She put her fingers to her mouth. ‘Not shoot,’ he said.

But the moving of her arm drew the neck of her dress apart, and he stared in wonder at her wide, white forehead, her frightened eyes and mouth, and down on to the flowers on her dress. With the moving of her arm, her dress danced in the light. She sat before him, covered in flowers. ‘Sleep,’ said the madman. And, kneeling down, he put his bewildered head upon her lap.

The Visitor

His hands were weary, though all night they had lain over the sheets of his bed and he had moved them only to his mouth and his wild heart. The veins ran, unhealthily blue streams, into the white sea. Milk at his side steamed out of a chipped cup. He smelt the morning, and knew that cocks in the yard were putting back their heads and crowing at the sun. What were the sheets around him if not the covering sheets of the dead? What was the busy-voiced clock, sounding between photographs of mother and dead wife, if not the voice of an old enemy? Time was merciful enough to let the sun shine on his bed, and merciless to chime the sun away when night came over and even more he needed the red light and the clear heat.

Rhianon was attendant on a dead man, and put the chipped edge of the cup to a dead lip. It could not be heart that beat under the ribs. Hearts do not beat in the dead. While he had lain ready for the inch-tape and the acid, Rhianon had cut open his chest with a book-knife, torn out the heart, put in the clock. He heard her say, for the third time, Drink the lovely milk. And, feeling it run sour over his tongue, and her hand caress his forehead, he knew he was not dead. He was a living man. For many miles the months flowed into the years, rounding the dry days.

Callaghan to-day would sit and talk with him. He heard in his brain the voices of Callaghan and Rhianon battle until he slept, and tasted the blood of words. His hands were weary. He brooded over his long, white body, marking the ribs stick through the sides. The hands had held other hands and thrown a ball high into the air. Now they were dead hands. He could wind them about his hair and let them rest untingling on his belly or lose them in the valley between Rhianon’s breasts. It did not matter what he did with them. They were as dead as the hands of the clock, and moved to clockwork.

Shall I close the windows until the sun’s warmer? said Rhianon.

I’m not cold.

He would tell her that the dead feel neither cold nor warmth, sun and wind could never penetrate his cloths. But she would laugh in her kind way and kiss him on the forehead and say to him, Peter, what’s getting you down? You’ll be out and about one day. One day he would walk on the Jarvis hills like a boy’s ghost, and hear the people say, There walks the ghost of Peter, a poet, who was dead for years before they buried him.

Rhianon tucked the sheets around his shoulders, gave him a morning kiss, and carried the chipped cup away.

A man with a brush had drawn a rib of colour under the sun and painted many circles around the circle of the sun. Death was a man with a scythe, but that summer day no living stalk was to be cut down.

The invalid waited for his visitor. Peter waited for Callaghan. His room was a world within a world.