The strange illusion was compelling. For them, there was no doubt that a miracle had happened, one of the kind often authenticated, told and retold—the Madonna, whose features were obviously those of the young mother in the picture, was protecting her own likeness. Pangs of conscience were aroused in them when they saw the girl’s face, which seemed to them nothing short of the picture come to life. They had never been more devout that in that fleeting moment.

But others were already storming up. Torches illuminated the group standing there rigid and the girl pressing close to the altar, hardly moving herself. Noise flooded into the silence. At the back a woman’s shrill voice cried, “Go on, go on, it’s only the Jew girl from the tavern.” And suddenly the spell was broken. In shame and rage, the humiliated rioters stormed on. A rough fist pushed Esther aside. She swayed. But she kept on her feet, she was fighting for the picture as if it really were her own warm life. Swinging a heavy silver candlestick, she hit out furiously at the iconoclasts with her old defiance; one of them fell, cursing, but another took his place. A dagger glinted like a short red lightning flash, and Esther stumbled and fell. Already the pieces of the splintered altar were raining down on her, but she felt no more pain. The picture of the Madonna and Child, and the picture of the Madonna of the Wounded Heart both fell under a single furious blow from an axe.

And the raving crowd stormed on; from church to church went the looters, filling the streets with terrible noise. A dreadful night fell over Antwerp. Terror and trembling made its way into houses with the news, and hearts beat in fear behind barred gates. But the flame of rebellion was waving like a banner over the whole country.

The old painter, too, shuddered with fear when he heard the news that the iconoclasts were abroad. His knees trembled, and he held a crucifix in his imploring hands to pray for the safety of his picture, the picture given him by the revelation of God’s grace. For a whole wild, dark night dreadful ideas tormented him. And at first light of dawn he could not stay at home any longer.

Outside the cathedral, his last hope faded and fell like one of the overturned statues. The doors had been broken down, and rags and splinters showed where the iconoclasts had been like a bloody trail left behind them. He groped his laborious way through the dark to his picture. His hands went out to the shrine, but they met empty air, and sank wearily to his sides again. The faith in his breast that had sung its pious song in praise of God’s grace for so many years suddenly flew away like a frightened swallow.

At last he pulled himself together and struck a light, which flared briefly from his tinder, illuminating a scene that made him stagger back. On the ground, among ruins, lay the Italian master’s sweetly sad Madonna, the Madonna of the Wounded Heart, transfixed by a dagger thrust. But it was not the picture, it was the figure of the Madonna herself. Cold sweat stood out on his brow as the flame went out again. He thought this must be a bad dream. When he struck his tinder again, however, he recognised Esther lying there dead of her wound.