And sure enough, spring is not far away. Soon it will be bringing buds and green leaves back again, and will lift the white shrouds from the grave of the poor, lost, frozen Jews who have never known true spring in their lives.
To my dear friend Hans Müller
GREY MIST LAY LOW over Antwerp, enveloping the city entirely in its dense and heavy swathes. The shapes of houses were blurred in the fine, smoky vapour, and you could not see to the end of the street, but overhead there was ringing in the air, a deep sound like the word of God coming out of the clouds, for the muted voices of the bells in the church towers, calling their congregations to prayer, had also merged in the great, wild sea of mist filling the city and the countryside around, and encompassing the restless, softly roaring waters of the sea far away in the harbour. Here and there a faint gleam struggled against the damp grey mist, trying to light up a gaudy shop sign, but only muffled noise and throaty laughter told you where to find the taverns in which freezing customers gathered, complaining of the weather. The alleys seemed empty, and any passers-by were seen only as fleeting impressions that soon dissolved into the mist. It was a dismal, depressing Sunday morning.
Only the bells called and pealed as if desperately, while the mist stifled their cries. For the devout were few and far between; foreign heresy had found a foothold in this land, and even those who had not abandoned their old faith were less assiduous and zealous in the service of the Lord. Heavy morning mists were enough to keep many away from their devotions. Wrinkled old women busily telling their beads, poor folk in their plain Sunday best stood looking lost in the long, dark aisles of the churches, where the shining gold of altars and chapels and the priests’ bright chasubles shone like a mild and gentle flame. But the mist seemed to have seeped through the high walls, for here, too, the chilly and sad mood of the deserted streets prevailed. The morning sermon itself was cold and austere, without a ray of sunlight to brighten it. It was preached against the Protestants, and the driving force behind it was furious rage, hatred along with a strong sense of power, for the time for moderation was over, and good news from Spain had reached the clerics—the new king served the work of the Church with admirable fervour. In his sermon, the preacher united graphic descriptions of the Last Judgement with dark words of admonition for the immediate future. If there had been a large congregation, his words might have been passed on by the faithful murmuring in their pews to a great crowd of hearers, but as it was they dropped into the dark void with a dull echo, as if frozen in the moist, chilly air.
During the storm two men had quickly entered the main porch of the cathedral, their faces obscured at first by wind-blown hair and voluminous coats with collars turned up high. The taller man shed his damp coat to reveal the honest but not especially striking features of a portly man in the rich clothing suitable for a merchant. The other was a stranger figure, although not because of anything unusual in his clothing; his gentle, unhurried movements and his rather big-boned, rustic but kindly face, surrounded by abundant waving white hair, lent him the mild aspect of an evangelist. They both said a short prayer, and then the merchant signed to his older companion to follow him. They went slowly, with measured steps, into the side aisle, which was almost entirely in darkness because dank air made the candles gutter, and heavy clouds that refused to lift still obscured the bright face of the sun. The merchant stopped at one of the small side chapels, most of which contained devotional items promised to the Church as donations by the old families of the city, and pointing to one of the little altars he said, “Here it is.”
The other man came closer and shaded his eyes with his hand to see it better in the dim light. One wing of the altarpiece was occupied by a painting in clear colours made even softer by the twilight, and it immediately caught the old painter’s eye. It showed the Virgin Mary, her heart transfixed by a sword, and despite the pain and sorrow of the subject it was a gentle work with an aura of reconciliation about it. Mary had a strangely sweet face, not so much that of the Mother of God as of a dreaming girl in the bloom of youth, but with the idea of pain tingeing the smiling beauty of a playful, carefree nature. Thick black hair tumbling down softly surrounded a small, pale but radiant face with very red lips, glowing like a crimson wound. The features were wonderfully delicate, and many of the brushstrokes, for instance in the assured, slender curve of the eyebrows, gave an almost yearning expression to the beauty of the tender face. The Virgin’s dark eyes were deep in thought, as if dreaming of another brighter and sweeter world from which her pain was stealing her away. The hands were folded in gentle devotion, and her breast still seemed to be quivering with slight fear at the cold touch of the sword piercing her. Blood from her wound ran along it. All this was bathed in a wonderful radiance surrounding her head with golden flame, and even her heart glowed like the mystical light of the chalice in the stained glass of the church windows when sunlight fell through them. And the twilight around it took the last touch of worldliness from this picture, so that the halo around the sweet girlish face shone with the true radiance of transfiguration.
Almost abruptly, the painter tore himself away from his lengthy admiration of the picture. “None of our countrymen painted this,” he said.
The merchant nodded in agreement.
“No, it is by an Italian.
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