which was worn between the first and second joints of the index finger of the right hand and which, when passed over the string of the instrument, elicited the single note required of the dancer.

The guests had risen and were slowly making their way toward the expanse of scarlet sward at the south end of the gardens where the dance was to be held, when Djor Kantos came hurriedly toward Tara of Helium. "I claim—" he exclaimed as he neared her; but she interrupted him with a gesture.

"You are too late, Djor Kantos," she cried in mock anger. "No laggard may claim Tara of Helium; but haste now lest thou lose also Olvia Marthis, whom I have never seen wait long to be claimed for this or any other dance."

"I have already lost her," admitted Djor Kantos ruefully.

"And you mean to say that you came for Tara of Helium only after having lost Olvia Marthis?" demanded the girl, still simulating displeasure.

"Oh, Tara of Helium, you know better than that," insisted the young man. "Was it not natural that I should assume that you would expect me, who alone has claimed you for the Dance of Barsoom for at least twelve times past?"

"And sit and play with my thumbs until you saw fit to come for me?" she questioned. "Ah, no, Djor Kantos; Tara of Helium is for no laggard," and she threw him a sweet smile and passed on toward the assembling dancers with Gahan, Jed of far Gathol.

The Dance of Barsoom bears a relation similar to the more formal dancing functions of Mars that The Grand March does to ours, though it is infinitely more intricate and more beautiful. Before a Martian youth of either sex may attend an important social function where there is dancing, he must have become proficient in at least three dances—The Dance of Barsoom, his national dance, and the dance of his city. In these three dances the dancers furnish their own music, which never varies; nor do the steps or figures vary, having been handed down from time immemorial. All Barsoomian dances are stately and beautiful, but The Dance of Barsoom is a wondrous epic of motion and harmony—there is no grotesque posturing, no vulgar or suggestive movements. It has been described as the interpretation of the highest ideals of a world that aspired to grace and beauty and chastity in woman, and strength and dignity and loyalty in man.

Today, John Carter, Warlord of Mars, with Dejah Thoris, his mate, led in the dancing, and if there was another couple that vied with them in possession of the silent admiration of the guests it was the resplendent Jed of Gathol and his beautiful partner. In the ever-changing figures of the dance the man found himself now with the girl's hand in his and again with an arm about the lithe body that the jeweled harness but inadequately covered, and the girl, though she had danced a thousand dances in the past, realized for the first time the personal contact of a man's arm against her naked flesh. It troubled her that she should notice it, and she looked up questioningly and almost with displeasure at the man as though it was his fault. Their eyes met and she saw in his that which she had never seen in the eyes of Djor Kantos. It was at the very end of the dance and they both stopped suddenly with the music and stood there looking straight into each other's eyes. It was Gahan of Gathol who spoke first.

"Tara of Helium, I love you!" he said.

The girl drew herself to her full height. "The Jed of Gathol forgets himself," she exclaimed haughtily.

"The Jed of Gathol would forget everything but you, Tara of Helium," he replied. Fiercely he pressed the soft hand that he still retained from the last position of the dance. "I love you, Tara of Helium," he repeated. "Why should your ears refuse to hear what your eyes but just now did not refuse to see—and answer?"

"What meanest thou?" she cried. "Are the men of Gathol such boors, then?"

"They are neither boors nor fools," he replied, quietly. "They know when they love a woman—and when she loves them."

Tara of Helium stamped her little foot in anger. "Go!" she said, "before it is necessary to acquaint my father with the dishonor of his guest."

She turned and walked away.