. . . She dared not look at him again. She would have risen and fled away, but she feared he might pursue her, and the thought of such a chase and the inevitable capture froze her blood. The thought of anything behind us is always terrible. The sound of pursuing feet is worse than the murder from which we fly.—So she sat still and waited, but nothing happened. At last, desperately, she dropped her hands. He was sitting on the ground a few paces from her. He was not looking at her, but far away sidewards across the spreading hill. His legs were crossed; they were shaggy and hoofed like the legs of a goat: but she would not look at these because of his wonderful, sad, grotesque face. Gaiety is good to look upon and an innocent face is delightful to our souls, but no woman can resist sadness or weakness, and ugliness she dare not resist. Her nature leaps to be the comforter. It is her reason. It exalts her to an ecstasy wherein nothing but the sacrifice of herself has any proportion. Men are not fathers by instinct but by chance, but women are mothers beyond thought, beyond instinct which is the father of thought. Motherliness, pity, self-sacrifice—these are the charges of her primal cell, and not even the discovery that men are comedians, liars, and egotists will wean her from this. As she looked at the pathos of his face she repudiated the hideousness of his body. The beast which is in all men is glossed by women; it is his childishness, the destructive energy inseparable from youth and high spirits, and it is always forgiven by women, often forgotten, sometimes, and not rarely, cherished and fostered.

After a few moments of this silence he placed the reed to his lips and played a plaintive little air, and then he spoke to her in a strange voice, coming like a wind from distant places.

"What is your name, shepherd girl?" said he.

"Caitilin, Ingin Ni Murrachu," she whispered.

"Daughter of Murrachu," said he, "I have come from a far place where there are high hills. The men and maidens who follow their flocks in that place know me and love me, for I am the Master of the Shepherds. They sing and dance and are glad when I come to them in the sunlight; but in this country no people have done any reverence to me. The shepherds fly away when they hear my pipes in the pastures; the maidens scream in fear when I dance to them in the meadows. I am very lonely in this strange country. You also, although you danced to the music of my pipes, have covered your face against me and made no reverence."

"I will do whatever you say if it is right," said she.

"You must not do anything because it is right, but because it is your wish. Right is a word and Wrong is a word, but the sun shines in the morning and the dew falls in the dusk without thinking of these words which have no meaning. The bee flies to the flower and the seed goes abroad and is happy. Is that right, Shepherd Girl?—it is wrong also, I come to you because the bee goes to the flower—it is wrong! If I did not come to you to whom would I go? There is no right and no wrong, but only the will of the gods."

"I am afraid of you," said the girl.

"You fear me because my legs are shaggy like the legs of a goat. Look at them well, O Maiden, and know that they are indeed the legs of a beast and then you will not be afraid any more. Do you not love beasts? Surely you should love them for they yearn to you humbly or fiercely, craving your hand upon their heads as I do. If I were not fashioned thus I would not come to you because I would not need you. Man is a god and a brute.